Sleeping Dogs

This is another good performance from Russell Crowe in my opinion. The film is centered around a retired police homicide detective who is suffering from a disorder that is creating memory loss. He is called by a inmate that is on death row that wants him to help clear his name in a murder conviction that he claims only he and Russell Crowea character know the true identity of the killer. The retired police detective agrees to help him track down the real killer and the story just goes from there. Very good performances in this film and the storyline is good as well. I would not say it's predicable but it's still a good movie.

Sleeping Dogs is a perfectly decent little murder mystery that clips along at a nice pace and slowly peels away its onion layers to reveal its dark centre.

The acting Is pretty good, Crowe is perfectly cast, Gillan is good enough and the rest of the cast are convincing. The writer/ director is competently done and the film is well made with good production values and nice touches in the flashbacks.

There are movies that it draws from, Momento for the memory loss and every film noir ever.

All this being said, there is nothing about Sleeping Dogs that is fantastic or groundbreaking. It is however good, honest old fashioned film making. More like this please.

The movie is just average, things like music, cinematography etc. It's not bad but nothing new or special. The plot is a bit convoluted which will either keep you engaged or annoy you depending on your mood.

Solid performances from the main players, particularly the creepy yet sexy professor guy.

Russel Crowe is the main character, a retired detective with a new/old case. It's basically a mystery detective story with some added drama psychology elements.

The biggest problem is one has to keep ones attention to know what is happening but it's mostly just dialogue and Mr. Crowe asking people stuff which leads to new discoveries so he goes and asks some more.

Sleeping Dogs is a new crime mystery directed, written and produced in part by Adam Cooper. He makes his directorial debut with this film. He also has some experience as a screenwriter for films such as Allegiant and Assassin's Creed.

Roy Freeman (Russell Crowe) is an ex-detective who had to quit his job because he suffered from Alzheimer's. When a prisoner is threatened with the death penalty, he asks Roy to take another look at his case and hopefully find enough evidence to prove his innocence and save his life.

Despite his poor memory, Roy tries to revisit and revive the ten-year-old case. This is how he ends up in a crime web full of brutal actions and dark secrets, in which he must decipher the real truth.

Just like Russell Crowe's character, as a viewer you try to keep up with what happened in the ten-year-old case. This way you can try to solve the matter yourself. The crime web just contains many events and different characters, some of whom are suspects or victims. Everyone also brings their own story with hints, although some hints sometimes contradict each other. Due to the Alzheimer's complaints of the main character and all these different storylines and hints, you do not always get all the traces clearly. Despite the many twists and the main character's poor memory, the real perpetrators of the crime can still be guessed. As a result, all the mysterious aspects of the mystery can be a bit disappointing in the end, because the answer was so easy to guess.

However, they have unnecessarily chosen to add special drugs and science fiction-like medical gadgets to the story, which causes the film to lose some of its realism. In addition to these non-existent things, the film responds nicely to real things and data surrounding the human brain. If they had just stuck to the real stuff, the movie could have been more interesting.

Russell Crowe comes across well and realistically as an older detective who can no longer always trust his own memory. Other cast members also play well on the mysterious aspects of the mystery. With most of them you don't always know whether or not they can be trusted and whether they play victims or perpetrators in the story.

Greetings again from the darkness. It's easy to forget that Russell Crowe was once Oscar nominated three years in a row, winning Best Actor for Ridley Scott's epic, GLADIATOR (2000), and has probably deserved two or three additional nominations. His reputation has not won him many industry friends over the years, but to his credit, he keeps plugging away - some minor roles in big films, and some lead roles in smaller films. Crowe can still command the screen with his presence, even when the material is slight (see THE POPE'S EXORCIST, 2023).

This project from writer-director Adam Cooper (writer, EXODUS: GODS AND KINGS, 2014) and his frequent writing partner Bill Collage has been adapted from Eugen O. Chirovici's 2017 novel, "The Book of Mirrors". It's Cooper's directorial debut, and it's entertaining enough, especially if one can avoid comparisons to other similar crime drama films, especially the classic MEMENTO (2000). In this one, Crowe stars as Roy Freeman, a former homicide detective who lost his badge after a drunk driving accident. He has recently undergone an experimental brain procedure designed to help him regain some of the memories Alzheimer's has robbed him of. Roy's apartment has notes posted everywhere. These notes remind him of his name, remind him of his shoe size, and remind him that his Hungry Man dinners are hot when they come out of the microwave. Turns out, it's too late for a note to remind him not to put the TV remote in that same mircrowave.

A ten year old case he worked is brought up by a group looking to prevent an innocent man from being executed. Roy has no memory of the case, so he re-visits the files and tracks down his old partner, Jimmy Remis (played by Tommy Flanagan, in a reunion of GLADIATOR actors). What follows is a sufficiently intricate web of characters to keep us interested and guessing. The murder victim was Professor Wieder (Marton Csokas), and the usual suspects include his PTSD-suffering handyman Wayne Devereaux (Thomas M Wright), Wieder's research assistant and lover Laura Baines (Karen Gillan, Nebula in the Marvel Universe), Laura's other lover Richard Finn (Harry Greenwood) who is writing a book on the murder, and a couple other characters tossed in to knock Roy and us off track.

Flanagan and Csokas are two of my favorite character actors - both always bring something interesting to their roles, and here it's Gillan's Laura that seems to offer the most intrigue - changing names, locales, and personalities, all while publishing a book on a theory of how 'bad' memories can be replaced with good ones, or erased altogether (think of another classic film, ETERNAL SUNSHINE OF THE SPOTLESS MIND, 2004). Roy's flashbacks are handled by quick spurts of moments that he struggles to assemble, which allows us to struggle right alongside him. Roy's plight leaves us with the thought that it's possible to find yourself, and not like what you see. Memory is obviously crucial to the story, and for a second-level crime thriller, there is enough here to keep us going until the conclusion.

In theaters beginning March 22, 2024.