अपनी भाषा में प्लॉट जोड़ेंBlackie performs in a magic show at a women's prison, which gives an inmate an opportunity to escape.Blackie performs in a magic show at a women's prison, which gives an inmate an opportunity to escape.Blackie performs in a magic show at a women's prison, which gives an inmate an opportunity to escape.
- निर्देशक
- लेखक
- स्टार
Jessie Arnold
- Prisoner
- (बिना क्रेडिट के)
Eugene Borden
- Mephistopheles the Great
- (बिना क्रेडिट के)
Kernan Cripps
- Detective Callahan
- (बिना क्रेडिट के)
Eddie Dunn
- Patrolman Peterson
- (बिना क्रेडिट के)
Ralph Dunn
- Bank Guard
- (बिना क्रेडिट के)
Eddie Fetherston
- Reporter Jackson
- (बिना क्रेडिट के)
Fred Fox
- Stage Doorman
- (बिना क्रेडिट के)
Fred Graff
- Clerk
- (बिना क्रेडिट के)
Chuck Hamilton
- Prison Guard Operating Siren
- (बिना क्रेडिट के)
Lew Harvey
- Stagehand
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Since Boston Blackie is also a genuine magician, he performs at a Thanksgiving celebration show in a female prison; and as his last act, he (maybe unwisely) chooses the 'vanishing lady' trick: he gets a pretty young blonde inmate (with a very much Veronica Lake-like hairstyle) to 'vanish' from his 'magical cabinet' - and she DOES: before the wardens are aware of it, she's escaped... The only mysterious clue she leaves behind is a note that someone is getting married on Sunday - so we're right in for another great crime puzzle with our smart friend Blackie and his not so very smart cop 'friends'!
The 'someone' who's getting married turns out to be - a magician as well; but with a past: he was involved in a robbery and murder case years ago - and it was the mysterious blonde that took the rap for the robbery. So Blackie takes over his colleague's identity to set a trap for the 'femme fatale' who's obviously after the money he's hidden somewhere... And here begins a REALLY crazy chase, and we even see Blackie and the 'Runt' for the first time in the whole series behind bars - and the 'Runt' merely comments dryly: "Here we are again - no place like home..." But, of course, they find another dumb cop soon to help them escape, and the hunt goes on...
For the most part, this movie looks just like a usual funny, entertaining 'Boston Blackie' adventure - but wait until you'll see the surprise ending...!
The 'someone' who's getting married turns out to be - a magician as well; but with a past: he was involved in a robbery and murder case years ago - and it was the mysterious blonde that took the rap for the robbery. So Blackie takes over his colleague's identity to set a trap for the 'femme fatale' who's obviously after the money he's hidden somewhere... And here begins a REALLY crazy chase, and we even see Blackie and the 'Runt' for the first time in the whole series behind bars - and the 'Runt' merely comments dryly: "Here we are again - no place like home..." But, of course, they find another dumb cop soon to help them escape, and the hunt goes on...
For the most part, this movie looks just like a usual funny, entertaining 'Boston Blackie' adventure - but wait until you'll see the surprise ending...!
While Boston Blackie is performing a magic show at a women's prison, one of the convicts escapes. Naturally, Blackie is accused of helping with her escape. The Boston Blackie series was often repetitive but this one might take the cake as this is a reworking of Alias Boston Blackie, changing the gender of the escaped prisoner and the season to Thanksgiving instead of Christmas. More repetition as we get one of Blackie's trademark disguises, unconvincing as always. It really is amazing that the Boston Blackie series was as enjoyable as it was, given how many flaws it had. Just a testament to the charm and screen presence of Chester Morris, as well as his likable co-stars Richard Lane and George E. Stone. Lane in particular had his work cut out for him as the series did his Inspector Farraday no favors. If you take Farraday out of the often comical light the films cast him in, it's a rather unsettling character. A police detective who continually abuses his authority and powers to persecute a man who, according to the films, has paid his debt to society. One film even had Farraday chasing Blackie across the country where he clearly had no jurisdiction. In reality (even in the 1940s), he would have lost his badge long ago and Blackie would be able to sue the police for harassment.
The first twenty minutes or so of this are quite entertaining. Who knew that "Blackie" (Chester Morris) was a dab hand at magic tricks? Well he takes his cabinet to a women's prison where he asks inmate "Dinah" (Constance Dowling) to have a go. Next thing, sirens are going off and there's no trace. "Insp. Farraday" (Richard Lane) and sidekick "Matthews" (Frank Sully) drag him in for questioning and we have some playful mischief around this magical device before, well it's soon not much use for anything but bonfire fodder. Meantime, there's a standard who robbed who and wants their share revenge drama bubbling away that sees the scheming "Irene" (Trudy Marshall) playing a shrewd game to secure the loot. It's quite quickly paced and there's some fun to be had - usually at the expense of the police and some singeing of $1,000 bills - before the ending that isn't quite what you might have been expecting. This is quite an amiable outing for "Blackie" with some comedy, spatting and sleight of hand to keep in interesting.
