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मरक्कार: अरब सागर का शेर

ओरिजिनल टाइटल: Marakkar: Lion of the Arabian Sea
  • 2021
  • UA
  • 3 घं 1 मि
IMDb रेटिंग
5.8/10
9.5 हज़ार
आपकी रेटिंग
Mohanlal and Keerthy Suresh in मरक्कार: अरब सागर का शेर (2021)
The story of legendary Kunjali Marakkar IV and his epic warfare against the Portuguese.
trailer प्ले करें2:14
6 वीडियो
99+ फ़ोटो
इतिहासएक्शनड्रामायुद्ध

पुर्तगालियों के खिलाफ महान कुंजली मारक्कड IV और उनके महाकाव्य युद्ध की कहानी है.पुर्तगालियों के खिलाफ महान कुंजली मारक्कड IV और उनके महाकाव्य युद्ध की कहानी है.पुर्तगालियों के खिलाफ महान कुंजली मारक्कड IV और उनके महाकाव्य युद्ध की कहानी है.

  • निर्देशक
    • Priyadarshan
  • लेखक
    • Priyadarshan
    • Ani. I.V. Sasi
  • स्टार
    • Mohanlal
    • Arjun Sarja
    • Suniel Shetty
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.8/10
    9.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Priyadarshan
    • लेखक
      • Priyadarshan
      • Ani. I.V. Sasi
    • स्टार
      • Mohanlal
      • Arjun Sarja
      • Suniel Shetty
    • 241यूज़र समीक्षाएं
    • 3आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 6 जीत

    वीडियो6

    Official Malayalam Trailer
    Trailer 2:14
    Official Malayalam Trailer
    Official Hindi Trailer
    Trailer 2:17
    Official Hindi Trailer
    Official Hindi Trailer
    Trailer 2:17
    Official Hindi Trailer
    Marakkar: Lion of the Arabian Sea Grand Trailer
    Trailer 2:14
    Marakkar: Lion of the Arabian Sea Grand Trailer
    Official Trailer
    Trailer 2:19
    Official Trailer
    Marakkar Arabikadalinte Simham - Official Title Launch
    Trailer 3:30
    Marakkar Arabikadalinte Simham - Official Title Launch
    Marakkar Arabikadalinte Simham Official Teaser
    Clip 0:41
    Marakkar Arabikadalinte Simham Official Teaser

    फ़ोटो119

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    + 111
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    टॉप कलाकार43

    बदलाव करें
    Mohanlal
    Mohanlal
    • Kunjali Marakkar IV
    Arjun Sarja
    Arjun Sarja
    • Anandan Mangattachan
    Suniel Shetty
    Suniel Shetty
    • Chandroth Panicker
    Prabhu
    Prabhu
    • Thangudu
    Manju Warrier
    Manju Warrier
    • Subaida
    Keerthy Suresh
    Keerthy Suresh
    • Aarcha
    Nedumudi Venu
    Nedumudi Venu
    • Samoothiri
    Siddique
    Siddique
    • Pattu Marakkar
    Mukesh
    Mukesh
    • Dharmoth Panicker
    Pranav Mohanlal
    Pranav Mohanlal
    • Young Kunjali Marakkar IV
    Ashok Selvan
    Ashok Selvan
    • Achuthan
    Kalyani Priyadarshan
    Kalyani Priyadarshan
    • Aisha
    Fazil
    Fazil
    • Kutti Ali Marakkar…
    Suhasini
    Suhasini
    • Khadeejumma
    Hareesh Peradi
    Hareesh Peradi
    • Mangattachan
    Innocent Vareed Thekkethala
    Innocent Vareed Thekkethala
    • Namath Kurup
    • (as Innocent)
    Ganesh Kumar
    Ganesh Kumar
    • Verkkottu Panicker
    Baburaj
    Baburaj
    • Puthumana Panicker
    • निर्देशक
      • Priyadarshan
    • लेखक
      • Priyadarshan
      • Ani. I.V. Sasi
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं241

