Men in White

I stumbled across this and TIVOed it -- curious to see a young Clarke Gable, with Myrna Loy.

The thing that grabbed me most was the cinematography. The use of shadows was very evocative, almost Citizen Kane-like. Beautifully framed shots, sometimes looking slightly up or down, slightly angled. Very poetic. A few crane shots. Worth seeing for the cinematography alone.

All the early 30s doctors in their white robes look like they exist and work in some idealized, futuristic art deco spaceport. Very odd and interesting to look at.

The other reviewer here pointed out that there was no music. Without the sappy over the top music to help tell the story, we instead experience the evocative camera-work in it's splendor.

Definitely worth a watch.

this is one of the few gable movies that i like. i was surprised by gable's acting, it was so unlike his macho man roles. his humanity came out in this performance. loy was a little irritating to me, which is rare, i so love her movies with William Powell. she seemed like a spoiled rich girl, unaware and uncaring of the plights of the sick and ailing, so unlike her Nora Charles rich girl. in it's own way it is a forerunner of er, not quite so fast-paced, but intense all the same. i was a little confused about the ailing nurse, it wasn't clear to me whether she had an abortion or if she had tried to commit suicide. perhaps some parts had been cut out that better explained it, although i watched it on tcm, they usually show movies in their entirety. i did have to chuckle at loy's serious line about "humanity", and her look away. it seemed a little overdone. a very good movie, ahead of it's time.

This movie is best known in film history as the inspiration for the Three Stooges' comedy short "Men in Black", although there is really no comparison between the two. This is a well-paced little hospital drama made right before the production code began to be enforced. Dr. George Forrest (Clark Gable) is an intern at a busy hospital and Laura Hudson (Myrna Loy) is his socialite fiancée. Forrest wants to study under Dr. Hochberg (Jean Hersholt) when his time is up as an intern, but it means only twenty dollars a week and long indefinite hours. Laura wants her fiancée to go into private practice so that they can have a normal life together after their marriage. Laura may be a bit of a spoiled brat, but she knows it, so it makes her more likable. Forrest is torn between wanting to please Laura and wanting the great chance to work with Hochberg. A fight between the couple one night sets up the scene for a scandal that has the opportunity to derail both Forrest's career and personal life. That is pretty much the crux of the movie.

What keeps it interesting is the pacing and the performances. I found it to be the most believable of the Gable/Loy pairings I've seen. Plus, unlike so many MGM dramas of the 30's, there is no unreasonable bad guy in sight - only the fight to advance medicine. Another matter of interest is the art deco interior design of the hospital. For example, there is a staircase in the main lobby of the hospital that is out of this world.

This is one darn good movie. Clark Gable (pre-GWTW) gives a super performance, and Myrna Loy never looked lovelier (and puts in a good performance herself). The story is compelling without being maudlin, and the comic relief doesn't get in the way (as it usually does). Hospital chaos is well depicted, and not everything turns out rosey. We of our era didn't invent "realistic" hospital drama -- we just think we did. Dated? Of course it's dated -- it was made over 60 years ago. However, sixty years from now, they'll be laughing at the stuff we're putting on TV, but they'll still be riveted to "Men in White."

CLARK GABLE is a dedicated doctor conflicted by feelings involving the workplace and romance--almost the forerunner of the character ROBERT MITCHUM would play twenty years later (Luke) in NOT AS A STRANGER. The film deals with medicine much the way Stanley Kramer's film did, but it's based on a stage play and the static quality owes something to that and the lack of background music on the soundtrack.

Of course it's all very dated--a giveaway is interns supposedly making $20 a week!! MYRNA LOY is a selfish, wealthy young woman who wishes Gable would give her his undivided attention instead of dedicating himself to work. Gable has to assert himself at the hospital when an older physician overrules his instructions on insulin and puts a patient into shock. Gable's character here is reminiscent of Lucas Marsh in Morton Thompson's best-seller NOT AS A STRANGER as he pulls the syringe from the doctor's hand and takes charge of the procedure.

There are weak moments of comedy relief, mostly from WALLACE FORD, and a maudlin performance from OTTO KRUGER that is painfully overplayed. The dialog too, tends to be preachy about the medical profession.

Self-doubting and lonely, Gable shares some romantic scenes with pretty nurse ELIZABETH ALLAN who confides in him about her own uneasy feelings as a nurse dealing daily with life and death situations. The love scene is handled with such discretion it's hard to determine the plot developments that come swiftly afterwards, but after Allan's tragic death Gable resumes his romance with Loy, who realizes his work will always come first in his life.

Nothing deep here, just a routine medical drama with all of its stage bound ingredients intact. Music is only used once for a restaurant scene where violins are playing a Viennese waltz, which leaves a lot of the drama feeling flat and one-dimensional.

JEAN HERSHOLT has his usual role of an avuncular medical man under whom Gable intends to study abroad, but the focal point is the Gable/Loy/Allan romantic triangle.

Summing up: From any standpoint, a trifle in Gable's career and notable only in that he plays a more sensitive role than usual.