Nommer 37

Especially if you are watching this in Germany and or another country that puts the comparison or likelihood in the title. Rear Window or Fenster zum Hof = Window to the yard is the Hitchock movie I'm talking about. So this movie is called "Fenster zum Tod" = Window to Death ... and if you watch this, it is not far fetched. There are simillarities to say the least.

But while we have someone watching someone else through their window, this is not as tense as the Original was. If you compare those two, you most likely will not like this newer altered version of it. Unless you are into action and characters doing things as wrong/stupid as possible to create even more tension ... still overall you can enjoy this for what it is ...

The true tragedy that makes this film so powerful comes from the unfortunate truth that humans are inherently "greedy little piggies". Director/Writer Nosipho Dumisa powerfully embodies this flaw in each of her characters, and makes it highly individualized through a screenplay that relies more on character development than gore. The conflict of every role is crafted by powerful performances, particularly Monique Rockman, who plays her role of the abused girlfriend as seemingly regretful more than she is spiteful. Every instance of tension is capped-off by an unwarranted act of violence that draws sympathy from audiences. Dumisa makes it impossible to ignore the unfortunate circumstances that protagonists and antagonists alike are thrown into, which had such a strong impact that I found myself questioning my own morality as I exited the theater.

The first half fades slightly, but in the second half the film gains more of its tempo and tension. Toward the end we are rewarded with a cool end ... you can watch the movie.

Nommer 37 is a good South African thriller and a strong film from the Cape Flats with nail biting anxiety and suspense. A man caught in debt, drug and gangster related crime falls deeper into trouble when a constraining injury results in him relying on the care of his girlfriend. The film shows relevant issues that people from the Cape Flats must deal with daily as well as a tumultuous love story on the Flats.

The film has great acting from the two leads, played by Irshaad Ally and Monique Rockman. The performance from the whole cast also gives a strong picture of life on the Cape Flats. For Afrikaans viewers the dialogue is something special as the specific Cape dialect is used very well and effectively throughout the film. The directing was done well and was some of the better and original work from the last decade in South Africa, especially in the Afrikaans film genre.

This film does contain story elements which was clearly influenced by Alfred Hitchcock's film Rear Window (1954). The fifties Hitchcock film is however probably only known by a few South Africans which would make this film for most viewers a new and refreshing story with strong South African characterization.

Recommend this film to every South African who wants to see a good thriller from their own country and to any person who wants a better understanding of the stresses that people who live in the Cape Flats endure.

Saw this at Sydney Film Festival 2018, hosted by Nosipho. Fantastic interpretation of original concept. The subtitles proved useful for conveying the original lamguage wit. Dialogue and scenes well integrated into modern South Africa, but with a global appeal. I though Randall did a fantastic acting job, and the other sub characters had meaning. I may be biased by previously living in the Cape, but even my global friends understood the messages and screen play. My only critique was that the police woman's capitulation to corruption could have been further played out, but this is minor and does not distract from the main plot.