    5.89.5K
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    10

    फ़ीचर्ड समीक्षाएं

    6alphadude007

    Large scale movie let down by direction

    Marakkar is a decent attempt and a one time watch (sans the hype). The cinematography, costumes, sets etc. Are quite well done. However, the core of the movie is amiss. The story and characters are all over the place and none of the arcs are well developed. It's just poor direction from Priyadarshan, throwing so many characters into the mix for no good reason whatsoever. All the plot lines are so short and meaningless, that nothing sticks. I watched it on the first day and took my family along as well, and it was truly an excruciating watch for my parents since it's 3 hours of boredom with no story. Mohanlal still has so much to offer and I really hope good directors take advantage of his acting prowess and producers spend big money on promising projects, unlike this one.
    5SAMTHEBESTEST

    The IQ Level of National Award Juries must be lower than the Temperature during Winter Season In India

    Marakkar Lion Of The Arabian Sea (2021) : Brief Review -

    The IQ Level of National Award Juries must be lower than the Temperature during Winter Season In India. I actually don't care about award shows, not just Indian but also International ones. I even have problems with Oscars (please note I have seen all 93 Oscar winners films to say that). When Marakkar won National Award, it didn't excite me at all. Only two reasons for me to watch this film were Mohanlal and Malayalam cinema's attempt to make a visual granduer. There are hardly few legendary films made in this genre, the best remains Oru Vadakkan Veeragatha (1989), and now after watching Marakkar I can easily say that Malayalam cinema will never be able to make a magnum opus like that. Marakkar is grand, it has big structure but lacks soul. Priyadarshan terribly mediocre vision has caused heavy collapse. I found it interesting for like two hours, everything was looking decent, but then the last hour spoiled the party. The climax was damn outdated. Even 80s ans 90s' Malayalam films had better cliches than this. Offtrack Mohanlal struggles but somehow survives. For me, this man is the biggest legend from Mollywood. He has given so many cult films and outstanding performances during his prime phase- Late 80s, 90s and 00s. To watch him doing hardcore action in classic films like 'Keeradam' 'Yodha' 'Spadikam', 'Kala Paani', 'Aaraam Thapuran' was an experience, but watching him doing action at this age with such physics didn't look suitable. Priyadarshan just did not care about the outcome, he just made for his own sake. However, Marakkar is not a headache, it's a decent film but the kind of undeserving hype they created deserved some heavy slaughtering and that's what I've tried to do. Overall, strictly average. Grand but not Good. Somewhat interesting but not fascinating.

    RATING - 5/10*

    By - #samthebestest.
    6sudhakaranakhilan

    Lacks the nucleus

    It's not worth talking about the historical significance of the film because the director itself claimed that the film has only 30% of historical factor rather all other events are merely fictional. The titular character, Kunjali Marakkar is a historical person (where the film's protagonist is Kunjali Marakar IV), and some of the elements flavored on the path of the story have that kind of historical significance. The Zamorins governance, invasion of the Portuguese, etc are the noted historical connotations. When we heckle the traces of Marakkar's legacy at the verge of the freedom movement we get the clear idea that all the marks pointed in the history is totally not at all history but it is something mythical in context. So we can't argue about the exact validation of the things that the film shows and the historical shreds of evidence portraying. Just put aside the matter of history, the film Marakkar: Lion of Arabian Sea is not much catchy and has not reached the expected level for me. The term 'expected' only refers to the fuss covered on all sides by filmmakers, news channels, and also among the fans. Actually, I didn't expect anything more from Marakkar because all the fuss that I'm talking about only has validity when the film gets released. After all, it's up to the audience. All that tumult is only a matter of marketing or publicity. Except for that tumult I went for the movie because of some of the factors. The one thing is the director itself. Priyadarshan is a good-crafty director whose visuals have innate quality and freshness. I love his frames and composing. As an admiring filmmaker, I look upon his films not because of the subject matter he discussed but because of those frames. I expect that kind of frame in this film and he didn't disappoint me. The next thing that urge me to watch the film on the first day is the acclamation received for the film at the National awards. It bagged the best feature film, Visual effects, and Costume design recognition at National Awards. I completely agree with the Visual Effects and Costume Design section but I don't know why the jury selected this film as the best feature one. I think they are mistaken. The main problem relies on the script itself. The movie lacks its core on the progression where it can't connect the emotion among the audience. It has visual assistance with CGI but more than the gimmicks of visual effects the film swirled into dialogue to dialogue presentation. I felt that the director intentionally packed dialogues in each and every corner of the movie. It is a big film; in content and making but can't be valued as a good one because it lacks the nucleus that a film must-have.
    SPHariSP

    Very impressive first half, bad second half

    The grand scale of production values such as Art, VFX, series of mega actors, costumes,Songs, Cinematography all would make one think here is Malayalam movie's KGF and Bahubali. First half is crisp and engaging. Pranav Mohanlal portion was very well done. Apart from some miscasting and every one using their own slangs , first half was very impressive.

