China Girl

During the early days after America's entry into WWII, Hollywood cranked up the pro-war propaganda machine to both explain and justify our late participation and urgent need to catch up in the global battle against fascism. This pre-Pearl Harbor story concerns one he-man opportunist's efforts to juggle the bad guys and bad (?) girls with questionable motives. At times it looks like a film noir and other times a spy romance/melodrama, but with cynical dialogue by the master Ben Hecht and tough-guy direction by Henry Hathaway, this chop suey has enough meat and potatoes to satisfy. Example of the catchy language: George Montgomery says to sexy Lynn Bari, "I like you because you're everything a girl should be, 115 pounds of lies, venom and kisses." Another line has spy Victor McLaglen reporting the only Japanese he could translate from a secret document was the number 7 and the word Pearl!!! Oh - and the reason most folks will be watching - the China Girl, Gene Tierney is scrumptious!

Set during the Japanese invasion of China, an American photographer named "Johnny 'Bugsy' Williams" (George Montgomery) has been captured and put in a jail cell. As luck would have it he gets help from a Canadian mercenary "Bull Weed" (Victor McLaglen) and a beautiful female named "Fifi" (Lynn Bari) and manages to escape in an airplane that just happens to have been fueled and ready for takeoff. When he gets to Mandalay he meets up with another beautiful woman named "Haoli Young" (Gene Tierney) and falls in love with her. Unfortunately, events take on their own life and things don't go according to plan. At any rate, rather than spoil the movie for those who haven't seen it I will just say that this is an average grade B war movie filmed during World War II. The acting was barely adequate and while Gene Tierney was attractive she was less than convincing as a half-Chinese school teacher. But there weren't many Oriental actresses in Hollywood during this time so I suppose she was as qualified as anybody else for the part.

Probably "China Girl" is a movie for cinephiles (I'm not one of them, though). Hathaway is a high-level film-maker, McLaglen, Montgomery, Lynn Bari, Ruman are gifted and nice actors. The black-and-white photography is beautiful: the scenes inside the colonial hotel are indeed very evocative. Even the plot is better than one may expect and presents a noble finale. At any rate, it is so pleasant to see a film with no beastly violence and trash talk which are routine in current movies. Of course, for us happy people Gene Tierney's fans, the main recommendation for "China Girl" is the presence of our Goddess of Love and Beauty. Beyond her incomparable beauty and loveliness, Gene shows her usual (underrated) talent as an actress: with her sad dreaming eyes, her rare sweet smiles, her refusal to give way to love, even her bravery in sharing her unhappy people's sufferences, she instills in the audience the foreboding of her bitter fate.

China Girl is about an American newsreel cameraman, Johnny Williams (George Montgomery). The Japanese military in a Japanese occupied part of China detained him and hire him to photograph the building of the Burma Road. Johnny steals what he believes are press credentials- instead, they are the military orders for Pearl Harbor.

While they are holding him, he manages to escape with the help of a Canadian soldier (Victor Mclaglen) and his friend (Lynn Bari).

Later, he meets an old friend who wants him to join the Flying Tigers. But Johnny is out for Johnny, offering several people 50 percent of what he will make for Burma Road footage if they will stake him and buy him equipment, as the Japanese confiscated his.

Unaware that the Japanese are desperate to have their orders returned and are after him, he falls head over heels for gorgeous Haoli (Gene Tierney) who is half-Chinese. They fall in love, but she is committed to helping her father (Philip Ahn) with his school in Kunming. Learning the Japanese are en route to attack Kunming, Johnny rushes to save her.

Somewhat convoluted plot, though the end is very powerful. Gene Tierney doesn't have much to do but look ravishing until the film is nearly over.

George Montgomery was one handsome hunk of man, a former prizefighter with a magnificent physique, an architect, and known for the beautiful bronze busts he made. One small problem. He couldn't act his way out of a phone booth.

This role called for him to be cynical. Well, every line came out of the side of his mouth, no variation. Not that the dialogue, peppered with babes, dames, all the slang of the day helped.

Directed by Henry Hathaway, and very routine.

This is an underrated film that has received reviews too dismissing, I feel. I agree with the above reviewer on some of its shortcomings, but would also point out that there is a very nice tension set up between Gene Tierney and Lynn Bari throughout most of the story — which certainly had me watch it through to the very end. Contrary to other opinions, Tierney fans will not be disappointed here, although I agree she doesn't truly shine as in some others; and Lynn Bari is at her best and definitely makes us wish she had been given more prominent parts. Some feel that Bari actually makes this movie, but this may be going too far. Moreover, I don't believe China Girl was ever intended as a war movie per se, rather a drama. The war-scene ending just happens to be the bitter twist that closes what is essentially a war-time drama between a guy and two gals — it's no more complex than that.

Also, the camera is no slouch either, in this movie. It has excellent shots in the hotel rooms where much of the action takes place, giving it a somewhat noir feel that definitely generates an overall stylish period polish that is in synch with the true noirs of the period. If you like this style, as I do, China Girl is worth seeking out. One can only hope that it will eventually become part of a Tierny Collection. I'm certainly keeping my fingers crossed!