Ghost Stories

This portmanteau film is made up of 3 scary ghost stories, all investigated by a man of science who is convinced the paranormal can be explained away with mundane explanations. A mysterious package leads him to investigate these 3 spooky tales. Great acting, well shot and directed, with a very British sense of humour sprinkled throughout. Do not read too much about this movie, just go and experience it, I think you will find it scary, interesting and most of all worth your time.

British horrors are hit and miss with me, some are excessively uneasy to watch ('Eden Lake') whilst others are suitably atmospheric ('The Descent'). So when I saw the trailer to Ghost Stories, I immediately tempered expectations but what I saw increasingly intrigued me. The end result...was not what I predicted. A professor who takes pride at debunking psychic frauds, is given a task by his role model. He must investigate three unexplainable cases that challenge the existence of supernatural entities. An intriguing premise that will appeal to many, its execution however may not. Structuring its narrative through three short stories, each with a paranormal theme, whilst intertwining the cases into a coherent investigation. Combining real life conditions, such as stress, depression and loneliness, with a ghostly undertone certainly translates "the brain sees what it wants you to see" theme very well. The three cases themselves were convincingly atmospheric as they injected much needed chills and thrills to this horror flick. The main story itself, although basic, was ambiguously surreal and will leave you guessing right up to the final reveal. The acting was splendid from the whole cast, particularly Whitehouse and Lawther, hosting an array of British accents. Was it scary? No. Every single scare was accompanied with a piercing loud noise to ensure that you jump. That's not frightening, that's damn irritating! The makeup effects of the poltergeists were lacklustre. The second case should've been much scarier, but instead was rather hilarious. "Staaay!"...yeah, I wished you did. Could've enhanced the horror some more. Then we get to the ending, which is possibly one of the surrealist safest endings I've ever seen. The breadcrumbs throughout the film were intelligently positioned, but I feel it followed the same premise as an all too famous 1995 film (I won't say the title, it'll spoil it). The film is intelligently creepy, it's just not scary and it's conclusion didn't deliver any impact for me.

As long as you immerse yourself in the film and don't try to critique it in that annoying "why did they go out and search" sort of way, then you will enjoy it. There are jump scares and it is a good British horror film. I enjoyed it, i felt entertained but then I like to broaden my horror movie horizons and don't rely on cgi or a new 'twist' to entertain me. So, give it a go...don't listen to the millennials who don't know the 'traditional' horror film or this that want a quick resolution. It is what it is: a good British horror.

A cut above the usual skeptic vs supernatural movie, necessarily episodic, with a good vein of comedy and a strong sense of dread. Like the rest of its little genre, it has interesting things to say about the social role of the paranormal, but it comes alive when it turns its attention to its protagonist.

Written and directed by Jeremy Dyson and Andy Nyman, Ghost Stories focuses on a certain Professor Goodman (portrayed by Andy Nyman himself), a man who has found some level of career fame in exposing and debunking the work of fraudulent so-called psychics.

The arrival of a mysterious package one day from a famous TV psychic investigator from Goodman's own childhood era, Charles Cameron (Leonard Byrne) - a man thought to be long dead and whose own disappearance years before had been shrouded in mystery - soon changes the course of Goodman's future work, dramatically.

It transpires that there are three ghostly mysteries that Cameron himself had wrestled with throughout his life, yet they remain unresolved to this day. It is Cameron's wish, in his old age, that Goodman should now investigate them and bring some much needed resolution to proceedings.

Armed with each of the case files, Goodman sets about tracking down the three key proponents, upon whose testimony these apparent other-worldly happenings are based.

Though somewhat shaken by his findings, Goodman's own innate scepticism leads him to believe that each of these cases can easily be explained away through the simple application of science and logic.

But sometimes it's the psychological uncertainties of our own minds that can provide the biggest clues when we seek to make sense of the seemingly inexplicable.

Dyson and Nyman's Ghost Stories works effectively for much of its duration as an apparently straight forward, slightly hammed-up spook-fest, though there is little by way of conclusions that can be garnered on face value from any of the three tales.

But alarm bells should begin to ring for the viewer when one considers that the first two tales are told from the perspective of a couple of characters who, despite ultimately finding themselves cornered by forces of evil and in apparently terminally hopeless predicaments, both still somehow manage to live to tell the tale. And it's only once the third tale reaches it's climactic 'conclusion' that events really start to take a peculiar twist, and Ghost Stories slips into an even more intriguing dimension altogether; one whose narrative slips and slides between apparently random events of varied illogic, yet one which ultimately helps to tie the film's pieces neatly and cleverly together.

There are a few passing parallels with landmark horror films of yesteryear. Elements of Poltergeist and The Blair Witch Project are apparent in places, but curiously it's a sort of tongue-in-cheek, 'hammer house' atmosphere that is most prevalent here. And although admittedly bearing little resemblance, content-wise, Roy Ward Baker's 1981 ghoulish and very British, twist-in-the-tale offering, The Monster Club, with its own lightly comical regaling of three haunting tales - is for me, somehow the film that I am most reminded of.

Certainly, within their own film, Dyson and Nyman are unafraid to administer generous doses of gallows humour in just the right places, and the casting of two chiefly comic actors in Martin Freeman and Paul Whitehouse - both of whom are excellent here - in two of the film's key roles, certainly helps with regard to this, whilst Nyman's own rather more straight portrayal of a man with an emotionally-scarred past, is equally impressive.

Whether it's to be considered a mysterious cognitive thriller or simply a ghostly shocker, either way, Ghost Stories is highly effective, lingering on in the memory the way all good cerebrally-challenging psychological horrors should.

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