Zombies on Broadway

This kind of movie just doesn't exist in history books anymore. When I was young and went to the "movie theater", ate Turkish taffy till I pulled a tooth, this kind of movie made me happy. I loved the silliness even when I was small. Today, I fear, not much happiness leaves the theater these days, only sophistication. Until this film was ran on TCM, I forgot about how much I liked the actors, Walley Brown, Alan Carney, Bela and Anne Jefferys. I believe Anne could still make it today in movies, 61 years after this film was made. If you love cinema that was actually made, but not PC, this is a funny film. I guess you can sum it up..I like ALL the actors. Hey, but then again, I guess little today about American history is PC today. Wish I could buy it.

Brown and Carney were not too bad. They were better than some of the comments make them out to be. They couldn't touch Abbott and Costello, but I have seen far worse from more famous duos. I would have liked to have seen them with better writers. Just a note that Brown and Carney were reunited briefly in the 1961 film "the Absent Minded Professor". This is an OK comedy for those who like old fashioned comedy like I do. The thing that disappoints is that the title itself gives rise to images of zombies invading a Busby Berkley type musical or an army of zombies pursuing fleeing New Yorkers through the theater district. I was imagining the scene from Golddiggers of 1933 with Ginger Rogers singing "We're in the money" being invaded not by the cops but by zombies. Sadly, we get none of that. If you can get past the title then you will find an amusing little film. I would like to see George Romero remake it.

Apparently this film was put together partly with leftovers from the classic Val Lewton film "I Walked With a Zombie." Even the title is somewhat similar and just about as ridiculous. Sir Lancelot is the calypso singer in both movies singing songs that partly predict what has happened and what is about to happen. The main zombie is played by the same actor, Darby Jones, using the same makeup. The stage setting for St. Sebastian Island looks similar to the setting for "I Walked With a Zombie." In some ways "Zombies on Broadway" is actually a parody of "I Walked With a Zombie" and of zombie movies in general.

Brown and Carney, a poor man's Abbott and Costello, do a fairly decent job in the comedy department in this film, though Carney's aping of Lou Costello becomes annoying after a time. Toward the end, a monkey is able to steal the show indicating the level of talent in the cast. Sheldon Leonard does well in his usual role as a mobster who talks tough but tends to be a pussycat. Bela Lugosi and the lovely Anne Jeffreys add a degree of dignity to the goings on. Too bad they were so often wasted in programmers since they were both such gifted performers.

The title is misleading since the movie is actually about press agents Brown and Carney trying to pan off a fake zombie named Sam to a nightclub mobster for his gala opening of the Zombie Club. Brown and Carney are caught and made to travel to St. Sebastian and bring back a real zombie. The movie is fast paced and there are a few belly laughs along the way. Don't expect anything on the level of "Abbott and Costello Meet Frankenstein" and you won't be disappointed.

Somewhat tepid but occasionally funny as Brown and Carney do their best to be RKO's Abbott & Costello. They play press agents for a nightclub who promise a "real live zombie", which their mobster boss insists they produce. This leads them to San Sebastian, Bela Lugosi, and the guy who was the zombie in "I Walked with a Zombie" and other films. Many scenes are played very straight -- of course, with bad jokes and puns thrown in. Lugosi, in particularly, is asked to play everything straight as a scientist after the secret of zombie making.

Uninspired, but Anne Jeffries does look great.

Paramont had Bing Crosby and Bob Hope; Universal had Abbott and Costello. RKO responded with Alan Carney and Wally Brown--and although they never challenged Crosby and Hope or Abbott and Costello, they were popular enough to justify a dozen or so "B" pictures during the mid-1940s. The best of these is ZOMBIES ON Broadway, a weird little parody similar to Crosby and Hope's ghost-busting flicks and Abbott and Costello's meetings with every classic monster from Dracula to the Werewolf.

What makes ZOMBIES ON Broadway fun is the absolute absurdity of its plot. Carney and Brown are publicity agents hired by gangster Sheldon Leonard to promote a nightclub called "The Zombie Hut"--and much against their will find themselves sent to the island of San Sebastiane with instructions to bring back a real Zombie for the club's opening. Once on the island, they encounter none other than Bela Lugosi, who can still do that voodoo that he did so well in such 1930s classics as WHITE ZOMBIE. This isn't a classic by any stretch of the imagination, and it certainly won't make any critic's short list--but it is just strange and weird enough to hold your attention through its fairly short running time. The entire cast plays very broadly, and the script is about as subtle as a wrecking ball, but its all in good fun. Recommended as ultra-light entertainment.

Gary F. Taylor, aka GFT, Amazon Reviewer