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Happy Days

  • 1929
  • Passed
  • 1 घं 20 मि
IMDb रेटिंग
5.5/10
198
आपकी रेटिंग
Happy Days (1929)
कॉमेडीरोमांससंगीतमय

अपनी भाषा में प्लॉट जोड़ेंIn Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a... सभी पढ़ेंIn Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.In Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.

  • निर्देशक
    • Benjamin Stoloff
  • लेखक
    • Sidney Lanfield
    • Edwin J. Burke
  • स्टार
    • Charles E. Evans
    • Marjorie White
    • Richard Keene
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    198
    आपकी रेटिंग
    • निर्देशक
      • Benjamin Stoloff
    • लेखक
      • Sidney Lanfield
      • Edwin J. Burke
    • स्टार
      • Charles E. Evans
      • Marjorie White
      • Richard Keene
    • 13यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    फ़ोटो16

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 9
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Charles E. Evans
    • Colonel Billy Batcher
    Marjorie White
    Marjorie White
    • Margie
    Richard Keene
    Richard Keene
    • Dick
    Stuart Erwin
    Stuart Erwin
    • Jig
    Martha Lee Sparks
    • Nancy Lee
    Clifford Dempsey
    Clifford Dempsey
    • Sheriff Benton
    James J. Corbett
    James J. Corbett
    • Interlocutor - Minstrel Show
    George MacFarlane
    George MacFarlane
    • Interlocutor - Minstrel Show
    Janet Gaynor
    Janet Gaynor
    • Janet Gaynor
    Charles Farrell
    Charles Farrell
    • Charles Farrell
    Victor McLaglen
    Victor McLaglen
    • Minstrel Show Performer
    El Brendel
    El Brendel
    • Minstrel Show Performer
    William Collier Sr.
    William Collier Sr.
    • End Man - Minstrel Show
    Tom Patricola
    Tom Patricola
    • Minstrel Show Performer
    George Jessel
    George Jessel
    • Minstrel Show Performer
    Dixie Lee
    Dixie Lee
    • Lead Dancer in 'Crazy Feet' number
    Nick Stuart
    Nick Stuart
    • Nick Stuart
    Rex Bell
    Rex Bell
    • Rex Bell
    • निर्देशक
      • Benjamin Stoloff
    • लेखक
      • Sidney Lanfield
      • Edwin J. Burke
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं13

    5.5198
    1
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    5
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    10

    फ़ीचर्ड समीक्षाएं

    8plushing-417-732925

    A must for fans of early 20th century show biz

    Fanatics will have to see this. People who just like early show business more or less will find much to enjoy with their finger hovering over the fast forward button.

    The black face minstrelsy is probably 100% authentic given how many people involved with it in the 19th century were probably associated with this production. The ad-libbing by the Broadway crowd when the plot is being laid out is kind of dull, but may be an authentic replica of how those guys talked. George Jessel is making it up as he goes along and is not at his wittiest. But you get to see how the guys who seemed to be having all the fun dressed, walked, spoke, emoted, and loved each other.

    The familiar now obsolete acts are here: burlesque of "high-class" dancers, heavy-accented "Yiddish" monologist, meek man with much taller over bearing wife, and so on. Come to think of it, this stuff never goes away entirely.

    Correction to an earlier reviewer: the sets do make sense because if you listen to the set-up the show is in a theater, not on the show boat (remember, Jessel asks the theater owner if his theater is "dark", meaning is it unoccupied so this fund raiser can be presented in it).

    It thankfully ends with the entire company taking a bow, and you silently applaud them up in Show Business Heaven.
    earlytalkie

    This "treasure" should have stayed buried

    This film, which was just another musical in that crowded time of 1929-30, is truly dreadful to experience today. ANY of the musicals done by the other studios during this time would have been better. Charles Farrell and Janet Gaynor do a horrible number guaranteed to rot your teeth from all the sugar. Why Fox insisted on putting Frank Richardson in a musical is anybody's guess. A hideous shrieking screeching singer who could give a deaf person a headache. A few of the chorus numbers are okay, but pale next to the work in films like King of Jazz or Show of Shows. This was originally filmed in the early wide-screen process "Grandeur", but now is seen in an old dupe like the vastly superior Just Imagine from the same studio. I like Charles Farrell as Gale Storm's father in My Little Margie, and Janet Gaynor in the terrific A Star Is Born from 1937, but together, they may have been part of the reason for the big backlash against musicals in 1930. They are.......Icky!
    1gmzewski

    The Worst!

