इलिनोइस ब्लैक पैंथर पार्टी के चेयरमैन फ्रेड हैम्पटन की कहानी और एफबीआई के मुखबिर विलियम ओ नील द्वारा उसको दिये गए विश्वासघात को दर्शाया गया है.इलिनोइस ब्लैक पैंथर पार्टी के चेयरमैन फ्रेड हैम्पटन की कहानी और एफबीआई के मुखबिर विलियम ओ नील द्वारा उसको दिये गए विश्वासघात को दर्शाया गया है.इलिनोइस ब्लैक पैंथर पार्टी के चेयरमैन फ्रेड हैम्पटन की कहानी और एफबीआई के मुखबिर विलियम ओ नील द्वारा उसको दिये गए विश्वासघात को दर्शाया गया है.
- 2 ऑस्कर जीते
- 45 जीत और कुल 85 नामांकन
7.496.6K
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फ़ीचर्ड समीक्षाएं
Universal and unique
When I saw "The Trial of the Chicago 7" less than a year ago, I commented that there was likely a more interesting movie to be made about Fred Hampton. Well, here it is! This film avoids all the traps of traditional biopics. Its tight timeline and electric performances distinguished it from similar stories that wind up feeling like nothing more than historical dramatization. I knew how this movie would end. I knew the basic story of the main character. And yet I hung on every moment. Kaluuya is that good, and Stanfield is that good. More importantly, the filmmakers are smart enough to figure out that this could be a story of betrayal, advocacy, loyalty, and fear...something that transcended one person's story. What results is something both universal and uniquely relevant to the present day. This movie deserves whatever awards it wins.
Very informative
I had no idea any of this actually happened, so it's great that a film was made about this. This is a powerful film that I would highly recommend.
Powerful
The two main acting performances really carry this film. Kaluuya and Stanfield both do tremendous work and make this film a compelling watch. It's a tough. depressing movie to watch, but it feels appropriately timed with its release. It's inevitable to compare this to another recent film containing some of the same characters, The Trial of the Chicago 7. While Chicago 7 is a more enjoyable watch and really zips along with energy, Judas is more unflinching in its reality and less "Hollywood." This isn't to say there aren't the typical story beats you expect in a film like this, but it overall feels more impactful.
READ THE MOVIE TITLE!!
I haven't written a review in awhile, but felt compelled to do so because numerous reviews complaining about the movie as some sort of failed Fred Hampton biopic...
The movie is titled JUDAS and the Black Messiah, in which we should all be able to discern who's whom, and understand why the movie isn't just about Fred Hampton, so all of you with your fake woke-ness can stop talking about how shallow this movie is or how they didn't do enough, and then counterintuitively discredit this accomplishment of a film about an important part of the U.S. history!
What a powerful movie.
Back to a time where The FBI, led by J Edgar Hoover is more concerned with The Black Panthers, than the Russians and Chinese. A car thief is corrected into infiltrating The Organisation and reporting back.
This is an incredibly powerful story, a fascinating point in America's history. This film is not afraid to show the violence, racism and prejudice that was very real. It doesn't shy away from showing the brutality, the misery faced by people of colour.
Uncomfortable at times, but it's a gripping watch, this film will hold your attention throughout, it's one of those that passes by, without you questioning the running time.
Shaka King's direction is spot on, this film moves by at a real pace. The cinematography and music are phenomenal, especially the latter.
Daniel Kaluuya, he's one of those people I'm convinced will one day own a string of Oscars, an awe inspiring actor, and naturally he does it again here with a spellbinding performance. Huge credit also to LaKeith Stanfield, marvellous also.
I figure this film may not be to everyone's taste, but I'd certainly recommend it, it really does tell a powerful story. It's inspired me to do a little research and reading of my own.
9/10.
This is an incredibly powerful story, a fascinating point in America's history. This film is not afraid to show the violence, racism and prejudice that was very real. It doesn't shy away from showing the brutality, the misery faced by people of colour.
Uncomfortable at times, but it's a gripping watch, this film will hold your attention throughout, it's one of those that passes by, without you questioning the running time.
Shaka King's direction is spot on, this film moves by at a real pace. The cinematography and music are phenomenal, especially the latter.
Daniel Kaluuya, he's one of those people I'm convinced will one day own a string of Oscars, an awe inspiring actor, and naturally he does it again here with a spellbinding performance. Huge credit also to LaKeith Stanfield, marvellous also.
I figure this film may not be to everyone's taste, but I'd certainly recommend it, it really does tell a powerful story. It's inspired me to do a little research and reading of my own.
9/10.
Director Shaka King on 'Judas and the Black Messiah'
Director Shaka King on 'Judas and the Black Messiah'
IMDbPro teamed up with the Sundance Film Festival to spotlight some of the talented artists at the 2021 festival. Learn more about Judas and the Black Messiah and the artist behind the camera, Shaka King, in our spotlight interview series.
क्या आपको पता है
- ट्रिवियाDirector Shaka King has described the initial idea for the film as "The Departed (2006) inside the world of COINTELPRO (Counter Intelligence Program)." He thought it was a clever way to "sort of Trojan-horse a Fred Hampton biopic and introduce the world, you know, a great segment of the world who is unaware of who he was, and is highly unaware of the Panthers' politics and ideology."
- गूफ़The movie's ending sequence includes an information card implying that William O'Neal committed suicide after his PBS interview aired, on 15 January 1990. That isn't accurate. The PBS series 'Eyes on the Prize' did debut on that date, but the O'Neal interview did not air until 9 February, three and a half weeks after O'Neal's suicide. No one knows why O'Neal chose kill himself on 15 January, and his family disputed that his traffic fatality was a suicide. They claimed it was an accident.
- भाव
Fred Hampton: Politics is war without bloodshed while war is politics with bloodshed
- साउंडट्रैकThe Inflated Tear
Written by Rahsaan Roland Kirk
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Judas y el mesías negro
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $54,78,009
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $20,27,076
- 14 फ़र॰ 2021
- दुनिया भर में सकल
- $74,78,009
- चलने की अवधि
- 2 घं 6 मि(126 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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