अपनी भाषा में प्लॉट जोड़ेंAlong the Mexican border, Roy joins Western novelist Dale in a search for smugglers. They discover a silver mine.Along the Mexican border, Roy joins Western novelist Dale in a search for smugglers. They discover a silver mine.Along the Mexican border, Roy joins Western novelist Dale in a search for smugglers. They discover a silver mine.
Fred 'Snowflake' Toones
- The Cook
- (as Fred S. Toones)
Doc Adams
- Mine Henchman
- (बिना क्रेडिट के)
Pat Brady
- Bass Player Pat - Sons of the Pioneers
- (बिना क्रेडिट के)
Keefe Brasselle
- Ignacio
- (बिना क्रेडिट के)
Buck Bucko
- Mine Henchman
- (बिना क्रेडिट के)
Roy Bucko
- Mine Henchman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
To all of my learned comrades that posted comments insulting the late, great Roy Rogers & Dale Evans, I say from the bottom of my pea-picking, reminiscing-good old days heart, PPPPPPTTTTTTTTTTTT!!!!!!!!!!!!! LOL! I honestly do realize that the color quality isn't exactly top shelf, most of the acting is sub-par & the plots are tissue paper transparent, but who gives a horses saddle bag? I love each and every dusty one of them. And this includes the 50s TV show with sidekick Pat Brady and Nellie Belle the jeep. Yes, Gaby Hayes is the best sidekick ever! I grew up watching R.R. He brought to the youth of my time, "truth, justice & the American way"! I stole that quote, by the way. It brings me back to my childhood, which I guess was worse than these movies were. Maybe that is why I enjoyed them so much. PapaLarry H
It's been years since I've saw several number of Roy R.'s movies made in the late 40's and 50's, when they were made in color, and got this lately to see again. It always has bothered my acceptance to suspend reality to believe that practices of the pioneer days of the old west was continued, as related in the plots as still practiced in the 1940's: having buses and modern autos involved and yet chasing around on horses shooting at each other. In other words, mixing the to time period's just didn't fit and somewhat ruined some of it all for me. It made it slightly "hokey(?)" At least this movie restrained from using certain elements in the plot, which therefore made it barely feasible that all this possibly could have happened in the more modern times. Overall, I liked it and when over, I felt rather "uplifted" partially because of the good songs it contained.
Roy Rogers and sheriff/sidekick Andy Devine investigate the death of an alleged thief, who was supposedly shot in the act of ripping off a villain's silver-mine. Meanwhile, western-fiction writer Dale Evans comes to town under an assumed name and has to deal with Roy's patronizing of her work.
A mildly entertaining, loosely plotted Roy Rodgers picture, Bells Of San Angelo is good fun, with high production values (at least for a Republic Pictures Saturday matinée western).
The well photographed desert landscapes look nice in exaggerated Technicolor, as do Dale and Roy's spiffy outfits and good songs are the perfect antidote for slow spots, with Roy, Dale, and Bob Nolan taking turns singing with The Sons Of The Pioneers.
Here, a feistier than usual Dale Evans gives one of her best performances, stealing nearly every scene she's in! Playing the local priest is character actor Fritz Leiber, who's lookalike, also-named son was one of the great sci-fi writers of the twentieth-century!
A mildly entertaining, loosely plotted Roy Rodgers picture, Bells Of San Angelo is good fun, with high production values (at least for a Republic Pictures Saturday matinée western).
The well photographed desert landscapes look nice in exaggerated Technicolor, as do Dale and Roy's spiffy outfits and good songs are the perfect antidote for slow spots, with Roy, Dale, and Bob Nolan taking turns singing with The Sons Of The Pioneers.
Here, a feistier than usual Dale Evans gives one of her best performances, stealing nearly every scene she's in! Playing the local priest is character actor Fritz Leiber, who's lookalike, also-named son was one of the great sci-fi writers of the twentieth-century!
The usual, routine, singing cowboy stuff from Roy Rogers as he is sent to investigate some shenanigans at a ranch on the US/Mexican border. The film really belongs to Andy Devine as "Sheriff Cookie"; the enthusiastic, if not desperately competent local sheriff who alongside trashy-journalist "Lee Madison" (Dale Evans) has to help Rogers get to the bottom of it all. Fritz Lieber adds a wee bit of weight to the proceedings, and if you like songs with your westerns then this is no better or worse than the norm. The story is far, far too thin for 80 minutes though, an hour would have easily sufficed.
This is one of the last good Roy Rogers films, before they started recycling stories and churning them out a mile a minute. The plot is interesting and keeps you interested. The film isn't too long (about 1h20) and doesn't drag at all. The songs aren't too bad, and the absolutely *adorable* Dale Evans has lots of screen time;) Andy Devine was amusing as the sheriff, much more amusing than many of the later comic relief sidekicks, and Roy Rogers was at his best, in voice and in character.
Overall: One of the few colour Rogers films worth seeing; not the best of them, but most certainly nowhere near the worst (though I'm not much of a fan of the genre;). Entertaining, and worth seeing at least once. And, of course, Andy might be Devine , but Dale Evans is *divine*!!;) 7/10.
Overall: One of the few colour Rogers films worth seeing; not the best of them, but most certainly nowhere near the worst (though I'm not much of a fan of the genre;). Entertaining, and worth seeing at least once. And, of course, Andy might be Devine , but Dale Evans is *divine*!!;) 7/10.
क्या आपको पता है
- भाव
Cookie Bullfincher: I knew I was too young and pretty to die.
- कनेक्शनEdited into Meanwhile, Back at the Ranch (1976)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 18 मि(78 min)
- पक्ष अनुपात
- 1.37 : 1
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