One Mysterious Night

One Mysterious Night (1944)

** 1/2 (out of 4)

Seventh film in Columbia's Boston Blackie series features the directorial debut of Budd Boetticher and features future Oscar winner Dorothy Malone is a small role. In the film, thieves steal a diamond right in front of the police so Inspector Farraday (Richard Lane) calls in Blackie (Chester Morris) for help. With Boetticher directing I was really expecting something special but in all honesty his direction is probably the weakest I've seen in the series. The film runs 61-minutes so there's never a slow moment and as usual, Morris and Lane do a great job together. The story itself is pretty good but again, the director doesn't do anything special with it. Janis Carter is good in her supporting role as well.

"One Mysterious Night" is a Boston Blackie film starring Chester Morris and made in 1944. In this one, Inspector Farraday accuses Blackie of stealing a valuable diamond, in the hopes of bringing him to the police station so he can get his help in recovering it. It works, and Blackie and the Runt (George E. Stone) are put on the case. Meanwhile, Blackie is dogged by a good-looking reporter (Janis Carter) who sees through a couple of his disguises.

What makes this series is the good fun provided by Chester Morris as Blackie. It's not much of a mystery - in fact, we know at least one of the participants in the robbery from the beginning.

The attractive Janis Carter stands out as the reporter.

Entertaining if not great.

The police, being largely incompetent in the Boston Blackie series thus far, finally admit they suck and ask Blackie for help retrieving the stolen Blue Star of the Nile diamond. I'd like to give Inspector Farraday some credit for character growth for coming up with the plan, seeing as how up until this point he believed Blackie was capable of any and every type of crime. But unfortunately this change was short-lived and by the next picture Blackie was back to being Farraday's eternal suspect again.

Another fun Boston Blackie movie with typically likable turns from Chester Morris as Blackie, Richard Lane as Farraday, and George E. Stone as Blackie's sidekick, Runt. Three recurring characters in the series -- Arthur Manleder, Jumbo Madigan, and Sgt. Matthews -- are played by new actors in this one. I prefer the originals in these parts as these new guys are kind of bland and forgettable. Very early screen role for Dorothy Malone. This is also the directorial debut of future famed western director Budd Boetticher.

The Chester Morris Boston Blackie films are always good for a laugh, and although this one is a little shorter than usual it sure ate up the 58 minutes (UK TV running time). Time was never wasted with these potboilers and the action and repartee was necessarily relentless, so making a drink might be fatal - for someone!

Blackie is accused by the police of stealing a diamond simply to get him to show up and find the real robbers for them... He seems to nose out the real culprit and his method in seconds, but as might be expected complications arise when the baddies pulling the strings don't like it. He promised to protect Dorothy Malone's brother from harm, 30 seconds later was stepping over his corpse - what poor old Dot thought of Blackie after that we'll never know. I think this was her first film, and to look at she's the real gem in this picture!

Some wonderful moments - Blackie and Runt tied upside down to a cupboard bed; some brain-dead moments - the 2 crooks hiding a yard away in plain view from 4 or 5 cops in Jumbo Madigan's small shop as tailors dummy's. They weren't Hope and Crosby, they'd just shot Jumbo and were already murderers on the lam!

This was no 7 in the 14 film series, all well worth watching - more or less!

To help raise funds for the war effort, a collection of jewels is being displayed at a posh hotel. That's manna from heaven for a thief and when the famous "Blue Star of the Nile" diamond goes walkabouts and "Blackie" (Chester Morris) is found in the vicinity, well then what else might "Insp. Faraday" (Richard Lane) do but accuse his long-term, if almost always helpful, nemesis. Of course we know all along what's going on, but it's going to be down to "Blackie" and the ever reliable "Runt" (George E. Stone) to clear their names and help the police so that they all find out who did the pinching and retrieve the priceless stone. None of this is really helped by the tenacious journalist "Dorothy" (Janis Carter) who is determined to get the story and who has some useful distractions in her arsenal to trick people into helping her, or giving her information. Though it's perfectly watchable for an hour, this is not one of the more memorable outings from our comedy sleuths, and the story doesn't really give Morris so much opportunity to impose his usually wise-cracking charisma on the proceedings either. Dorothy Malone features sparingly but adds little as the procedural drama does it's job, but not much more, as it reminds the audience to chip in for the war effort.