The Bride Walks Out

Although this film was made before the television era, in some ways it resembles an extended episode of a TV sitcom. The main characters are Michael and Carolyn Martin, a young newlywed couple from New York. The plot centres upon the disharmony caused in their marriage by their financial difficulties. Michael is an engineer earning $35 per week. In the Depression era of the thirties this would probably have been regarded by most Americans as a good living wage, but it is not enough to keep Carolyn in the middle-class style to which she has become accustomed. Before her marriage she worked as a model earning $50 per week, but Michael has old-fashioned views about married women working (old-fashioned by today's standards if not those of the thirties) and refuses to let her go out to work. Carolyn, however, is unable to limit her spending (she impulsively buys a dress costing over $40) and soon the couple are in financial difficulties and their furniture is repossessed. An added complication is that Carolyn has a wealthy admirer in the shape of Hugh, the foppish son of a department-store owner. (At least, he is a fop some of the time. His character seems to veer between a drunken playboy and a perfect gentlemen).

The film resembles a sitcom in that the humour arises out of the situations in which the characters find themselves rather than from any particularly witty dialogue. As another reviewer has pointed out, the main comic relief is provided by Billy Gilbert as the repo man and Ned Sparks as Michael's colleague Paul, but as Gilbert's party piece seems to be pretending to sneeze (in which he is joined in a duet by Barbara Stanwyck) and Sparks's speciality is talking out of the side of his mouth while holding a cigar firmly clamped between his jaws, I can only think that audiences of the thirties were more easily pleased than those of today would be.

The main problem with this film for a modern audience, however, is its outdated social attitudes. The jocular references to wife-beating, for example, do not seem tasteful or funny today. Although the film is fairly sympathetic to Carolyn's desire to work, a woman's job is seen not in terms of a fulfilling career but in terms of a way of providing pocket-money to keep herself in luxuries. There is also a racist joke when Carolyn's maid (about the only role open to black actresses in the thirties) remarks that black men are too idle to support themselves and prefer to live off their wives. The film as a whole seems very dated today. "Halliwell's Film Guide" describes it as "thin" but "pleasing". The first adjective may be apt; the second certainly is not. 4/10

Pure romantic comedy that doesn't hit every mark, but is well worth it. If you loved Palm Beach Story, you'll at least like this.

Story of fashion-model married to $35/week surveyor, failing to make ends meet. He won't let her work, but she does anyway. She's tempted by rich playboy Robert Young. He's egged on by wife-hating Ned Sparks. Sparks, who delivers every line around a cigar stub, and Billy Gilbert, the repo man, steal every scene they are in.

Husband's refusal to see wife's point of view makes him look stupid, which was not the intent. Guess how it turns out? True lovers of this period have to learn to overlook this kind of sexism, I'm afraid.

... in a production that is an OK time passer but is based on entirely archaic ideas on the subject of marriage. If I'm going to watch a film from 1936, I guess I should be prepared to deal with the values of 1936, but this is just too much.

Mike Martin (Gene Raymond) is an engineer who basically nags model and long-time girlfriend Carolyn (Barbara Stanwyck) into marrying him. The arguments begin at their quickie civil marriage ceremony and continue as Mike's estimate that $35 a week is enough for them to get by on is incorrect. Plus no wife of his is going to work! It's a Martin tradition. Before this film is over I felt like if it was a Martin tradition to walk a tightrope strung between high rises on your 30th birthday Mike would be up there doing it. He's not exactly a deep thinker.

Meanwhile, Carolyn is stuck making Mike's maxims work. Mike gets to live the dream of supporting a wife that doesn't work, but his dream is really a mirage. Carolyn is the one that actually deals with overdue bills and the bill collectors coming to the door threatening repossession. After their furniture is repossessed and is only returned because wealthy friend Hugh McKenzie (Robert Young) pays the amount due - all happening before Mike gets home and thus without his knowledge - Carolyn decides to go to work so their budget will stretch and hide the fact from Mike. When Mike beats Carolyn home one day and discovers the truth, it is actually the knuckle-dragging groom that walks out.

All through the film there is the involvement of wealthy Hugh, who loves Carolyn but wants her to be happy whatever she decides. Let me tell you, Robert Young does not play a drunk well at all. In fact he's quite annoying as drunken partying Hugh. But when he plays a sober Hugh he's a stark and pleasant contrast to the Neanderthal Mike.

Now this is a 1936 production code era romance, so you know it's going to work itself out in some conventional way already, so I'll just let you watch and find out how that happens.

I give this five stars because Barbara Stanwyck makes almost any film watchable, plus there are the hilarious antics of Ned Sparks and Helen Broderick as Paul and Mattie Dodson, friends of the couple who don't seem to like each other at all and can't even remember what town in which they were married. When Carolyn asks them why they get married in the first place they say "because it was raining", whatever that means.

I would consider this film a take it or leave it proposition.

If you can get passed the far-outdated trappings (newlyweds in separate beds, and a wife who is forced to give up her well-paying job to live on her husband's measly salary), there are some laughs to be had in this charming romantic comedy from RKO. Screenwriters P.J. Wolfson and Philip G. Epstein, working from a story by Howard Emmett Rogers, manage to throw in some funny, sneaky little laugh lines, and the supporting characters add a great deal of bounce, including sidekick Ned Sparks (who talks like a Myna Bird) and Hattie McDaniel(s) as a sassy cook. The bride (Barbara Stanwyck, who never disappoints) does indeed walk out--into the arms of a millionaire!--and the way the plot is resolved is amusing and clever. **1/2 from ****

This is kind of a movie version of an I Love Lucy episode - It's the trials & tribulations of a couple, accompanied by their sidekicks, the other married couple. The girls stick together, the guys stick together. Then Robert Young walks in to "help", but things get all mixed up. Clever script. Helen Broderick plays the same sarcastic, older but wiser friend that sticks by the young bride when things get tough that she played so many times (Father takes a bride, Smartest Girl in Town, Top Hat) Robert Young is the dashing interloper that really does want to help out, but just makes things worse. Ned Sparks is a riot, always muttering things under his breath, the poor suffering husband with a cigar hanging out the corner of his mouth. This movie makes light of some of those old fashioned sexist ideas,(domestic violence, man/wife roles) so may offend some, but then it was made for a different time. Seems to be a remake of "Ten Cents a Dance" from 1931, which also starred B. Stanwyck. I have tried to find the video for sale, have not had luck as of yet.