अपनी भाषा में प्लॉट जोड़ेंAn embezzler who expects to serve his time in prison and then pick up his buried loot is in for a surprise.An embezzler who expects to serve his time in prison and then pick up his buried loot is in for a surprise.An embezzler who expects to serve his time in prison and then pick up his buried loot is in for a surprise.
- निर्देशक
- लेखक
- स्टार
- Man in Getaway Car
- (बिना क्रेडिट के)
- Bob - Detective
- (बिना क्रेडिट के)
- Police Squad Car Driver
- (बिना क्रेडिट के)
- Apartment Girl
- (बिना क्रेडिट के)
- …
- Louie Rattig
- (बिना क्रेडिट के)
- Edward Swain
- (बिना क्रेडिट के)
- Bob
- (बिना क्रेडिट के)
- Apartment Onlooker
- (बिना क्रेडिट के)
- Attorney at Trial
- (बिना क्रेडिट के)
- Court Clerk
- (बिना क्रेडिट के)
- Cell Guard
- (बिना क्रेडिट के)
- Girl in Apartment
- (बिना क्रेडिट के)
- Albert (Al) Douglas
- (बिना क्रेडिट के)
- Bank President
- (बिना क्रेडिट के)
- Death House Guard
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
MGM made no mistake with this episode, starring the rising Robert Taylor. George Seitz directed and co-wrote the short subject, and production value was added by using clips from THE BIG HOUSE. Atmosphere is augmented by camerawork that includes a lot of side-lighting and shadows that would become the bedrock of film noir. All in all, a very satisfactory effort.
Taylor plays Al Douglas, a bank employee who just walks into the bank president's office and confesses to stealing 200K. He knows he is going to jail. The bank president asks him what he did with it and he says "I spent it". Now remember in 1935, deep in the Depression, 200K was equal to about four million dollars today. You just don't spend that kind of money on nothing! So Al's plan was to steal the money, bury it, do his time as neatly as possible so he does the minimum sentence, then dig up the money and live like a king.
Al gets five to ten years. So five years is not long to wait for 200K in 1935. He is doing well in prison, and becomes a trustee. It looks like he'll be out in five. And then "stir" starts getting to him, plus his cellmate has an escape plan and makes one ominous statement - "A lot can happen in five years."
This gets Al thinking. What if somebody digs up the loot while he is in jail? What if he did all of this for nothing? And so his first mistake is to agree to escape with his cellmate. And he just keeps making bad mistakes until the tale has been told by law enforcement to the "MGM Crime Reporter" in flashback.
Taylor did a good job in this short. He displays a real grasp of the craft of acting in a 20 minute short that was usually presented in a "Just The Facts Ma'am" Dragnet style, to reference something more recent. The only odd thing has nothing to do with acting - it has to do with art design. For some reason the MGM crime reporter is conducting his interview in an office with a chandelier in it and a stuffed bird that looks just like The Maltese Falcon on a bookcase. Where is ace MGM art designer Cedric Gibbons when you need him??
The story is a simple one about how a bank employee decides to confess to the president of the institution his crime of stealing $200,000.00. What's more, he has squandered all the money. The fact is that cunning Al Douglas figures he will spend time in jail and then after serving a sentence, he will be released ahead of the term by his good behavior to dig out the treasure he has buried. But unfortunately, Al, doesn't count on his cell mate's plan to escape prison.
The film presents a young Robert Taylor before he became one of the best and most admired actors of the period. Mr. Taylor is heavily made up, as it was the custom of the early films, but one could see how the camera loved him and his virile presence that made him a favorite of the movie fans.
"Buried Loot" is one of the best examples of the one reel format.
**** (out of 4)
An embezzler steals $200,000 and says he gambled it away. This isn't exactly true because he's buried the money and plans to get it when he's released from prison in five years but a few twists changes things. Here's a terrific MGM short from their "Crime Does Not Pay" film line, which back then was what the TV show Cops is today. Cops would tell true life crimes and then re-enact them. This story is full of wonderful twists and turns and the ending is downright jaw dropping. One of the best of its kind.
क्या आपको पता है
- ट्रिवियाFirst lead role in a picture at MGM for Robert Taylor.
- भाव
[first lines]
MGM Reporter: How do you do, ladies and gentlemen. This is the MGM reporter speaking. I'm a man on a mission. It's my privilege to examine police files and prison records, to interview prominent authorities throughout the country, and bring to you undeniably, proof of the message that crime does not pay. You can't beat the law. The cards are stacked against you. At this time it is my privilege to interview Mr. Edward Swain, the International Bonding Company. Mr. Swain has promised me an incident that will poignantly illustrate the fact that sometime, somewhere, the criminal always pays. Am I right, Mr. Swain?
Edward Swain: You certainly are, Mac. The case of young Al Douglas illustrates your point. There are many others in our records, but this one is unusual and mighty interesting. Young Douglas was a teller in a bank. It wasn't long before the easy money he handled got him into trouble.
- कनेक्शनEdited from The Big House (1930)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Crime Does Not Pay #1: Buried Loot
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- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 19 मि
- रंग
- पक्ष अनुपात
- 1.37 : 1