Mrs Lowry & Son

This is a mesmerizingly slow film set almost entirely in one room..... it could almost be a play. However Adrian Noble thankfully focuses on the two main actors and we are gradually sucked in to their closed little world. Both Spall and Redgrave give towering complementary performances which keep the audience completely entranced from the beginning. Redgrave especially manages to create a relentlessly critical and bitter character without the viewer ever hating her for it.. and Spall has grown into a confident and creative character actor of the highest order. Beautiful cinematography and set design make this film artistically watchable. If you like slow burning drama then this is a treat.

Interesting insight to one of Britain's great artists, and worth the watch to see a master class in acting by Redgrave & Spall. It's not a feel good movie by any means, largely set in Lowry's ailing mothers bedroom. It's clear he loved actually worshiped his mum, and her affect on his life is profound. Even when she finally died. I did enjoy the film, mainly as I said because of the acting and story however be warned it is a biopic, not a feel good movie at all .. enjoy!

This marvelous film is steeped in Beckettian tropes and style. The mother son relationship is akin to Hamm and Clov in 'Endgame', or it might be Winnie in 'Happy Days'.

Even the reality of Lowry and his mother is not so far from Beckett and his own fractious relationship with his mother. Vanessa Redgrave even resembles Beckett as an old man with his spectacles.

The film echoes Beckett's maxim, 'to fail again, fail better' almost with the same sense as Lowry follows his own path against the odds and faces years of rejection and hostility, not the least from his mother who lacks imagination and only understands what she sees, not the meaning. Indeed the film has a very strong layers of social history in it as it reveals the neuroses and social anxieties of the period in England.

The excellent script is matched by admirable directing and editing together with technical features to make the 1930s flat and town vivid.

And then there are performances from Spall and Redgrave which are the pinnacle of skill and empathy. It is a consummate and perfectly poised interaction between the two.

If only other films gave their audience as much.

This is a simple and quite short film that brings to life one of Britain's most beloved artists and the life that he endured waiting hand and foot on his elderly mother.

Although the film is quite basic the acting of Timothy Spall and, to a degree, Vanessa Redgrave makes the film great. Spall now seems to be able to morph into any different British character, whether real or fiction, and completely make them his own. He must be one of the most understated great actors of our time.

I would like to have seen more of how Lowry came to paint such classics but the film does have a good angle and is really enjoyable.

Timothy spall in particular was fantastic as in fairness he always is in portraying the raw emotion of his character through with Redgrave not far off. In honesty I enjoyed this film but could not get over excited about it as it is ultimately a series of often mundane bedroom conversations between a bitter mother and loving son. The fact it kept my attention in this setting was an achievement in itself. I would personally have liked to seen more focus on the art itself in between or a larger portion of his life but for what it was the performances really maximised it's entertainment level and make it a worthwhile and interesting hour and a half despite its limitations.