IMDb रेटिंग
6.2/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंHypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his ... सभी पढ़ेंHypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his best friend Joe.Hypochondriac Danny Weems gets drafted into the army and makes life miserable for his fellow GIs. He's also lovesick when it comes to pretty Mary Morgan, unaware that she's in love with his best friend Joe.
- 2 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 2 नामांकन
Knox Manning
- Narrator
- (वॉइस)
Tom Keene
- Ashley's Aide
- (as Richard Powers)
फ़ीचर्ड समीक्षाएं
I just saw this for the first time. I'm an old Danny Kaye fan -- grew up with Court Jester & other DK films; always appreciated his particular genius.
I only saw the second half of this film -- but it just blew me away. Of course, it already features the trademark Danny Kaye combination of showmanship, clowning, doe-eyed sincerity, patter-songs and absolutely beautiful vocal control that others mention here. And that is truly impressive. Also impressive in this film is the playing with gender, which is something DK could always get away with, but here comes out as particularly hyper and intense.
But what really shocked me was how ahead of its time this film was. Made during WWII, and absolutely full of patriotism and wartime idealism, all somehow mixed together with the idealism of romance and home and family, this was clearly a 1944 deal, with fake-looking classic Hollywood sound stage warships and sea scenes. But it looks much more like something out of 1955 or, God help us, 1966.
They don't really hide from that sound-set fakeness, esp. in the truly weird dream sequences, and the whole thing ends up looking more like Bob Fosse than the WWII propaganda film it's also trying to be. These sequences feature sets and costumes in co-ordinated "hot" pastels, a bartender-cum-minister-cum-scat singer, and I kid you not a bright sky blue goat. This segues into a scene with intense women in skimpy black clothing (think Robt Palmer's "Addicted to Love" video from the 1980s meets a 1890's bordello), some of whom are mounted/pinned/crucifed on trees/crosses/black wings set on poles.
In front of this, Danny Kaye in a devilish red suit does some of the most pure and outrageous absurdities I have EVER seen him do -- phasing in and out like the young Robin Williams on cocaine, switching into and out of a pastiche of popular song styles, slang, scat and African-American impersonation as if he were a black guy pretending to be a white guy pretending to be a black guy pretending to be a black guy. (In most of this, he is echoed capably -- but not brilliantly -- by Dinah Shore.) He is manic and brilliant and so very American and post-modern.
He is also incredibly young, and looks quite a bit like some manic, visionary rock star of today. (He resembles a bit the young Sting or Billy Idol.) And esp. in those fantasy scenes, the intensity combined with the costuming and showmanship made me realize that DK can be seen in that line of intense musical innovators/showmen that includes Prince and probably Jack White of the White Stripes.
I only saw the second half of this film -- but it just blew me away. Of course, it already features the trademark Danny Kaye combination of showmanship, clowning, doe-eyed sincerity, patter-songs and absolutely beautiful vocal control that others mention here. And that is truly impressive. Also impressive in this film is the playing with gender, which is something DK could always get away with, but here comes out as particularly hyper and intense.
But what really shocked me was how ahead of its time this film was. Made during WWII, and absolutely full of patriotism and wartime idealism, all somehow mixed together with the idealism of romance and home and family, this was clearly a 1944 deal, with fake-looking classic Hollywood sound stage warships and sea scenes. But it looks much more like something out of 1955 or, God help us, 1966.
They don't really hide from that sound-set fakeness, esp. in the truly weird dream sequences, and the whole thing ends up looking more like Bob Fosse than the WWII propaganda film it's also trying to be. These sequences feature sets and costumes in co-ordinated "hot" pastels, a bartender-cum-minister-cum-scat singer, and I kid you not a bright sky blue goat. This segues into a scene with intense women in skimpy black clothing (think Robt Palmer's "Addicted to Love" video from the 1980s meets a 1890's bordello), some of whom are mounted/pinned/crucifed on trees/crosses/black wings set on poles.
In front of this, Danny Kaye in a devilish red suit does some of the most pure and outrageous absurdities I have EVER seen him do -- phasing in and out like the young Robin Williams on cocaine, switching into and out of a pastiche of popular song styles, slang, scat and African-American impersonation as if he were a black guy pretending to be a white guy pretending to be a black guy pretending to be a black guy. (In most of this, he is echoed capably -- but not brilliantly -- by Dinah Shore.) He is manic and brilliant and so very American and post-modern.
He is also incredibly young, and looks quite a bit like some manic, visionary rock star of today. (He resembles a bit the young Sting or Billy Idol.) And esp. in those fantasy scenes, the intensity combined with the costuming and showmanship made me realize that DK can be seen in that line of intense musical innovators/showmen that includes Prince and probably Jack White of the White Stripes.
The first Danny Kaye vehicle, this film still has the power to make me laugh. The action revolves around a hypochondriac named Danny Weems who is hopelessly in love with a beautiful nurse named Mary (played by the lovely Constance Dowling) at the hospital he works as a doorman at, while completely unaware of the attentions of her multi-talented best friend and fellow nurse, Virginia (played by the talented Dinah Shore, a singer known to those alive in the '70s as the host of "Dinah! & Friends"). Meanwhile, Danny introduces his handsome roommate Joe to Virginia, but Joe and Mary end up hitting it off, though Danny is completely oblivious to it all.
