अपनी भाषा में प्लॉट जोड़ेंA police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.A police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.A police officer assigned alarm dispatch duty enters a race against time when he answers an emergency call from a kidnapped woman.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 38 जीत और कुल 43 नामांकन
Jessica Dinnage
- Iben
- (वॉइस)
Omar Shargawi
- Rashid
- (वॉइस)
Johan Gotthardt Olsen
- Michael
- (वॉइस)
- (as Johan Olsen)
Jacob Lohmann
- Bo
- (वॉइस)
- (as Jacob Hauberg Lohmann)
Simon Bennebjerg
- Junkie
- (वॉइस)
Laura Bro
- Journalist
- (वॉइस)
फ़ीचर्ड समीक्षाएं
In the vein of Locke, this super low-budget but effective thriller had me on the edge of my seat. It had the appropriate twists and turns to keep the audience guessing. It played with my emotions and had me in tears. How come Danish films are often just so good?
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
Unfolding in real time, this immediately involving story bends and turns in surprising, sometimes horrifying ways. Enriched by Oskar Skriver's marvelous sound editing, which takes us from a speeding van to a bloodcurdling crime scene with equal authenticity, the movie smoothly blends police procedural with character study. What's happening on the end of Asger's phone line is gripping enough, but what's happening inside his head - illuminated by Jasper Spanning's almost abusive close-ups - is every bit as fascinating.
"The Guilty" is one of those one-man show movies that revolve around a single character in a single location working through some sort of dramatic situation. In this film, the character is a cop who's been put on 911 call center duty while he awaits trial for misconduct on the job. The way he handles the emergency that falls into his lap and the way he goes about making decisions, most of them bad ones, tells us a lot about him and how he probably ended up on trial in the first place.
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
Movies like this are always going to feel to a certain extent like gimmicks and will have to deal with the distractions that come with that (How will it maintain dramatic tension? How will it remain visually engaging?) This one uses a plot twist that serves to both throw the audience for a loop and reveal much about our main character, namely that he makes a whole heap of assumptions when dealing with a crisis scenario, not the best attribute for a police officer.
A slick, effective little thriller that's well worth your time.
Grade: A-
I watched the Netflix film first, and then thanks to the reviews on that one, discovered this Danish original and watched that too.
The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!
The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.
The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.
If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose this original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)
The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!
The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.
The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.
If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose this original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)
I watched this at the festival where after the projection we had a QA session with the director.
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
The Film itself is technically impressive, all framed within 2 rooms where all you'll see is the main character at the phone and very little more. This is not a limitation but instead the strength of the Movie itself; it's all about guided imagination. The dialogues push your figurative skills to build this outdoor world that is intentionally not shown to you.
There has been a lot of background work/preparation for this Film and it's all visible in the final product.
The director did a great job alternating long moments of high tension with some short funny ones to engage the audience.
I do consider this Movie very unique and original but you might find some similarities with Locke and perhaps also Phone Boot where a series of phone calls is the actual stage.
Unmissable title for 2018
Bravo!
I watched this in theatre, and when it finished I found out that I didn't finish my overpriced beer. Haven't been this engaged in a movie in a while
10/10!
क्या आपको पता है
- ट्रिवियाThe genesis of the film was a YouTube clip of a kidnapped woman calling an emergency dispatcher while her kidnapper sat nearby. Director Gustav Möller was struck by how much an audio clip could convey on its own with no visual accompaniment.
- गूफ़When Asger is having a phone conversation (1:11:30) his forefinger is on the cell phone but in the next scene the forefinger is on his cheek.
- भाव
Vagtleder Nordsjælland: Good job, Asger.
- कनेक्शनFeatured in La noche de...: La Noche de... The Guilty (2022)
- साउंडट्रैकUntitled
Composed by Lasse Martinussen
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Guilty?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Den Skyldige
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $2,07,140
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $60,050
- 21 अक्टू॰ 2018
- दुनिया भर में सकल
- $45,98,051
- चलने की अवधि
- 1 घं 25 मि(85 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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