Boston Blackie and the Law (1946)
** (out of 4)
Twelfth film in Columbia's Boston Blackie series is pretty much a remake of the third film Alias Boston Blackie. Blackie (Chester Morris) is putting on a magic show at a prison when a female inmate escapes. Inspector Farraday (Richard Lane) thinks Blackie had a hand in the escape but there's a lot more going on. This is the least interesting of the seven or so films I've seen from the series. This same story was done in the third film, although in that movie it was a man who escaped. This film here is really dry on any laughs and the supporting players aren't up to the usual standard. Even Morris and Lane seem a tad bit uninterested here.
** (out of 4)
Twelfth film in Columbia's Boston Blackie series is pretty much a remake of the third film Alias Boston Blackie. Blackie (Chester Morris) is putting on a magic show at a prison when a female inmate escapes. Inspector Farraday (Richard Lane) thinks Blackie had a hand in the escape but there's a lot more going on. This is the least interesting of the seven or so films I've seen from the series. This same story was done in the third film, although in that movie it was a man who escaped. This film here is really dry on any laughs and the supporting players aren't up to the usual standard. Even Morris and Lane seem a tad bit uninterested here.
Chester Morris is almost the whole show here—he's on screen as Boston Blackie throughout nearly the entire picture. Morris is given his best opportunity yet to show off his skills as a magician, both as Blackie performing tricks himself, and disguised as the bearded and turbaned Jani, a professional magician who is mixed up with a pair of women and a missing stack of $1000 bills.
Of course, Inspector Farraday and Detective Matthews (the reliable Richard Lane and Frank Sully) are on Blackie's trail; faithful sidekick the Runt (George E. Stone) has grown a mustache for this picture and does his best to follow Blackie's orders and generally assist in misleading the detectives as required. Trudy Marshall and Constance Dowling are the two women who, it's quickly obvious, do not care to make friends.
The first 15 minutes of the picture are almost entirely goofing around—Blackie is captured by Farraday, who leaves Matthews to guard him alone (how is that likely to work out?), and Blackie toys with Matthews and the disappearing-person box from his magic act for a good long stretch before finally escaping as he should have done right away. It's amusing but wears a bit thin.
Once out on his own, however, Blackie quickly gets to work tracking down the prison inmate who escaped during his magic show to make trouble; the plot does pick up steam and develops into a quite satisfying mystery that's suspenseful and surprising, with Blackie staying (generally speaking) one step ahead of Farraday.
Funniest scene: Matthews explaining to Farraday how he would go about tracking down a wanted person. (Look in the phone book!)
Solid entertainment, especially for Boston Blackie fans.
Of course, Inspector Farraday and Detective Matthews (the reliable Richard Lane and Frank Sully) are on Blackie's trail; faithful sidekick the Runt (George E. Stone) has grown a mustache for this picture and does his best to follow Blackie's orders and generally assist in misleading the detectives as required. Trudy Marshall and Constance Dowling are the two women who, it's quickly obvious, do not care to make friends.
The first 15 minutes of the picture are almost entirely goofing around—Blackie is captured by Farraday, who leaves Matthews to guard him alone (how is that likely to work out?), and Blackie toys with Matthews and the disappearing-person box from his magic act for a good long stretch before finally escaping as he should have done right away. It's amusing but wears a bit thin.
Once out on his own, however, Blackie quickly gets to work tracking down the prison inmate who escaped during his magic show to make trouble; the plot does pick up steam and develops into a quite satisfying mystery that's suspenseful and surprising, with Blackie staying (generally speaking) one step ahead of Farraday.
Funniest scene: Matthews explaining to Farraday how he would go about tracking down a wanted person. (Look in the phone book!)
Solid entertainment, especially for Boston Blackie fans.
क्या आपको पता है
- ट्रिवियाIn his book "The Detective in Hollywood" Jon Tuska cites director Edward Dmytryk as reminiscing that actor Chester Morris loved doing magician's card tricks on set during the Boston Blackie pictures.
- गूफ़After Boston Blackie and his magic box are taken to Inspector Farraday's office, Blackie insults the inspector by describing his hat as cheap. The inspector throws his white hat towards a coat tree that has several coats and a black hat already hanging on it. Blackie then hides from Sergeant Matthews in the box, and slips away from police headquarters. While Matthews dismantles the box with a fire ax, Farraday re-enters the room but the coat tree now has no hats and only one coat hanging on it.
- भाव
Insp. John Farraday: What have you got in that quonset hut?
- कनेक्शनFollowed by Trapped by Boston Blackie (1948)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Quicker Than the Eye
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- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 9 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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टॉप गैप
By what name was Boston Blackie and the Law (1946) officially released in Canada in English?
जवाब