Captain Blood

I have always wanted to see this film and so I recently purchased the Errol Flynn Signature Collection from Warner Bros. and promptly watched this title. This could easily be considered the greatest pirate movie ever made and by far the most realistic. Being a film student I watched it with a critical eye but at the same time found myself engaged in the excitement and all of the swashbuckling spectacle that WAS the film. Errol Flynn's breakout performance could easily rival his appearance as Robin Hood 3 years later, and Basil Rathbone is his typically evil self. The swordplay is spectacular, the Korngold's score is breathtaking, and the film is not only well made but (after 70 years) easily as entertaining (if not more) as the recent Pirates of the Caribbean. Highly recommended viewing for viewers of all ages.

Flynn's first starring role in Hollywood! This is a lavish, knock-you-silly gorgeous production with a solid, book-based plot, packed with action, salt water, swordplay AND hordes of pirates "celebrating in pirate fashion" (!). Flynn and de Havilland spark as they spar in the best love-hate mode, and this time, when she inadvisedly condescends to him in his slavery, his pride is as involved as hers. Suave, deadly French pirate captain Rathbone's betrayal of Flynn makes their thrilling, fated-from-the-start duel very satisfying indeed. The icing on the cake -- Flynn at his slim, youthful, sexy freshest, so beautiful he breaks your heart!

Nearly 80 years old and `Captain Blood' still is one of the greatest sea-adventures ever made. It initially served as an appropriate answer to `Mutiny on the Bounty', also released in 1935 and starring Clark Gable. This film launched the terrific career of Errol Flynn, who only appeared uncredited in other film until then. Captain Blood is a compelling and versatile story about a young Irish doctor, named Peter Blood. After giving medical attention to rebellions, he's sold as a slave to the wondrously beautiful Arabella Bishop (Olivia de Havilland)…niece of the rancorous Colonel Bishop (Lionel Atwill). Blood escapes slavery and, together with his faithful crew, he starts a successful and diverse career as a pirate in the Caribbean sea. Yet, the unanswered love he feels for Arabella never really allows him to be fully free. Naturally, this film doesn't feature as many outrageous swordfights as in later pirate movies, but the decors and scenery are breath-taking and very inspired. Some neutral sequences (mainly in the beginning of the film) can be considered tedious, but long and delightful patriot speeches and exiting battles make up for those. Errol Flynn does a great job as the rebellious captain, even though his handsome looks don't really match the image of a feared pirate. Special mention goes out to Basil Rathbone, flawlessly cast as a French corsair. Highly recommended if you're a fan of classic and nostalgic cinema.

How thankful we should be that Robert Donat turned this role down, as it allowed the introduction of one of the most romantic screen teams in movie history - Errol Flynn and Olivia de Havilland. Director Michael Curtiz produced a great pirate film that stands up well some 70 years later, and has become the blue-print for others of this genre to follow. The two stars are great, showing an excellent rapport, and the support cast including those two great villains, Basil Rathbone and Lionel Atwill add so much to the story of piracy on the high seas. While by today's standards one can see the use of models in the sea battles, they were quite remarkable in their time and still provide much excitement and fun. Swashbuckling was Flynn's forte, and Warners did him no favours by casting him in less adventurous roles. Do not miss the opportunity to see this on DVD or Video as it is a couple of hours of great entertainment.

CAPTAIN BLOOD, Warners' 1935 remake of a popular 1924 silent film, is best remembered today as Errol Flynn's springboard to stardom, and the first of a series of classic swashbucklers from the studio. Yet the film was nearly shelved, and it's story is as entertaining as the film.

Intended to attract the same audience that had made MUTINY ON THE BOUNTY and TREASURE ISLAND box office hits, the film boasted great production values, a talented director (Michael Curtiz), a musical score from Hollywood's greatest composer (Erich Wolfgang Korngold, although time limitations forced him to borrow heavily from Franz Liszt), the captivating beauty of young Olivia de Havilland (in only her fourth film), and, originally, the respected British actor (and future Oscar winner) Robert Donat as physician-turned-pirate Peter Blood. Donat, however, had chronic health problems (which would, sadly, eventually curtail his film career), and Warners faced a major production starting date with no leading man.

Legend has it that Jack Warner's wife recommended young Errol Flynn (just 26 at the time) for the role; she had described him as the most "gorgeous" man she'd ever seen, and helped convince the studio to bring him from England, where he was doing repertory theater, after several years of hell-raising around the world. His largest American role, to date, had been as a corpse in a Perry Mason B-movie, but his sexual conquests and social life were already becoming legendary, and he and new wife, actress Lili Damita, were constantly promoting the young actor around town. The studio finally decided to take a chance on the untested actor in the lead (budget-wise, picking a low-paid contract player was a smart financial move)...but it initially appeared to be a MAJOR blunder, as Flynn looked tense and amateurish in the dailies. Director Curtiz was unfazed, however, and worked with him, and gradually the actor developed confidence. Word spread around the studio that a charismatic new star was emerging, and the first few days' scenes were scrapped and re-shot. By the end of the hugely favorable test screenings, Warners knew it had finally had a bona-fide sex symbol of their own, who could compete for female audiences against Gable, Cooper, and Cary Grant. Errol Flynn had inherited Douglas Fairbanks' title of premier swashbuckler, and had done it with only one film!

CAPTAIN BLOOD may lack the opulence of THE ADVENTURES OF ROBIN HOOD and THE CHARGE OF THE LIGHT BRIGADE, and the pure adventure value of THE SEA HAWK, but without this pirate saga, and the dynamic star it introduced, the 'Golden Age' of Hollywood may never have seen these subsequent classics reach the screen. CAPTAIN BLOOD has earned a place in film history that cannot be underrated.