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Night and Day

  • 1946
  • Approved
  • 2 घं 8 मि
IMDb रेटिंग
6.1/10
3.4 हज़ार
आपकी रेटिंग
Cary Grant, Eve Arden, Mary Martin, Ginny Simms, Alexis Smith, and Jane Wyman in Night and Day (1946)
A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
trailer प्ले करें2:18
1 वीडियो
59 फ़ोटो
Period DramaBiographyDramaMusical

अपनी भाषा में प्लॉट जोड़ेंA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.

  • निर्देशक
    • Michael Curtiz
  • लेखक
    • Charles Hoffman
    • Leo Townsend
    • William Bowers
  • स्टार
    • Cary Grant
    • Alexis Smith
    • Monty Woolley
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.1/10
    3.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Michael Curtiz
    • लेखक
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • स्टार
      • Cary Grant
      • Alexis Smith
      • Monty Woolley
    • 67यूज़र समीक्षाएं
    • 13आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 2 कुल नामांकन

    वीडियो1

    Official Trailer
    Trailer 2:18
    Official Trailer

    फ़ोटो59

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 52
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Cary Grant
    Cary Grant
    • Cole Porter
    Alexis Smith
    Alexis Smith
    • Linda Lee Porter
    Monty Woolley
    Monty Woolley
    • Monty
    Ginny Simms
    Ginny Simms
    • Carole Hill
    Jane Wyman
    Jane Wyman
    • Gracie Harris
    Eve Arden
    Eve Arden
    • Gabrielle
    Victor Francen
    Victor Francen
    • Anatole Giron
    Alan Hale
    Alan Hale
    • Leon Dowling
    Dorothy Malone
    Dorothy Malone
    • Nancy
    Tom D'Andrea
    Tom D'Andrea
    • Tommy
    Selena Royle
    Selena Royle
    • Kate Porter
    Donald Woods
    Donald Woods
    • Ward Blackburn
    Henry Stephenson
    Henry Stephenson
    • Omar Cole
    Paul Cavanagh
    Paul Cavanagh
    • Bart McClelland
    Sig Ruman
    Sig Ruman
    • Wilowski
    Carlos Ramírez
    Carlos Ramírez
    • Specialty Singer of Song 'Begin the Beguine' Number
    Milada Mladova
    Milada Mladova
    • Specialty Dancer in 'Begin the Beguine' Number
    George Zoritch
    George Zoritch
    • Specialty Dancer in 'Begin the Beguine' Number
    • निर्देशक
      • Michael Curtiz
    • लेखक
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    6.13.3K
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    फ़ीचर्ड समीक्षाएं

    8bobilene

    Skip Delovely and Catch this One again

    After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:

    Mary Martins version of My Heart Belongs to Daddy.

    Cary Grant singing "Your The Tops".

    Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.

    "It was Just One of Those Things" The Haunting "In the Still of the Night"

    And so many more.

    This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
    Enrique-Sanchez-56

    Hollywood Loves to Fictionalize

    The only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.

    So, if you haven't guessed yet what the only reason to watch this movie is...it's:

    COLE PORTER'S MUSIC!!!
    TxMike

    Cary Grant in the life story of Cole Porter.

    Thanks to the TCM channel, we can easily view old classics like this. Although nicely shot in Technicolor, the print is just a shade pastel, and looks better with the TV's color cranked up just a little bit. The movie starts in 1914, with Porter at Yale and already writing songs, even though he was a law student. However, at Christmas break, after he told his mother that he wasn't going back, he was going to focus on writing music instead, 'Oh, I could be a lawyer, but not a very good one. When I look at a lawbook I think of a song. When I read a legal case, I hear a melody.' Like almost any biographical movie, certain parts are fictionalized, and many things have to be left out. But this movie gives us the pleasure of many Cole Porter classics and a glimpse into the man behind the songs. A good movie for anyone who is a fan of Porter's, or American musical history in general.

    Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
    5gftbiloxi

    Music is the High Point

    One of Broadway's most brilliant songwriters, Cole Porter (1891-1964) worked hard to present an unflappable image to the world--but in truth he was a tremendously complex man, a homosexual who lived with wife Linda Lee Thomas in a marriage of convenience, subject fits of depression, and suffering horrific pain in the wake of a horseback riding accident which left him crippled at the peak of his career. Add to this the fact that his lyrics were often censored for film, radio, and records and it seems very odd that 1940s Hollywood would attempt a biography. What they did, of course, was fictionalize it to the max, reducing the story of his life to a mix of backstage musical and domestic drama--and transforming the tiny and waspish Porter and his icy bride Linda into handsome Cary Grant and lovely Alexis Smith. The result is pure nonsense, of course, but when you tack in a host of Porter classics--fantasy it might be, but it is entertaining enough to watch.

    Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.

    Gary F. Taylor, GFT, Amazon Reviewer
    Doylenf

    Short on fact and long on great music...

    If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.

    Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.

    Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".

    Relaxing entertainment. Just don't expect a truthful bio.

    इस तरह के और

    Crisis
    6.7
    Crisis
    The Last of Mrs. Cheyney
    6.4
    The Last of Mrs. Cheyney
    The Constant Nymph
    6.7
    The Constant Nymph
    The Woman in White
    6.6
    The Woman in White
    None But the Lonely Heart
    6.4
    None But the Lonely Heart
    Any Number Can Play
    6.9
    Any Number Can Play
    The Harvey Girls
    7.0
    The Harvey Girls
    The Smiling Ghost
    6.4
    The Smiling Ghost
    The Green Years
    7.1
    The Green Years
    The Man with a Cloak
    6.6
    The Man with a Cloak
    So Ends Our Night
    6.9
    So Ends Our Night
    Cass Timberlane
    6.3
    Cass Timberlane

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      After attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
    • गूफ़
      When in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
    • भाव

      Monty Woolley: Haven't you ever wanted to be alone?

      Gracie Harris: Yes, but with somebody.

    • कनेक्शन
      Edited from Don't Fence Me In (1945)
    • साउंडट्रैक
      Night and Day
      (1932) (uncredited)

      Written by Cole Porter

      Played during the opening credits and often in the score

      Sung by Bill Days

      Reprised by passengers on a train

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Night and Day?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 अगस्त 1946 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Tag und Nacht denk' ich an dich
    • फ़िल्माने की जगहें
      • George Lewis Mansion - Benedict Canyon Drive, Bel Air, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Warner Bros.
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $44,45,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

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    बदलाव करें
    • चलने की अवधि
      2 घंटे 8 मिनट
    • पक्ष अनुपात
      • 1.37 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Cary Grant, Eve Arden, Mary Martin, Ginny Simms, Alexis Smith, and Jane Wyman in Night and Day (1946)
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    By what name was Night and Day (1946) officially released in India in English?
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