IMDb रेटिंग
6.7/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA pilot falls in love with a woman he believes is heading cross country to become a maid, little suspecting that she's actually a princess.A pilot falls in love with a woman he believes is heading cross country to become a maid, little suspecting that she's actually a princess.A pilot falls in love with a woman he believes is heading cross country to become a maid, little suspecting that she's actually a princess.
- 1 ऑस्कर जीते
- कुल 4 जीत
Olivia de Havilland
- Princess Maria
- (as Olivia DeHavilland)
Ernest Anderson
- Messenger
- (बिना क्रेडिट के)
Julie Bishop
- Stewardess
- (बिना क्रेडिट के)
Ferike Boros
- Mrs. Anna Pulaski
- (बिना क्रेडिट के)
Harry C. Bradley
- Matilda's Husband
- (बिना क्रेडिट के)
Nana Bryant
- Mrs. Mulvaney
- (बिना क्रेडिट के)
Chester Clute
- Mr. Mookle
- (बिना क्रेडिट के)
David Clyde
- Grace
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Pre-dating "Roman Holiday" by ten years is this charming little comedy about a runaway princess, this time in New York, falling in love with a commoner. Like "Roman Holiday" the part of the princess is played to perfection, this time by Olivia De Havilland. And she's matched well by Robert Cummings, with a brilliant supporting cast headed by Charles Coburn, Jack Carson and Jane Wyman.
Unlike "Roman Holiday" this film opts for an overly-simplistic solution that is neither believable or satisfying. It's quite fun though being in the White House and watching FDR's dog play an important role in the drama. And the Oscar winning script is pretty good until the finale.
But it is De Havilland that makes the film work. Early in the film she takes a number of sleeping pills, and her drugged acting is superb. She also has a very raunchy scene in a bath! She achieves a perfect balance between comedy and drama, and once again proves that she was one of the best actors of her generation.
Unlike "Roman Holiday" this film opts for an overly-simplistic solution that is neither believable or satisfying. It's quite fun though being in the White House and watching FDR's dog play an important role in the drama. And the Oscar winning script is pretty good until the finale.
But it is De Havilland that makes the film work. Early in the film she takes a number of sleeping pills, and her drugged acting is superb. She also has a very raunchy scene in a bath! She achieves a perfect balance between comedy and drama, and once again proves that she was one of the best actors of her generation.
Yes, it's a wartime movie, with some fairly subtle propaganda thrown in. Yes, it's a formula romance. Well, I'm afraid I love formula romances. And I guess I can even respect propaganda when it's done with panache and sincerity.
Norman Krasna's screenplay is the real star. Watching the film I was constantly amazed at how the dialog sparkled, how the situations never worked out in quite the way I expected, how the characters always seemed just a little warmer and more human than they might have in many similar films of this era.
The cast is excellent as well, consisting entirely of Hollywood stalwarts, every one of them at their most endearing. Jack Carson, Charles Coburn and Jane Wyman are all great, of course. But Olivia De Havilland is also perfectly cast, lovable on one hand, regal on the other... yet without that slightly simpering quality that made her less likable in, say, The Adventures of Robin Hood, or Gone With the Wind. Robert Cummings was a fine comedic actor who is not well-remembered today, perhaps because he was less multidimensional than someone like James Stewart; but he's used to excellent advantage here. He's not just portraying the perfect everyman Yank; he IS that (perhaps mythical) person, the Guy From Brooklyn. And, yes, the perfect wartime Yank, who's just got to join up and be in "the biggest fight of all time, and the most important." Just as Bogart had to go be a hero at the end of Casablanca. These wartime films earn much of their charm by being unashamedly part of their times.
But ultimately, it's the little touches that raise this film far above the ordinary. The extended gag with the multiple sleeping pills; the silly little bits with the president's dog... These don't distract from the warmth of the film, they add to it.
