Strange Angel

I don't know what's going on with the people that score that tv show so poorly. It so obvious when you give it a try that this show is being created with real creativity, a story line super interesting, the quality of image undeniable, where actors are good at what they portray...the way the fantasy mixes with reality is not overdone but brings a definite plus to the watcher. I hope even with the low rating it will remain as this show is awesome! Give it try!

This show is fascinating and top notch in every way script/acting/production. I hope it is finding its audience and gets to finish telling it's amazing story!

It's a vanishingly rare occurrence for the occult to crop up in popular entertainment outside of the horror genre, but "Strange Angel" is that rare breed.

If you dial back a few decades from the birth of the 1960's counter-culture in California and look for the precursors of psychedelia, LSD & Hippies, you could trace some of its parentage to the bohemian experimentalists in "Strange Angel".

It's 1939 and as William Gibson would say, the future just isn't very evenly distributed yet. Jack Parsons can see the future is in space. That still sounds futuristic when Elon Musk talks about it in 2018 and like Musk, Parsons wants to do something to make it happen. What happens next is the true story of the man who helped spark that future and his unlikely tutelage under the teachings of Aleister Crowley.

One episode in and this is already looking good. I'm especially enjoying Rupert Friend's turn as a wild eyed mercurial next door neigbour, who initiates/baptises Jack into the Crowleian mysteries via a swimming pool.

I'll be curious to see how this show does. The real Parsons died at age 37 under mysterious circumstances, but certainly packed enough drama into his short life to fill out several seasons if it all works out for "Strange Angel".

Strange Angel, even in todays wide array of television shows, is truly a unique experience worth watching by seasoned media fans.

A description I like is combining the film the Aviator with David Lynch's new Twin Peaks. This may not be accurate, but it gives an idea of what one will be getting into. The presentation is really pretty strait forward - there aren't many cryptic film making techniques. The weirdness comes in the shape of reality bending scenes, and the crazy content. I would say if a viewer likes Man in the High Castle, they would probably also like Strange Angel. Strange Angel is way more grounded, being based in historical non-fiction, but both have very unique content, a slow pace, and a similar approach to main vs surrounding characters.

Strange angel is a period piece, taking place in the late 30's Los Angeles. The main character is a blue collar worker at a chemical plant, but has dreams of realizing practical rocket technology which he pursues with his academic, best friend. Combine this with an indoctrination into a sex cult, and hallucinations that both the main characters experience regularly? Things get pretty interesting. There is a beautiful mix of logic, science, science fiction and the occult.

But nothing moves in too much of a hurry. Despite rocket technology playing a major role, the pace of Strange Angel is pretty dang slow. This will be the limiting characteristic to many viewers, but it shouldn't be. This show is wildly entertaining. Episodes build up to big scenes, and the entire season builds up to an excellent final episode.

The casting is as good as TV gets. The two main characters, husband and wife, are immediately likable, and easy to route for. Both are textured, flawed individuals searching... for a better life? success? happiness? Interesting, because their goals are never really crystal clear, and there is a lot of dealing with daily events - just like in real life. But in spite of distractions, difficulties, set backs and conflict - the two are constantly trying to grow and evolve, while overcoming challenges. I'm not saying the viewer will always agree with choices made, or all their motivations, but everything is always so intriguing! Surrounding characters are equally well cast, and their activities always intertwine with the story of the Parsons (the main characters). There is a clear vision to the scripting, which likely took a great deal of work to refine.

I'm obviously a fan of everything this season has achieved, but the number one quality may be the camera work, cinematography. The visuals, their construction (effects), the design of shots, and the pace established is top notch. Really all the production is excellent, and Strange Angel lives up to the new norm of incredible, movie like episodes, that many recent shows achieve.

So why an 8, not a 9 or 10? Occasionally, even I want the show to get on with the content - where you know a big moment is coming, but the build up can at times feel delayed. I would have liked the season to include at least one more episode. While I loved the last episode, I was surprised how many questions were left unresolved. Really, Strange Angel has a lot of room to improve. I hope for not only a second season, but a completed vision (5 seasons to complete is what I read) - the unique nature of the show (and delivery method) makes me wonder about it's future.

But hopefully my concerns are for not, and the second season will get made. If this happens, this new intellectual property will likely gain the following it deserves. With all the entertainment fluff out there, it is nice to have some mature programming for adults.

The is an excellent show that I desperately hope finds its audience. It is an excellent portrayal of late1930s/early 1940s California--as well as the seeds of the counter-culture movement and the ground-work for the evolutionary technological leaps made in California's aerospace industry (and ,later, silicon valley). It is told through an examination of Jack Parsons, a 'real-life' founder of the Jet Propulsion Lab (JPL) at Cal tech that would go on to become the center of the intellectual world for all things related space exploration.

Much like Kerouac's New York of the 1950s, California in the 30s was chafing against the "High Church" Protestant paradigm of what it meant to be 'American'. It was a hotbed of spiritualist movements, with reading groups and acolytes of Blavatsky, Gurdjieff, and a variety Rosicrucian/Kabalist/Hermeticist, teachings, popping up on every corner.

Into this mix, add the influx of serious intellect from Europe as it sought to escape Hitler's rise, and you have an extremely fertile ground for open-minded questioning of 'established truth' and important intellectual break-throughs. You also have the ingredients of what may become a ground-breaking tv show.

One thing that truly sets this series apart is that whenever this period of exploration into the Western mystical tradition is treated at all (in TV or Movies), it usually turns into a cheap excuse for regurgitating tired "Manson Family" tropes. Eastern Spiritual traditions = Good; Western Spiritual Traditions = satanic/bad. This show offers hope for avoiding this dichotomy as it explores the spiritual yearnings of occult seekers as essential to their creativity in the non-spiritual (real-world) realm.

I do worry a bit it will eventually play up the sensationalist, 'manson family/satanic panic', trope; If for nothing else, simply to attract more eyeballs. But at least the first handful of episodes are truly an excellent exploration of a unique cauldron of sociological, historical, and spiritual ingredients that work in California at the time.