    Second half started of with long cliche melodrama that will put shame to the word cliche. From that point script and director did not know what to do and how to take it to a climax.

    Any how, watch it for the first half, for the grandness never seen in malayalam movies before.
    6vivekmeleveettil

    Visually stunning, yet narratively disappointing

    Overview: "Marakkar: Arabikadalinte Simham" is a cinematic spectacle that boasts intense action sequences, commendable performances, and a storyline that, while thin, serves as a backdrop for the film's visual grandeur.

    Visuals: The film's visual composition is nothing short of stunning, with each frame resembling a meticulously crafted painting. The combined efforts of the cinematography team, art department, and director are deserving of high praise for creating such a visually arresting experience.

    Special Effects: The VFX work in "Marakkar" is arguably the finest within the Malayalam film industry to date. In contrast to other high-budget Indian films, "Marakkar" exercises restraint in its CGI usage, opting for a balanced blend of visual effects and practical effects that enhance the narrative without overshadowing it-a decision that will likely age well over time.

    Design and Artistry: Both costume design and art direction are standout elements, successfully navigating the director's vision of a story that is 30% historical and 70% fictional. The film's aesthetic choices effectively support this creative balance.

    Music and Performances: The soundtrack adds an enjoyable layer to the film's atmosphere, while the cast delivers solid performances across the board, despite some characters receiving limited screen time.

    Narrative Challenges: However, the film's narrative is encumbered by an excess of characters who fail to justify their presence, leading to a bloated runtime and a sluggish pace. Those seeking a traditional historical drama may find themselves underwhelmed, as the film lacks emotionally resonant moments with its protagonist, Kunjali Marakkar IV, save for the intense final sequence and ending song.

    Authenticity: A notable shortcoming is the film's inability to authentically reflect its historical setting. The dialogue lacks period-specific nuances, often indistinguishable from contemporary vernacular, which detracts from the immersive experience.

    Screenplay and Theme Music: The screenplay's mediocrity is a significant detriment, undermining the film's potential impact. Additionally, while the theme music is functional and occasionally evocative, its repetitive nature is noticeable.

    Conclusion: Despite not meeting the lofty expectations set by its pre-release buzz, "Marakkar: Arabikadalinte Simham" is a commendable effort that showcases the dedication of a large creative team. It represents a bold venture in the Malayalam film industry, with a budget that surpasses typical box office returns.

    Verdict: "Marakkar: Arabikadalinte Simham" is a film best appreciated on the big screen, offering a watchable experience that highlights the fruits of collective ambition and hard work.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Four life-size ships were made for the film in Ramoji Film City, Hyderabad.
    • गूफ़
      The "no animals were harmed" disclaimer at the beginning is misspelled (stating that "the sequences is created using visual effects", instead of "are created").
    • क्रेज़ी क्रेडिट
      Aside from the usual "No animals were harmed during the entire shooting of the film" disclaimer, there is also another disclaimer stating: "Women & children were not harassed in the making of this film".
    • इसके अलावा अन्य वर्जन
      The film was shot simultaneously in Malayalam and Tamil, while the versions in other Indian languages are dubs.
    • साउंडट्रैक
      Nanhe Kunjali
      Lyrics by Nawab Arzoo

      Music by Ronnie Raphael

      Vocals by K.S. Chithra

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Marakkar: Lion of the Arabian Sea?Alexa द्वारा संचालित
    • What's the budget of this film?Approx 80cr or 800million

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 दिसंबर 2021 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • भारत
    • आधिकारिक साइटें
      • Mohanlal (India)
      • Official Facebook
    • भाषाएं
      • मलयालम
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Marakkar: Arebia Samudra Simham
    • फ़िल्माने की जगहें
      • Ramoji Film City, Hyderabad, भारत(Filming City)
    • उत्पादन कंपनियां
      • Aashirvad Cinemas
      • Moonshot Entertainments
      • Confident Group
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • ₹1,00,00,00,000(अनुमानित)
    • दुनिया भर में सकल
      • $17,75,360
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 3 घं 1 मि(181 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Atmos

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