IMDb रेटिंग
6.3/10
4.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Albert Brooks
- Dick Welker
- (as A. Brooks)
Sincée J. Daniels
- Personal Trainer
- (as Sincée Daniels)
Lea Cohen Zuckerman
- Receptionist
- (as Lea Cohen)
फ़ीचर्ड समीक्षाएं
Louis trying to revive the spirit of "Golden Age" cinema with his filmmaking style gives the film a welcome uniqueness, but its appropriateness is kind of questionable. As it usually is with his work (Horace & Pete, Louie), the film gives him a platform to spew out his thoughts and views on the world and society in an entertaining manner. That being said the film lacks a clear message or point. At least it introduces some intriguing well rounded and balanced arguements, discussions on "current" societal issues (weirdly reflecting the reprehensible actions Louis made in his past). Overall, seperating the art from the person behind it, I Love You, Daddy is an original and wothwhile watch just based on its great screenplay and fantastic acting alone. I would recommend seeing it if you get the chance.
I hope this movie is looked back upon in a very unique way in film history. It was essentially blacklisted, justified or not, for it's creator abusing his privilege and gender, which is exactly what the film was about. It's clearly somewhat autobiographical, I think some part of him knew his career was over and wanted to get this film out just in time. He was two weeks late. The themes of obscured sexual morals, patriarchy, privilege, male dominance is the core of the film, toxic masculinity. It would have actually done a lot to add to the dialog at the time around the "me too" movement, as a man who was admitting to doing these things growing and coming to terms with it, instead of silencing him. I understand why it was buried but I think that was a mistake and adds to the idea that the current culture is not an open forum. There are many ways this film could be interpreted to make him look worse or better, but we are all adults, we should be able to see it. You can find it online if you know how. It's excellent, a bit sloppy here and there, (blocking errors/script supervision, Pamela Aldon being too similar to her role in Louis takes you out of it a bit) but it's a self funded independent debut feature shot on black and white film by a stand up comedian and a television crew in 2017 and it's beautiful and heartfelt and that's a amazing. It is actually an extremely important film and should be seen no matter how you feel about the social issues surrounding it. Also comparing it to woody Allen is lazy and not at all accurate, it's much closer to 40's/50's American drama romances, Douglas Sirk, Howard hawks, George cukor, Preston sturges. Kubrick's Lolita is obviously a HUGE influence. Chloe grace moretz is basically playing a version of sue Lyons' Lolita and looks and acts much like her. There are moments in the film that are clear homages to that film.
When I saw the rating before seeing the movie, I got a bit defensive. It is so low because of the people's inability to distinguish between the person and the art. American puritanism is at play again here.
Then I saw the movie. It was weird. From the very beginning there were some obvious inadequacies in the editing and the acting. This might be taken as something charming, something unpolished on purpose, may be a stylistic decision. At times the movie feels like a movie from the 40s (the scenes from the birthday party and just afterwards with John Malkovich); at other times it nods to Woody Allen. But what makes it hard to watch it in isolation from the current events, is the fact that the movie is so much in a dialog with them. Mindfuckingly so. It examines the grey areas when it comes to consent, signals people give in the flirting game, what is objectively appropriate (if there is such a thing) and what is acceptable from society. The latter is as divided as its members.
As for Louis CK's acting, the confused expression worked better in the context of the series Louis, but it could hardly carry a whole movie.
Overall, it is an interesting film to watch. I am still a fan and a supporter and wish to have the opportunity to review many future Louis CK's projects.
Then I saw the movie. It was weird. From the very beginning there were some obvious inadequacies in the editing and the acting. This might be taken as something charming, something unpolished on purpose, may be a stylistic decision. At times the movie feels like a movie from the 40s (the scenes from the birthday party and just afterwards with John Malkovich); at other times it nods to Woody Allen. But what makes it hard to watch it in isolation from the current events, is the fact that the movie is so much in a dialog with them. Mindfuckingly so. It examines the grey areas when it comes to consent, signals people give in the flirting game, what is objectively appropriate (if there is such a thing) and what is acceptable from society. The latter is as divided as its members.
As for Louis CK's acting, the confused expression worked better in the context of the series Louis, but it could hardly carry a whole movie.
Overall, it is an interesting film to watch. I am still a fan and a supporter and wish to have the opportunity to review many future Louis CK's projects.
Deals with all of the creepiness of Woody's stuff, issues of parenting, how men treat women, letting go, growing up, and more. A really great movie even though Charlie Day was a tad unnecessary and a couple of the deep focus shots were obvious process compositions. Don't dismiss it because C.K. is a creepy, this is solid stuff.
Ok, the film was imperfectly and somewhat hastily delivered and does not deserve a high rating in its present form. The editing is decidedly uneven and Louie's sidekick's (I forget his name) performance entirely unnecessary, gross and completely over the top. This character actually contributes absolutely nothing to the film and detracts badly from its important message in these turbulent times.
The film's obvious weaknesses are most unfortunate, as the material itself is thought provoking, intelligently presented and actually NEEDS to be discussed this fearlessly, this openly in a time, where closed-minded prejudice and irrational fear inhibit rational thought.
Louie's fearlessness in the face of all the angry adversity should actually be admired if we dare to admit for one single moment to what extent our own sexual inclinations are forces that exist that are almost unmanageable. The scene of the girl's apparent surrender to John Malkovich is brilliantly depicted and, in a way, says it all. Yogesh
The film's obvious weaknesses are most unfortunate, as the material itself is thought provoking, intelligently presented and actually NEEDS to be discussed this fearlessly, this openly in a time, where closed-minded prejudice and irrational fear inhibit rational thought.
Louie's fearlessness in the face of all the angry adversity should actually be admired if we dare to admit for one single moment to what extent our own sexual inclinations are forces that exist that are almost unmanageable. The scene of the girl's apparent surrender to John Malkovich is brilliantly depicted and, in a way, says it all. Yogesh
क्या आपको पता है
- ट्रिवियाAccording to Metacritic, at one point the film had a high 70%. After sexual misconduct allegations against Louis C.K. came out, the film's score decreased to 56%.
- भाव
Leslie Goodwin: She's 17? I thought she was 16.
- कनेक्शनFeatured in Sven Uslings Bio: I Love You, Daddy (2021)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is I Love You, Daddy?Alexa द्वारा संचालित
विवरण
- चलने की अवधि2 घंटे 3 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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