Marriage Is a Private Affair

Lana Turner, in one of her earliest movies where she takes center stage and top billing, stars in this comedy-drama about marriage being nobody's business but the couple's. James Craig loves her, even though she marries John Hodiak. This does start off talking silly, as John proposes to her and on their honeymoon, but it's to the movie's credit and intelligence that it plays out very well in its treatment of its characters and make them very relate-able to the audience, the other characters being John's friends Sissy and Ted, a married couple, and Joe, played by Hugh Marlowe. Lana's mother (played by Natalie Shafer, who was Mrs. Howell from Gilligan's Island) was in and out of marriages all the time and did not provide Lana with a good role model. But, the viewer is left with the message that you should work in your own garden, before tending to someone else's, that you should go into it, knowing who you are and that all decisions have consequences. "Marriage is a Private Affair" is one of Lana's best unknown movies and needs to be discovered by more people today.

Marriage Is A Private Affair was the first film that Lana Turner did post the birth of her daughter Cheryl Crane. I guess that's what gives the scenes of Turner with her infant son in this film some special poignancy.

Turner is an irrepressible flirt, the kind who has to be the center of attention at all times. She gets that from her mother Natalie Schaefer who is on her latest husband Paul Cavanaugh. Schaefer has a Zsa Zsa Gabor like attitude toward marriage which she has passed on to her daughter.

But Lana does fall for and marry John Hodiak who is something of an inventor and considered necessary to the war effort so he can't activate his commission and get where the fighting is. They have a kid and it works for a while. But she gets bored and wants to see if she still is attractive even after marriage and childbirth. She tries flirting with flier James Craig to see if she still has it.

Marriage Is A Private Affair was also the first film Lana Turner did with billing alone above the title. She does a fine job as a girl who turns into a woman and finally decides to grow up. Her two leads Craig and Hodiak are also well cast in their parts.

Also in the cast are Herbert Rudley and Frances Gifford a seemingly happily married couple with some secrets and issues. Gifford is a lot like Turner. Hugh Marlowe is in this as well as a scientist friend of Hodiak's also anxious to get to war.

Probably had this film been done in about 10 years at least after the second World War we might have seen Turner more loose and slatternly, but during wartime there was no way Hollywood would show a star like Turner being less than true, flirting yes, but cheating a definite no-no.

True blue women is part of what we were fighting for.

The makers of this film had a premise: a woman whose childhood makes her a rather flakey person, a bit unsure of herself, picks one of her many suitors just to see if she can. But from there, the movie forgets drama. Why should she come to embrace marriage? It's not the birth of her son. It's not any one thing that happens to her. There's no plot catalyst in this movie, no psychological edge. It's more like a soap opera, where the characters change for no particular reason.

this is truly a collectors item. turner is at her most beautiful, all baby doll pout and velvet sincerity. production values are high. its a cult film that merits rediscovery. a big hit in 1944, it grossed 2 million at the box office, in the days when a hit was really a hit. audiences loved lana in her dimpled heyday and this film screens like a valentine to her sensuality. don't miss it. they don't make stars like lana anymore. gore vidal is on record as saying that he saw this film while young and that it had an impact on him. he mentioned it years later in myra breckinridge. tennesse williams worked on an early draft of the screenplay, and privately referred to it as a celluloid brassiere for miss turner!

Lana Turner was a true movie star, and she again proves it in this vehicle, "Marriage is a Private Affair," from 1944, which stars Lana with John Hodiak and James Craig. The Taylors, the Gables et al. were off fighting the war.

Turner plays a young woman, Theo, extremely popular with the men, who marries a soldier (Hodiak) whom she barely knows, Lieutenant Tom West. Nevertheless, they are happy at first, and have a son. But Tom's work keeps him busy for hours on end, and Theo starts to miss all the attention she once had. She also misses being perceived as a young beauty; now she's a married woman with a child. Because Theo comes from a family where her mother (Natalie Schaefer) was much married and divorced, Theo begins to worry that she's not cut out for marriage, especially when an old beau (Braig) puts the moves on her, and she's tempted.

"Marriage is a Private Affair" is overly long, and the script isn't much, but it was no doubt relevant in wartime when women married men in haste who then went overseas.

This film is really all Lana, absolutely gorgeous, with her beautiful face, figure, and soft speaking voice, a vivacious, flirtatious, and sexy woman who still had elements of a young girl. She really had something special. Later in her life, the energy drained from her, and the scandals, the smoking, drinking, and sun damage all took effect, even if she remained beautiful. But the effervescence was gone.

Back in the late '30s and into the '40s, Lana's star presence could - and did - elevate the most tedious of films. Later on, with the big sunglasses, fur coat and head covered with a scarf, she did, too, but for different reasons. This film is pleasant enough - without her, it wouldn't be worth watching. I highly recommend it if you're not familiar with the young Lana.