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अपनी भाषा में प्लॉट जोड़ेंA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
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फ़ीचर्ड समीक्षाएं
After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
The only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
Thanks to the TCM channel, we can easily view old classics like this. Although nicely shot in Technicolor, the print is just a shade pastel, and looks better with the TV's color cranked up just a little bit. The movie starts in 1914, with Porter at Yale and already writing songs, even though he was a law student. However, at Christmas break, after he told his mother that he wasn't going back, he was going to focus on writing music instead, 'Oh, I could be a lawyer, but not a very good one. When I look at a lawbook I think of a song. When I read a legal case, I hear a melody.' Like almost any biographical movie, certain parts are fictionalized, and many things have to be left out. But this movie gives us the pleasure of many Cole Porter classics and a glimpse into the man behind the songs. A good movie for anyone who is a fan of Porter's, or American musical history in general.
Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
Cary Grant was 41/42 when this was filmed, so it is a bit of a stretch imagining him, in the beginning, as a college student. This movie came out the same year (1946) as 'Notorious', and one year before one of my favorite Cary Grant movies, where he plays an angel in 'The Bishop's Wife (1947).'
One of Broadway's most brilliant songwriters, Cole Porter (1891-1964) worked hard to present an unflappable image to the world--but in truth he was a tremendously complex man, a homosexual who lived with wife Linda Lee Thomas in a marriage of convenience, subject fits of depression, and suffering horrific pain in the wake of a horseback riding accident which left him crippled at the peak of his career. Add to this the fact that his lyrics were often censored for film, radio, and records and it seems very odd that 1940s Hollywood would attempt a biography. What they did, of course, was fictionalize it to the max, reducing the story of his life to a mix of backstage musical and domestic drama--and transforming the tiny and waspish Porter and his icy bride Linda into handsome Cary Grant and lovely Alexis Smith. The result is pure nonsense, of course, but when you tack in a host of Porter classics--fantasy it might be, but it is entertaining enough to watch.
Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.
Gary F. Taylor, GFT, Amazon Reviewer
Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.
Gary F. Taylor, GFT, Amazon Reviewer
If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
क्या आपको पता है
- ट्रिवियाAfter attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
- गूफ़When in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
- भाव
Monty Woolley: Haven't you ever wanted to be alone?
Gracie Harris: Yes, but with somebody.
- कनेक्शनEdited from Don't Fence Me In (1945)
- साउंडट्रैकNight and Day
(1932) (uncredited)
Written by Cole Porter
Played during the opening credits and often in the score
Sung by Bill Days
Reprised by passengers on a train
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Night and Day?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Tag und Nacht denk' ich an dich
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $44,45,000(अनुमानित)
- चलने की अवधि2 घंटे 8 मिनट
- पक्ष अनुपात
- 1.37 : 1
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