Private Buckaroo

At just over an hour, this film does not exceed its welcome, despite the acquired taste of the Andrews Sisters. Patti, Laverne and Maxene were perky and certainly had good voices, but their screen personalities are either OTT (Patti) or dull (the others). To carry a film, it just doesn't work.

Elsewhere there's Harry James and his Music Makers; Harry gets drafted and the band go with him (even the one with a flat foot), and that's about all the plot is.

There's a funny restaurant sketch, and some nice songs and music, and the film passes the time without making the viewer cringe. It is a typical flagwaver, a patriotic morale-booster.

Oh, and it has a 16-year old Donald O'Connor, showing a flash of promise of what would come later, along with Peggy Ryan.

When Harry James is drafted, the rest of the band joins up in this sweet little Universal musical programmer. It's about half specialty numbers, and half minor plots, with singer Dick Foran thinking he shouldn't have to drill, and Harry James being baffled by having to play a bugle instead of a trumpet. Shemp Howard feuds with Joe E. Lewis over Mary Wickes, and so forth.

There are a lot of songs in this one, but the big production number is the Andrews sisters singing "Don't Sit Under the Apple Tree", which breaks into a nicely shot jitterbug dance number, while James and his band mutate the theme from swing to klezmer and back again. Some great acrobatic dancing by a young troupe of dancers; Donald O'Connor and Peggy Ryan are in the movie, but they don't dance.

Brief, light rousing, unpretentious and just the sort of programmer to play on a double bill with THE BUZZARD OF BERLIN.

This is like a Abbott & Costello movie without Abbott & Costello. It's a service comedy only a year removed from "Buck Privates", and features the Andrews Sisters who co-starred with A&C in "Buck Privates", "In the Navy" and "Hold That Ghost". The male lead is Dick Foran, who co-starred in "In the navy", "Ride 'Em Cowboy" and "Keep 'Em Flying". Mark Wickes had a memorable role with Costello in "Hold That Ghost". Shemp Howard played supporting comic lead in a number of A&C pictures including "Who Done It?", "Africa Screams", "In the Navy", "Ride 'em Cowboy" and more, while Jennifer Holt can be seen in "pardon My Sarong" and Peggy Ryan in "Here Come the Co-eds". All that aside, this is a entertaining and fun film to watch. You just have the feeling somebody cut out all of Bud and Lou's scenes!

Completely fascinating and in retrospect a bit sad (conveyor belt recruitment) this is a Universal Pictures musical from an innocent age that served as a morale booster for teens........... the musical numbers are good, the cast incredible (Shemp and Mary Wickes play a couple like Popeye and Oliveoil......! yes, true!) and the Harry James music is excellent. I am constantly flabbergasted at silly criticisms of old films that some people write here feel don't fit this century.....these are films from another age with another sensibility and that is part of their interesting charm. The dance number with the Jumping Jacks and Jills is a teen sensation and I defy anyone to not be thrilled (and a bit moved) by the momentary celebration of their dance skill and enthusiasm. Just enjoy an have a great time watching this great film from 1942.......

What this Universal production lacks in production values, it more than makes up for with sheer pizazz. Those Jivin' Jacks and Jills left me gasping for breath. There's enough sheer energy in their acrobatics to light up a city for a week. And don't forget the Andrews Sisters who do some pretty fancy steppin' themselves. In fact, this is a showcase for the threesome, topped off by a signature version of "Don't Sit Under The Apple Tree". Plus trumpeter James gets a lot of time with his band and even makes fun of himself with an army trumpet, (was that really Huntz Hall of the Bowery Boys holding James's sheet music and playing it straight for maybe the only time in his clownish career).

Speaking of comedy acts, short homely Shemp Howard gets a featured role along with long tall Mary Wickes. Their little routines together are gems, especially the nightclub table between swinging doors. Add Joe E. Brown as Howard's rival and there's more mugging than you can count. Hard to believe that director Cline puts all these lively elements together in a single, smooth 68-minute package.

Also, you can tell this was early in the war since the patriotic touches are in abundance, and everyone is eager to do his or her part, even slacker Dick Foran who finally comes around. A snappy dynamo like this musical should have been sent to the Axis in Tokyo and Berlin. Then they would have known there was no hope of winning a war against the sheer pep and energy of the American homefront. Anyhow, count this one as a genuine sleeper amongst low- budget, hep-cat musicals.