Perhaps we undervalue a film like Princess O'Rourke simply because the material and the style are so familiar. We need to step back and admire the Hollywood dream-factory at its finest, working to a certain format, yet also bringing together the talented individuals who could make that format sing.
I'll take a wonderfully-executed "formula" film like Princess O'Rourke any day, over self-consciously brilliant films that forget the basics of how to entertain.
Norman Krasna's screenplay is the real star. Watching the film I was constantly amazed at how the dialog sparkled, how the situations never worked out in quite the way I expected, how the characters always seemed just a little warmer and more human than they might have in many similar films of this era.
The cast is excellent as well, consisting entirely of Hollywood stalwarts, every one of them at their most endearing. Jack Carson, Charles Coburn and Jane Wyman are all great, of course. But Olivia De Havilland is also perfectly cast, lovable on one hand, regal on the other... yet without that slightly simpering quality that made her less likable in, say, The Adventures of Robin Hood, or Gone With the Wind. Robert Cummings was a fine comedic actor who is not well-remembered today, perhaps because he was less multidimensional than someone like James Stewart; but he's used to excellent advantage here. He's not just portraying the perfect everyman Yank; he IS that (perhaps mythical) person, the Guy From Brooklyn. And, yes, the perfect wartime Yank, who's just got to join up and be in "the biggest fight of all time, and the most important." Just as Bogart had to go be a hero at the end of Casablanca. These wartime films earn much of their charm by being unashamedly part of their times.
But ultimately, it's the little touches that raise this film far above the ordinary. The extended gag with the multiple sleeping pills; the silly little bits with the president's dog... These don't distract from the warmth of the film, they add to it.
Perhaps we undervalue a film like Princess O'Rourke simply because the material and the style are so familiar. We need to step back and admire the Hollywood dream-factory at its finest, working to a certain format, yet also bringing together the talented individuals who could make that format sing.
I'll take a wonderfully-executed "formula" film like Princess O'Rourke any day, over self-consciously brilliant films that forget the basics of how to entertain.
A pilot falls in love with a woman he believes is heading cross country to become a maid, little suspecting that she's actually a princess.
Director: Norman Krasna Writer: Norman Krasna (original screenplay) Stars: Olivia de Havilland, Robert Cummings, Charles Coburn
Firstly, I have to comment that Olivia de Havilland looks absolutely beautiful in this movie. De Havilland really made this film shine! Norman Krasna wrote a delightful script that is played to the hilt by Olivia de Havilland ! Princess O'Rourke is a warm and heartfelt romantic comedy, a cute reversal of the Cinderella story with slight elements of slapstick, a good dose of wit, and some pretty cheeky and suggestive humor for 1943. The film's director, Norman Krasna, won an Academy Award for his clever screenplay. Princess marks Krasna's debut as a director . This is one of my favorite de Havilland films it is an under rated Romantic Comedy for sure. This is a hidden gem !
Princess O'Rourke isn't a well-known film , but it certainly has its charm. 8/10.
Director: Norman Krasna Writer: Norman Krasna (original screenplay) Stars: Olivia de Havilland, Robert Cummings, Charles Coburn
Firstly, I have to comment that Olivia de Havilland looks absolutely beautiful in this movie. De Havilland really made this film shine! Norman Krasna wrote a delightful script that is played to the hilt by Olivia de Havilland ! Princess O'Rourke is a warm and heartfelt romantic comedy, a cute reversal of the Cinderella story with slight elements of slapstick, a good dose of wit, and some pretty cheeky and suggestive humor for 1943. The film's director, Norman Krasna, won an Academy Award for his clever screenplay. Princess marks Krasna's debut as a director . This is one of my favorite de Havilland films it is an under rated Romantic Comedy for sure. This is a hidden gem !
Princess O'Rourke isn't a well-known film , but it certainly has its charm. 8/10.
