Worth

I want to be sure you watch it. Films like this are less here for ratings than they are to tell us something we need to be reminded of.

With the 20th September 11th about to arrive it's important we remember as much as we can about the people who were lost and their families who are devastated as a result.

This film tells their stories through the eyes of one man who had to be convinced that the 9/11 victims fund was more about the victims than it was about the fund.

His realization and resulting humanity is an account of decency that will help us remember that we can still be kind and decent to each other and when times are tough maybe that's the most important thing we can be to each other.

It is a film that shows American culture in all its expression, Values vs Economy, Reason vs Economy, Humanitarian Act vs Economy.

A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.

It's set from 2001 to 2003 in Washington, D. C. and New York City and tells the story of the September 11th Victim Compensation Fund through the eyes of its Special Master, Kenneth Feinberg. The movie is "based on" Feinberg's book, "What is Life worth"?

The movie opens by setting up Kenneth Feinberg's (Michael Keaton) bona fides as an expert on compensation for loss of life from a sudden loss of life by accident or violence. After 9/11, Feinberg, a longtime Democrat who had worked for Ted Kennedy, is asked by Attorney General John Ashcroft (Victor Slezak) to be the Special Master for the compensation fund. Feinberg welcomes the invitation, and with the help of his assistant, Camille Biros (Amy Ryan), and staffers Priya Khundi (Shunori Ramanathan) and Darryl Barnes (Ato Blankson-Wood), begins the process of meeting the claimants.

Initially, Feinberg is an insensitive number-cruncher who alienates the relatives of those who lost family members. We hear snippets of many stories of victims and follow a few more extended stories. These include the gay partner of a victim who does not fit the "formula" because Virginia, where they lived, did not recognize civil unions. Another involved the widow and children of a firefighter who had other children the widow presumably did not know about. Other characters are critics of the Fund's rules, Charles Wolf (Stanley Tucci), and a lawyer representing only the highest-income families, Lee Quinn (Tate Donovan).

The storyline follows Feinberg's transition to greater empathy and the challenge to get at least 80% of the claimants to sign on to the Fund by the deadline.

At some levels, this is a heartwarming story of growing empathy. However, I wondered what the real Kenneth Feinberg thought of his depiction. In the beginning, he's a tone-deaf bureaucrat, which seems odd for someone reputed to be an expert in compensation cases that requires meetings with survivors. This rattled my believability gauge, which is always crucial for me in biopics. In addition, I found Keaton's "Boston" accent more distracting than reinforcing. And the ending surge to the finish line seemed a bit pat.

But I found the story engaging and a good reminder of the chaos and myriad stories that emerged from 9/11.

Worth is not an adventure movie; it is a process movie. The changes are very small; it affects the attorneys, victims, and other advocates.

The individual performancesb Michael Keaton and Stanley Gucci provide gravitas for the entire movie.

This movie is frustrating because its has so many of the ingredients needed for a great movie but it's not a great movie and I don't know what the missing ingredient is. But it plods along without impetus. It needs a jolt from a director who would see a great story thats told in a boring way is not story to be retold.