This movie was contemporary with World War II, of course, and the real action begins when Danny is drafted by the U.S. Army despite the multiple ailments he believes he has. Joe joins up along with him, and -- of course -- the two nurses join up as well. And the movie goes along from there.
As with Kaye's other well-known movies, "Up In Arms" is a virtual showcase of his comedic talents when they were still very fresh and seemingly spontaneous. The musical numbers are particularly enjoyable.
This is a film one needs to see if one needs a good, clean laugh. I saw this movie as a kid a decade ago when I was home from school and sick, and Danny Kaye kept me laughing throughout the whole thing -- it definitely made me forget my troubles.
The only downside to this film is the stereotypical characterisation of the Japanese soldiers seen near the end, but the viewer must remember when this film was made, and that wartime propaganda like this was common. In comparison to others from that era, the comedy is fairly tame.
My rating for this movie is 10 out of 10. They truly don't make them like this any more.
This movie was contemporary with World War II, of course, and the real action begins when Danny is drafted by the U.S. Army despite the multiple ailments he believes he has. Joe joins up along with him, and -- of course -- the two nurses join up as well. And the movie goes along from there.
As with Kaye's other well-known movies, "Up In Arms" is a virtual showcase of his comedic talents when they were still very fresh and seemingly spontaneous. The musical numbers are particularly enjoyable.
This is a film one needs to see if one needs a good, clean laugh. I saw this movie as a kid a decade ago when I was home from school and sick, and Danny Kaye kept me laughing throughout the whole thing -- it definitely made me forget my troubles.
The only downside to this film is the stereotypical characterisation of the Japanese soldiers seen near the end, but the viewer must remember when this film was made, and that wartime propaganda like this was common. In comparison to others from that era, the comedy is fairly tame.
My rating for this movie is 10 out of 10. They truly don't make them like this any more.
One of the funniest movies of all-time. Danny Kaye's first film. Catapulted him from a virtual unknown to an international super-star. Two songs co-authored by his wife, Sylvia Fine, did the trick for him: "The Lobby Number" and "Melody In 4-F." These two songs put Danny's virtuoso tongue-twisting genius on full display. Danny Kaye plays a hypochondriac who is drafted into the Army in World War II and ends up single-handedly capturing a platoon of Japanese soldiers in the South Pacific while winning the heart of beautiful songstress Dinah Shore. Now, 60 years later, the film remains thoroughly enjoyable, and no other entertainer has emerged who can equal Danny Kaye's extraordinary comedic talents. If I had to make a list of the 10 funniest films ever made, "Up In Arms" would surely be on that list.
this is an old movie and looks really great now in color, looks like they remastered it? i read a comment about the movie and the fellow really did not like the film, said unless you were a Danny Kaye fan it was bad. NOT SO !! and that fellow had the gals reversed. Danny was in love with Mary and Virginia wanted him. poor friend Joe, he was stuck there somewhere in the middle. this is just one of those funny old movies that take place when the war was the biggest deal ever. this is one of those feel good movies that proves what good friends some people have in their time of need, whatever their need is. the film is worth a watch if you like old films that are funny, plus Danny Kaye and Dinah Shore both sing. take a chance, we really enjoyed it !!
This is not Danny Kaye's best effort. That would be The Court Jester, as far as I am concerned. This movie was badly written. It wasn't horribly acted but the actors weren't given anything much to work with. Danny deserved better and so did Dinah Shore. She should have been a much bigger movie star than she was. She was very talented and had excellent screen presence. Too bad this movie is one of her few movies.
At the end of the day, don't waste your time. If you want to see GOOD Danny Kaye movies, find The Court Jester, The Inspector General, White Christmas...or his dramas The Five Pennies or Skokie. He was a brilliant comedian AND dramatic actor. Don't use this movie as an example of his best work.
At the end of the day, don't waste your time. If you want to see GOOD Danny Kaye movies, find The Court Jester, The Inspector General, White Christmas...or his dramas The Five Pennies or Skokie. He was a brilliant comedian AND dramatic actor. Don't use this movie as an example of his best work.
क्या आपको पता है
- ट्रिवियाAn animation sequence supervised by Walt Disney based upon Roald Dahl's short story "The Gremlins" was deleted before the film's release. Producer Samuel Goldwyn and star Danny Kaye hoped to reunite with Disney for Hans Christian Andersen (1952) in 1951, but the effort to have live-action and animated sequences was eventually abandoned. A brief bit of the "Gremlins" sequence appears in Victory Through Air Power (1943).
- भाव
Goldwyn Girl: Gosh, how can a guy who looks like a canary turn out to be a wolf?
- कनेक्शनEdited into Moments in Music (1950)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Up in Arms?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- With Flying Colors
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 45 मि(105 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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