    I'm a big Marjorie White fan,but as a young actress, on the stage since childhood, and already a big hit in Sunny Side Up, why she agreed to take the part in this one, along with Charles Farrell and Janet Gaynor, I'll never know. On the whole, I find the entire film patently old-fashioned (even for its own time), ridiculously unfunny, except for George Jessel and Will Rogers, and I find it offensive to a great degree, the scene where the guy picks up Marjorie and physically throws her across the room, and the enormous chorus scene of blackface actors just horribly silly. And add El Brendel, the un-funniest comic of his time, and what we end with is a really forgettable piece, insulting, and not entertaining at all!
    7boblipton

    Surprisingly Strong Revue From Fox

    When the showboat she performs on is threatened with repossession, Marjorie heads to New York where she persuades all the stars there -- which seems to be the list of Fox contract players -- to perform in a minstrel show to lift the mortgage.

    Yes, much of it is in blackface. Performers in solo and specialty numbers have the make-up removed, and the last twenty minutes or so is performed without the hated shoe polish. This is a good one, not for the number in which Edmund Lowe and Victor Mclaglen sing about how they really like each other, or for Charles Farrell and Janet Gaynor singing the forgettable "We'll Build A World Of Our Own." But Broadway star Charles MacFarlane has a fine singing voice; Tom Patricola does a dynamite eccentric dance; and to watch Ann Pennington and Sharon Lynne dance "Snake Hips" in very revealing costumes is a treat.

    This was the second movie shot in Fox's Grandeur Process, an early 70mm format. Unhappily, the copies at are available are in standard format and rather blurry. But there are some surprising techniques, like a Busby Berkeley shot and extended sequence of single dancers in full body length, well before these techniques became standard.

    It's one of those movies that the major studios made in this brief period, showing off their stars in song and dance, whether they could sing, dance or not. Given the inherently mixed bag nature of the genre, this is a pretty good example of the revue format.
    7marcslope

    All talking, all singing, all nonsense

    Lavish story-revue from 1929, originally filmed in a widescreen process called Grandeur, puts most of Fox's roster in a minstrel show format; there's a plot surrounding it, but it's forgotten after the first half hour or so. You have to endure some badly dated acts, including the insufferable El Brendel and the sappy Janet Gaynor (she doesn't sing, she coos) and Charles Farrell (body of Adonis, voice of a fifth grader), but along the way you do get some good stuff, and an entertaining look at what was considered top-notch diversion around the time the stock market was crashing. Marjorie White does some hot scat singing and steps lightly; Ann Pennington and Dixie Lee dance up a storm; Victor McGlaglen and Edmund Lowe do a buddy number (McLaglen can actually sing, Lowe can't); the boxing champ James J. Corbett is a personable interlocutor; Will Rogers, Warner Baxter, and George Jessel do cameos; and poor old Charles Evans' show boat gets saved. The chorus girls are beefy and klutzy (Betty Grable's in there somewhere), the production design's clever, and there's an odd lighting effect that turns actors from blackface to white with the flick of a light switch. Heaven knows you couldn't get away with this stuff today, but the songs are catchy, there's some fine dancing, and among the large roster of early talkie musicals, this one's fairly diverting.

    इस तरह के और

    Sunnyside Up
    6.5
    Sunnyside Up
    New Movietone Follies of 1930
    6.8
    New Movietone Follies of 1930
    Just Imagine
    5.3
    Just Imagine
    Fox Movietone Follies of 1929
    5.8
    Fox Movietone Follies of 1929
    7th Heaven
    7.5
    7th Heaven
    The Love Parade
    7.0
    The Love Parade
    Woman Haters
    6.6
    Woman Haters
    High Society Blues
    7.4
    High Society Blues
    Broadway Babies
    6.0
    Broadway Babies
    Charming Sinners
    6.1
    Charming Sinners
    They Had to See Paris
    5.8
    They Had to See Paris
    No Limit
    5.6
    No Limit

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The second film released in 70mm widescreen (The Big Trail (1930) was the first).
    • इसके अलावा अन्य वर्जन
      Filmed and released in two versions: standard (35 mm) and widescreen in the Grandeur process (70 mm). For its premiere showing, the widescreen version played at the Roxy Theatre in New York City, and was the first film ever shown entirely in widescreen. No print of the widescreen version is known to exist.
    • कनेक्शन
      Featured in Biography: Betty Grable: Behind the Pin-up (1995)
    • साउंडट्रैक
      We'll Build a Little World of Our Own
      (uncredited)

      Music by James F. Hanley

      Lyrics by James Brockman

      Copyright 1930 by Red Star Music Co. Inc

      Performed by Janet Gaynor and Charles Farrell

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 फ़रवरी 1930 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Srećni dani
    • उत्पादन कंपनी
      • Fox Film Corporation
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 20 मि(80 min)

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