प्रतिभाशाली छात्र का रचनात्मक लेखन शिक्षक को आश्चर्यचकित कर देता है, जैसे-जैसे शिक्षक पेशेवर सीमाओं को पार करते हुए छात्र की प्रतिभा का मार्गदर्शन करता है, रिश्ते बहुत जटिल होते जाते हैं.प्रतिभाशाली छात्र का रचनात्मक लेखन शिक्षक को आश्चर्यचकित कर देता है, जैसे-जैसे शिक्षक पेशेवर सीमाओं को पार करते हुए छात्र की प्रतिभा का मार्गदर्शन करता है, रिश्ते बहुत जटिल होते जाते हैं.प्रतिभाशाली छात्र का रचनात्मक लेखन शिक्षक को आश्चर्यचकित कर देता है, जैसे-जैसे शिक्षक पेशेवर सीमाओं को पार करते हुए छात्र की प्रतिभा का मार्गदर्शन करता है, रिश्ते बहुत जटिल होते जाते हैं.
- निर्देशक
- लेखक
- स्टार
Dagmara Dominczyk
- Beatrice June Harker
- (as Dagmara Domińczyk)
Ray Fawley
- Restaurant Patron
- (बिना क्रेडिट के)
Trace Haynes
- Restaurant Patron
- (बिना क्रेडिट के)
André Wilkerson
- Restaurant Patron
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Honestly, this film isn't good or bad. It's meant to portray an important message to young adults and adolescents but in possibly the worse way possible and creating an abundance of controversy. Behind the obvious salacious context of the situation, it's a layered story about the characters trying to achieve emancipation through their affairs but failing to acknowledge a boundary between people, whether in power or any given scenario it can lead to detrimental consequences. Because, casting a boundary is knowing the risk being took. Other than the horrible lesson portraying I loved cinematography, felt very subtle and eerie, but still and calm. They emphasized that with all the lamps in every room possible. I live in Tennessee myself, and I come to look at it through a different perspective thanks to the euphoric atmosphere of this film. In its own way. Moving from that moment and addressing the big 50/50 question is I don't think Cairo is the villain. She's just a young human who fell for the wrong heart. Humans make mistakes and greater lessons sprout from that, as in the ending scene she was shown to forgive Miller and also grow significantly as a young adult. The lesson in the film is important for any young adult struggling with accountability. Social boundaries, self reflection. Other than that the dialogue was actually hysterical I felt like I was reading a novel by Fitzgerald because no one talks like that in their day to day life the dialogue is like their reading a screenplay. But I guess it all just emphasizes the culture of the film, it being adapted from a play of course. The accents were horrible though in my defense, I understand it takes place in Tennessee but the accents were too inconsistent and dry. Should have been left out but other than the the acting was simply flawless, enough to get me through and mesmerized in some scenes.
First off hands off to the entire cast. They are quite good in this film and the script especially when the main characters quotes dialogue is really well written. I was expecting something rather poor from the 5.2 review on imdb but I honestly think most people who watched this didn't get the point the director was making.
Jenna Ortega plays a fairly unbelievable character let's get that out there not only is she a siren but she has a plan and is incredibly clever, well if you know anything about 18 year olds this is quite far fetched. Martin Freeman is the naive muse in an Luke warm marriage flattered by the attraction and attention of a young good looking fan and it spirals in a rather prectible way but what makes this better than most fatal attraction movies is his conduct I don't want to mention spoilers in my reviews but he got burned for a thought.
Jenna Ortega plays a fairly unbelievable character let's get that out there not only is she a siren but she has a plan and is incredibly clever, well if you know anything about 18 year olds this is quite far fetched. Martin Freeman is the naive muse in an Luke warm marriage flattered by the attraction and attention of a young good looking fan and it spirals in a rather prectible way but what makes this better than most fatal attraction movies is his conduct I don't want to mention spoilers in my reviews but he got burned for a thought.
A creative writing assignment yields complex results between a teacher and his talented student.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
18 year old Cairo Sweet (Jenna Ortega) lives alone in a mansion while her parents are away somewhere. Her new married creative writing teacher Jonathan Miller (Martin Freeman) takes an interest in her and she returns the interest with obsession. When he rejects her pornographic writing, all hell breaks loose.
This movie oscillates between aggressively written and aggressively overwritten. It is trying so hard to be edgy. Jenna Ortega is oozing her lines out. I almost appreciate how hard it is running with scissors. At the end of the day, I am more annoyed with it than appreciate it. It doesn't help that the movie stops short. There is another fifteen minutes or more to go.
This movie oscillates between aggressively written and aggressively overwritten. It is trying so hard to be edgy. Jenna Ortega is oozing her lines out. I almost appreciate how hard it is running with scissors. At the end of the day, I am more annoyed with it than appreciate it. It doesn't help that the movie stops short. There is another fifteen minutes or more to go.
I had high hopes. From the trailer it looked interesting and aesthetically pleasing but I was very wrong. Unfortunately by the end of the movie I was left feeling frustrated because, the main thing about this movie - the tension, it was non existent.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
क्या आपको पता है
- ट्रिवियाThe blocking (where and when characters move during a scene) is very important when Mr. Miller tells Cairo she needs to rewrite her paper. Mr. Miller's desk is raised on a small platform. A character's elevation above one or more characters is often used to indicate who has the power or who is "winning" a scene. At the start when Mr. Miller tells Cairo he won't accept the paper, he is up on the platform and Cairo is on the floor. Cairo soon challenges him and gets on the platform while the two debate their relationship. By the end of the scene, Cairo has "won" and is now standing above Mr. Miller who has stepped off the platform.
- भाव
Jonathan Miller: Don't you get scared, walking through those woods?
Cairo Sweet: I'm the scariest thing in there.
- कनेक्शनReferenced in Latino Slant: Jenna Ortega's Kiss, PLUS Erotic Scene Reactions! (2024)
- साउंडट्रैकThere's a Blessing
written by Johnny Copeland
performed by Johnny Copeland
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Miller's Girl?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La chica de Miller
- फ़िल्माने की जगहें
- Cartersville, जॉर्जिया, संयुक्त राज्य अमेरिका(Dellinger Park, Address: 100 Pine Grove Rd, Cartersville, GA 30120-4070)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $40,00,000(अनुमानित)
- दुनिया भर में सकल
- $17,14,512
- चलने की अवधि
- 1 घं 33 मि(93 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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