IMDb रेटिंग
7.6/10
16 हज़ार
आपकी रेटिंग
डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.
- 2 प्राइमटाइम एमी जीते
- 15 जीत और कुल 51 नामांकन
David Bowie
- Self
- (आर्काइव फ़ूटेज)
Trevor Bolder
- Self
- (आर्काइव फ़ूटेज)
Ken Fordham
- Self
- (आर्काइव फ़ूटेज)
Mike Garson
- Self
- (आर्काइव फ़ूटेज)
John 'Hutch' Hutchinson
- Self
- (आर्काइव फ़ूटेज)
Geoff MacCormack
- Self
- (आर्काइव फ़ूटेज)
- (as Geoffrey MacCormack)
Mick Ronson
- Self
- (आर्काइव फ़ूटेज)
Brian Wilshaw
- Self
- (आर्काइव फ़ूटेज)
Mick Woodmansey
- Self
- (आर्काइव फ़ूटेज)
Carlos Alomar
- Self
- (आर्काइव फ़ूटेज)
Gui Andrisano
- Self
- (आर्काइव फ़ूटेज)
Ava Cherry
- Self
- (आर्काइव फ़ूटेज)
Robin Clark
- Self
- (आर्काइव फ़ूटेज)
Dennis Davis
- Self
- (आर्काइव फ़ूटेज)
Greg Errico
- Self
- (आर्काइव फ़ूटेज)
Herbie Flowers
- Self
- (आर्काइव फ़ूटेज)
Richard Grando
- Self
- (आर्काइव फ़ूटेज)
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फ़ीचर्ड समीक्षाएं
Underwhelming!
Brett Morgen's 140 minute long Moonage Daydream, is a neon-soaked nonlinear joyride through the late David Bowie's life and career, concentrating on his personal philosophy to life and art, as narrated wholly and solely (to its detriment) by the man himself. Bowie freaks and acolytes will I imagine, bow down before it, declaring it the best thing since sliced bread and vinyl music. I on the other hand, as a fan of his music, found its perspective of the great man and musician to be too narrow and dare I say it, despite some exhilarating sequences, even boring in places.
The documentary which was apparently approved by the Bowie family and estate, was clearly a labour of love for director/producer/editor Morgen, who has assembled some amazing footage of Bowie in and out of concert and has been very creative in its depiction onscreen. But I for one became entirely sick of hearing Bowie drone on endlessly and singularly about his thoughts on time, aging, art (why only painting?) and mortality. Can I make it very clear here that I'm not being critical of Bowie himself. This is entirely criticism of Morgen's interpretive treatment of the dead musician. For all we know, Bowie himself may have been aghast, at being treated in this sort of hyper - reverential manner.
I personally wanted to hear his thoughts on influences arising from his collaborations with a vast array of other musicians and producers. I wanted to at least hear something about how his life may have been affected by his his marriages and his children. For those like me again, who might be interested in his notable side ventures into acting? Nothing ... nothing at all! Morgen portrays him as this incredibly gifted, solitary traveller endlessly (and repetitively) traversing the ends of the earth seeking spiritual and artistic enlightmennt. No one else is invited to the gig. We see some vision of notables and stalwarts such as Mick Ronsen, Brian Eno and second wife Iman (ever so briefly), but we never hear from them. It becomes quite frustrating.
Moonage Daydream is a complicated, monumental paen to a hugely gifted artist, but for all its fine production values and occasional interludes of genuine excitement, I found it oddly one - dimensional and repetitive and ultimately failing to do justice to the man.
The documentary which was apparently approved by the Bowie family and estate, was clearly a labour of love for director/producer/editor Morgen, who has assembled some amazing footage of Bowie in and out of concert and has been very creative in its depiction onscreen. But I for one became entirely sick of hearing Bowie drone on endlessly and singularly about his thoughts on time, aging, art (why only painting?) and mortality. Can I make it very clear here that I'm not being critical of Bowie himself. This is entirely criticism of Morgen's interpretive treatment of the dead musician. For all we know, Bowie himself may have been aghast, at being treated in this sort of hyper - reverential manner.
I personally wanted to hear his thoughts on influences arising from his collaborations with a vast array of other musicians and producers. I wanted to at least hear something about how his life may have been affected by his his marriages and his children. For those like me again, who might be interested in his notable side ventures into acting? Nothing ... nothing at all! Morgen portrays him as this incredibly gifted, solitary traveller endlessly (and repetitively) traversing the ends of the earth seeking spiritual and artistic enlightmennt. No one else is invited to the gig. We see some vision of notables and stalwarts such as Mick Ronsen, Brian Eno and second wife Iman (ever so briefly), but we never hear from them. It becomes quite frustrating.
