Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper

(RATING: ☆☆☆☆ out of 5)

THIS FILM IS RECOMMENDED.

IN BRIEF: A well made documentary that has enough style and flair to hide a few deficiencies.

GRADE: B

SYNOPSIS: A up-close look into the relationship of a well known mother and her equally famous son.

Newscaster Anderson Cooper produced this documentary as a means to connect more openly with his mother. Their atypical lives are on full display and while the film may want to express a candid view into the Vanderbilt family and their past, it does not go into much depth about Mr. Cooper's private life and sexuality, his mother's digressions, or her estrangement from one of her sons, Chris, from another marriage. Some areas are still taboo in this supposedly tell-all biography, but there is still plenty of footage and facts that remain fascinating and of historical interest.

Ms. Gloria Vanderbilt is now 91 years of age and her tumultuous life is shown from her "poor little rich girl" beginnings and the "trial of the century" child custody case through her three failed marriages including rocky relationships with Frank Sinatra and Sidney Lumet, to her successful sojourn into the world of fashion, art, and business. Less time is spent on Mr. Cooper and his own personal rise as a photo journalist and reporter, including his private gay life and his deliberate break with the family to achieve his own fame and fortune, an aspect that would have made the film more involving and honest.

Director Liz Garbus uses many imaginative ways to create a video scrapbook of the family's mercurial events by incorporating Ms. Vanderbilt's colorful art with archival footage that explains the many detours and obstacles in her life. The film is expertly assembled, with strong photography by Tom Hurwitz and skillful editing by Karen Sim, to help portray the various events that cover nearly a century of American history. Interviews with family members and friends add other points of view, although the film rarely shows any negative treatment of either Mr. Cooper or his mother.

The film focuses on little Gloria origins starting with the sudden death of her father and the abandonment of her court-designated "unfit" mother. Her life led her to rebellion and an abusive marriage at the age of seventeen. Other marriages failed including her relationship with famed conductor Leopold Stokowski, who was 40 years her senior. She dabbled in acting, modeling, and painting along her journey before finding true love with a Hollywood screenwriter, Wyatt Cooper, and giving birth to two sons, Carter (who committed suicide at the age of 22, as his mother watched helplessly) and his younger brother, Anderson.

The film is stylishly done, using popular music to help define certain eras. The images are uniformly strong, although some of the interviews between mother and son seem a tad rehearsed, purposely avoiding some topics. Certain scenes dwell on tragedy, such as the sudden death of Gloria's devoted husband and a staged visit to her dead son's grave-site. These segments are poignant but manipulative as well.

Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper is an intriguing look at this wealthy heiress and self-made business tycoon, even if some important details are missing. Perhaps, Ms. Vanderbilt's own words can sum up this woman succinctly: "I have inside me the image of a rock-hard diamond that nothing can get at, and nothing can crack, and I've always known that about myself." Her hard outer shell protects a fragile beauty that continues to shine. So does her film.

NOTE: The film is now showing on HBO and CNN. It was recently in competition at the Sundance Festival.

Visit my blog at: www.dearmoviegoer.com

ANY COMMENTS: Please contact me at: jadepietro@rcn.com

Are the rich different? Living a life right out of a John Irving novel, in which the invisible strings of fate seem to undermine even the most glamorous and financially secure lives, the answer is "apparently not." In this unflinching look at the tragedies of his mother's life, some self-created from her very publicly scarred childhood, Anderson Cooper is also unafraid to show his personal pain as these tragedies have played out quite tangibly in his life. Anderson Cooper lays bare the family pain that most of us spend a great deal of energy to conceal, and the result is not only a love letter to his brave and unflinching mother, but to all of us. A transcendent experience that brings us beyond class structure to an understanding of how tragedy can shape our lives and bring about beautiful contributions - in art (Gloria) - and in bearing witness to others pain (Anderson). I can't quite put my finger on it, but this film feels as if it has created a new genre - beyond reality TV into REALITY TV. It is as if we were able to listen in as the Kardashian's attended confession. Moving, vivid, sophisticated, unrelenting, honest, and a true gift.

The story of her life is full of great moments. Exquisite taste and superbly elegant. I highly admire Anderson Cooper because of his bright mind and full of content. Always his tv work is a guarantee of seriousness and full of insights. I would never miss anything by any chance a work made by Anderson. He is a contemporaneous tv icon and wishing he lives long long in good shape to see him working hard as as of now, really hope that.

I was really delighted listening the music of this documentary and the amazing amount of memories collected either physically and memorable accumulated and conserved.

Long life to Anderson!

I watched this movie for 2 hours

It was quite possibly the saddest thing I have ever seen on color TV.

Liz Garbus does a fabulous job on this documentary, but it does not take away the fact Gloria may have had money but not much more in her life.

I live a modest life myself, my parents loved me, my husband and I live together and our kids may have not have everything, but we had each other.

I would not trade my shabby little life for a cash mountain if it were at the cost of losing children and family

bottom line, if you don't have your family and or good friends

you may just only have a full wallet

signed sad in New York

It was a very candid look into her life. Well done. But gosh the whole family is a bit sad and cold. At the end of the film. Anderson said he was visiting his brother's grave for the first time since the funeral'. This had been almost 30 years. Why? Definite lack of closeness in this family. So sad.