The Sparks Brothers

At 2h 21m this is a long documentary but while some reviews I've seen say it's too long I thought it flew by and really enjoyed the whole film. I've never heard any of Sparks music but loved hearing their songs and learning about their 50 year history, it's amazing seeing who they've influenced and how they've grown and evolved. When it comes to criticisms I will say that after a while the documentary does begin to feel somewhat one note, always just talking heads telling us of how much they love the band and how they've been influenced followed by a bit of music, while this is disrupted sometimes by short animations it does feel very similar, there's also never really much criticism of the band, while I do love the music from what I've heard I'd still appreciate seeing differing views on the subject. To conclude The Sparks Brothers is an entertaining and interesting documentary with a few flaws that ends up as a high 7/10.

Edgar Wright always does great work, and when it was announced that he would be at the helm of a Sparks documentary, I was ecstatic.

I was of course excited to see the movie, but more than that I was excited that a big name director would be exposing the world and some of my fellow Americans (hopefully) to Sparks.

The band is not easy to find, and it is absolutely criminal. I myself only discovered the band 2 or so years ago and fell in love immediately, listening to the then 24 studio albums over a course of about a month for hours a day. I implore you to do the same, I really don't think you'll regret it.

The documentary really was true to Sparks sensibilities too, as Edgar promised he would try to do. The artists were not the center of attention, but rather the art was the center of attention. The dedication to their craft, along with an immense amount of wit and talent is what has sustained them as a band for 50 years.

The two are just so easily lovable guys, and immense talents with a one of a kind sound. As a fan, it made me happy to see the two in the limelight where they should be, taking a quick break to reflect after 50 years of innovating in the field. Here's to 200 more Sparks albums!

I've been a fan of Sparks for over 10 years now and just went I thought I knew everything there was to know about them, Edgar Wright beautifully illustrates their 5 decade career span. It's an excellent glimpse into their creative process with so much unseen footage and storytelling from Ron and Russell.

Great job to all involved.

This was superbly made, very funny, and surprisingly uplifting.

I've watched a lot of music documentaries that have interesting content but pretty boring presentation, and so to have one come along that's this entertaining and this well edited was a real treat.

Sparks have had an incredibly interesting history to the point where you could use stock standard documentary techniques and still make something watchable, but Wright's passion for this duo really shines through and makes for a documentary that will make any viewer see the weird, funny and captivating appeal of Sparks.

It makes me feel like I've got a lot of catching up to do, as I'd only listened to four Sparks albums before watching this, and there are at least several more covered here that I feel I should check out.

Only complaint I'd have is that it gets a little long winded near the end, with an epilogue that stretches on forever, with so many points where you think it's about to finish but doesn't. It's like the Lord of the Rings: The Return of the King ending but for documentaries.

Maybe Wright just didn't want to finish making this movie about a band he clearly loves, so for that I can't blame him too much.

"How can a band be successful, underrated, hugely influential, and overlooked all at the same time?" Edgar Wright (director)

Although the cult art-pop band Sparks has been playing its idiosyncratic music for fifty years, you may never have heard about the two brothers or their music. Be prepared to remember them forever after seeing Edgar Wright's loving and comprehensive documentary covering their zany years of performance.

The two boys, Ron and Russ Mael, were born in California with the creative influence of the Beach Boys but a definite affinity for Brit bad boys like the Beatles and The Stones and touches of Queen. In fact, Ron and Russell Mael may have been a major influence on British synthpop.

Wright skillfully shows their emerging theatrics of Ron's culturally-sharp lyrics and Russell's stagey falsetto gyrations evocative of Mick and Freddie. They have their career careening from high on the charts to being absent from them, but never stopping the two from inventing themselves over and over again.

If you don't believe me, listen to persuasive talking heads who know what they're talking about, like Duran Duran, Weird Al Yankovic, Patton Oswalt, Sonic Youth, et al. However, just listen to their sometimes-inscrutable lyrics and watch Russell gyrate around the implacable Ron, and you will experience music in all its forms, wild and expressive.

As Ringo was alleged to say while watching Top of the Pops, "Marc Bolan is on the tele playing a song with Adolph Hitler" (Ron wore a Hitler-like stache much of the time). In the course of their half century, they went from glam-rock to orchestral art-pop to their take on Sgt Pepper and everything in between. It's exhausting just to try to catalogue their phases.

In Theaters.