Moonage Daydream is a complicated, monumental paen to a hugely gifted artist, but for all its fine production values and occasional interludes of genuine excitement, I found it oddly one - dimensional and repetitive and ultimately failing to do justice to the man.
Neither fish nor flesh
As a huge Bowie fan I really wanted to like this.
Unfortunately the movie is quite flawed:
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Unfortunately the movie is quite flawed:
- asynchronous storyline or not? Footage from different eras are mixed throughout the movie, but the director is also trying to tell a story of different periods.
- focus on only 3 periods only. The 3 periods in the storyline are basically Ziggy/ Aladin Sane, Berlin & Commercial 80's. Nothing about pre-Ziggy, soul period (young Americans), or after '85 (1.outside, tin Machine, hours, reality/heathen, the quiet period after heart attack that nobody really knows anything about, or comeback/ next Day/ Blackstar/ death. The movie is 2,5 hours long, so you would expect some more attention to the lesser known work & periods.
- doubling footage. Some footage shown multiple times, like the elevators in Japan. Why? Is there not more different footage available?
- lack of new footage: many scenes already shown in multiple Bowie documentaries, e.g. Amstel Hotel and the interview with the English bloke. Again; is there really nothing new of less known to find about one of the most famous guys of the last decades?
- footage of influences. A lot of footage of movies Bowie apparently liked, like Voyage to the Moon, Nosferatu, Metropolis. However without source or any explanation or even context and in overabundance.
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Musical montage, not biopic
It's more of a series of musical montages than a biopic, really. This seems to be Morgen's shtick at this point. Some montages work better than others and while I didn't find the movie that pretentious, as others have said, some montages were just drawn out too long even if they were pretty cool.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
A Colorful and Freeform Tribute to One of Music's Greatest Icons
Epic and opulent like the man's life and career, "Moonage Daydream" splashes a kaleidoscope of sounds and colors celebrating David Bowie's legacy. Eschewing the traditional chronological narrative director Brett Morgen with excellent editing paints a collage of images and music using live gigs, music videos and interviews throughout Bowie's time in the limelight ornamenting them with clips from films and acted scenes. Bowie comes across as handsome, intelligent and articulate as he expresses himself conveying his one of a kind talent. I would have preferred a traditional kind of documentary to set the basics on what made Bowie great. The loose style of the film barely reveals the man's importance except for fans. Clocking in at over two hours long the way the film is made leads to tediousness and slow parts which does this fascinating and eclectic artist a disservice. No surprise the great music buoys this up from start to finish. Timely and a fitting tribute "Moonage Daydream" is one for fans and to those who want to know why back in the day Rock was everything.
Montage Daydream
David Bowie Moonage Daydream. 2hours 18 mins of Bowie, it's not your usual " talking heads" bigging up some old/ dead/ has been rock star who has a reissued album to flog. It's just Bowie, well it isn't? It's a beautifully compiled fast edited montage of Bowie, his music, visuals, interviews both on screen on audio and various clips of his many many influences. What I learnt about Bowie, he was constantly striving for his art, he was some times lost (mainly during his successful periods) and like all of us he wished could have more time towards the end. Most importantly he was really happy at the end of his life both emotionally, creatively and spiritually. There are loads of previously unseen clips and lots of unheard mixes of songs. Ps I love Bowie, 1980 I bought my first Bowie album on the day of its release (Scary Monsters) and I never looked back. If your not a fan I don't know how you'd take it, it's a fascinating work of art and totally enthralling so I'd give it 10/10 if your not a fan give it a watch and perhaps you'll see why people where heart broken when he passed away. Listen out for "Cygnet committee" there's a lovely choral version at the end, and watch until the end of the credits, David will speak just to you.
क्या आपको पता है
- ट्रिवियाThe documentary includes a lot of David Bowie's unpublished personal material, including photos, home videos and some interviews on TV. Director Brett Morgen talked in person with Bowie's widow, top model Iman, for asking permission to use the material as tribute to Bowie. Although in a first moment she was reluctant to this idea, she was convinced by Morgen's previous works Cobain: Montage of Heck (2015) and Jane (2017) about singer Kurt Cobain and scientist Jane Goodall, where Morgen used personal material from each other to create artistic collages as tribute to them, instead to use in the way to make a classic biographic documentary.
- कनेक्शनFeatures Das Cabinet des Dr. Caligari (1920)
टॉप पसंद
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- How long is Moonage Daydream?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $42,18,925
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $12,30,145
- 18 सित॰ 2022
- दुनिया भर में सकल
- $1,30,95,781
- चलने की अवधि
- 2 घं 15 मि(135 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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