Norman Krasna wrote a delightful script that is played to the hilt by Olivia de Havilland, Robert Cummings, Jane Wyman and Jack Carson--not to mention Charles Coburn. Interesting to note that de Havilland and Wyman would be up for Best Actress Oscars three years later (To Each His Own, The Yearling). Wyman was so impressive as Jack Carson's wise-cracking wife that Billy Wilder decided to use her for 'The Lost Weekend' in a more dramatic role. De Havilland's sleeping pill scene early on gets the film off to a breezy start--she even lapses into a little French (long before she became a Parisian in real life). All in all, she does a wonderful job as the Princess in love with commoner (Robert Cummings)and facing a few twists and turns of plot before the ending. John Huston, her boyfriend at the time, was said to have coached her in the role. Jack Carson and Jane Wyman have good supporting roles--and Charles Coburn has some amusing scenes as de Havilland's overprotective uncle. Ten years later, 'Roman Holiday' gave us another variation on this theme. One of de Havilland's better comedy roles.
As WWII rages in Europe, Princess Maria (Olivia de Havilland) is living in New York City under the watchful eye of the U. S. Secret Service. As a guest of the country she is protected night and day. Besides layers of security, she also lives under the scrutiny of a royal retinue that acts as her watchdog and agent of propriety. She sees herself as living in a gilded cage, but things change when she is flown to San Francisco---or at least that is the intent. A series of mishaps diverts her path and places her incommunicado for a brief time.
When she reappears in New York, she "escapes" for some prosaic adventures and meets an American pilot about to join the Air Force. For the first time, she can imagine a life free of royal responsibilities, but the princess knows what she must do.
Some films are like time capsules---glimpses back at another time---and "Princess O'Rourke" is full of overt and intrinsic references to its era, making it very interesting to watch. Besides the references to wartime behaviors and values---which are many---the plot contains references to social mores and political myths.
It is always nice to watch Olivia de Havilland; even more so, knowing the battle that was being waged between the actress and the studio.
The final scenes take place in the actual White House. How preposterous it would have been to Jane Wyman, who plays the second female lead, to consider that her husband, Ronald Reagan, would eventually live there himself.
When she reappears in New York, she "escapes" for some prosaic adventures and meets an American pilot about to join the Air Force. For the first time, she can imagine a life free of royal responsibilities, but the princess knows what she must do.
Some films are like time capsules---glimpses back at another time---and "Princess O'Rourke" is full of overt and intrinsic references to its era, making it very interesting to watch. Besides the references to wartime behaviors and values---which are many---the plot contains references to social mores and political myths.
It is always nice to watch Olivia de Havilland; even more so, knowing the battle that was being waged between the actress and the studio.
The final scenes take place in the actual White House. How preposterous it would have been to Jane Wyman, who plays the second female lead, to consider that her husband, Ronald Reagan, would eventually live there himself.
क्या आपको पता है
- ट्रिवियाWhen the counterman asks Mary if she wants two sugars in her coffee and then proceeds to put only two pinches in her cup, this is a reference to war-time sugar rationing that contemporary audiences would have found amusing.
- गूफ़Robert Cummings bumps into a standing President Franklin D. Roosevelt who was either confined to a wheelchair or could walk with braces with help while on someone's arm. His infirmity was not common knowledge to the American people.
- भाव
[two friends are piloting an airliner]
Dave Campbell: OK, son, take it.
Eddie O'Rourke: Is it hard, daddy?
Dave Campbell: Nothing of the sort.
Eddie O'Rourke: Well, what do I do first?
Dave Campbell: Just fiddle around, it'll come to you.
- कनेक्शनReferenced in Mr. Hitchcock Meets the Smiths (2004)
- साउंडट्रैकHonorable Moon
Music by Arthur Schwartz
Lyrics by Ira Gershwin and E.Y. Harburg
Performed by Nan Wynn (uncredited)
[The performer sings the song at the Chinese restaurant]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Pobre princesita
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,51,000(अनुमानित)
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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