On the Old Spanish Trail

In order to keep The Sons Of The Pioneers' equipment from being repossessed, Roy Rogers, Bob Nolan and the boys attempt to pull off a lucrative joint appearance and claim a reward on a not-very-dangerous outlaw known as The Spanish Gypsy.

A featherweight adventure, there isn't much to recommend this time around. Songs are less than memorable, even Roy's featured song, a duet of "My Adobe Hacienda". Action, suspense and (real) romance are almost non-existent until the finale.

With Dale Evans missing in action, sidekick Andy Devine not given much to do and Trigger spending most of his time grazing, this is recommended only for the most die-hard Rogers fan.

Roy Rogers movies tend to be pretty lightweight, at least the ones I've been able to see within memory.

But Roy Rogers himself is endearing.

I think it was while watching "Dark Command," the John Wayne movie (though Claire Trevor gets first billing, for some reason), that I first realized Roy Rogers was really an excellent actor.

It is likely that he rose to such prominence mostly because of his winning personality and good looks, rather than the movie plots, but in studying Western movie history, I learned that when he was given his chance to be the star of his own series, he set out to be good at his job. For example, he took riding lessons, and in my opinion was one of the best riders, certainly among those who hadn't been riders since childhood (such as John Wayne and Gary Cooper).

And even late in life, he was still a good singer, having been a great one earlier.

This movie gave us Rogers in really good form: He got to do just about everything he was good at, singing, riding, and acting.

I was rather bored in the beginning, but by golly this movie takes off and becomes downright exciting.

Of course, there is a great cast, with the Sons of the Pioneers getting to stand out, and stunts and action by the great Fred Graham.

Each cast member is memorable, and I highly recommend this to everyone. Those who enjoy Hollywood history especially should watch and pay attention to the individuals performing. You'll find it fun and educational.

I believe this film was my very first RR film, followed by The Far Frontier, which convinced me that the only cowboy hero to emulate for me was Roy Rogers. Why else would they call him "King of the Cowboys." I do recall having the 78 rpm record of the title song and memorizing the words. On the flip side was "I've Got A Feelin' (that somebody's stealing my darling). While I have only seen the truncated b&w version, I know that there is a fight scene missing from where Tito Guizar is recovering from a gunshot wound and the heavies want to take him back to town for the reward. Roy intercedes and there is a fight resulting in a fall into a nearby lake. This scene is included in the original trailer which is available along with other B westerns on video. I particularly like the song "Here is my helping hand" done by the Sons of the Pioneers which expressed their willingness to help out Roy in a crisis. Hopefully they will release the complete edition on DVD so that younger generations can appreciate a typical Saturday afternoon RR western.

Roy Rogers deserved his title of "King of the Cowboys." He could sing western songs better than any of the other singing cowboys with the possible exception of Tex Ritter, plus he was one of the best yodelers around, which few people realized. He also fit the image of a singing cowboy from the old west, even though he was actually from Ohio. His horse, Trigger, was called "The Smartest Horse in the Movies," because he probably was. Roy had a winning personality with a certain magnetism that drew kids to him. He had helped start the Sons of the Pioneers, one of the best vocal groups around, with a top notch songwriter from Canada, Bob Nolan. All these things combined to make a Roy Rogers western a real treat. He later found a partner on and off the screen who could be called "The Queen of the West," the talented and lovely Dale Evans.

All of these things, except Dale is not in the film, should have made "On the Old Spanish Trail" a winner. It also had a competent funny man, Andy Divine, to help out in the humor department. The villain was not Roy Barcroft this go around but rather Charles McGraw who would later star in the film noir classic "Narrow Margin." There are also two beautiful leading ladies rather than one, Jane Frazee and Estelita Rodriguez, who plays somewhat of a spitfire as the Gypsy's (Tito Guizar) jealous girlfriend. And the action sequences, especially the stagecoach chase toward the end, are marvelous. Only Republic could do such a splendid job in 1947.

But there is a problem with "On the Old Spanish Trail" and it is a big one. Republic tried to give the fans not only two leading ladies but also two leading men. Roy is purposely overshadowed in several scenes by Tito Guízar who plays sort of a Zorro type character known as the Gypsy. He is also a singer. Tito had a great voice but it was much too refined and proper for singing cowboy ballads. He possessed a fine operatic voice. Tito's acting was also at times on the hammy side. I gather from all this that Republic was apparently grooming Tito for his own Saturday matinée series. If the viewer can overlook the spotlight being thrust on Tito throughout much of the film, then this Roy Rogers outing should be pleasing for his many fans.

A Rogers oddity since he shares action and songs with Mexican leading man Tito Guizar. It's still a good horse opera as long as you don't try to figure out the plot, which has to compete with two love stories. Frazee makes a charming substitute for Dale Evans, but Estelita acts like she's had at least one hot tamale too many. There's plenty of action and some good hard riding from Roy and Trigger. Plus solid comedy relief from the one-and-only Andy Devine, along with A-list villianry from the jut-jawed Charles McGraw. Then too, it's easy to see why the likable Guizar was so popular south of the border. Still, I'm a bit puzzled by the odd pairing of the two leading men—was Republic trying a different formula for Roy's Saturday matinees. Oh well, whatever, it's still a lively musical western of the sort they don't make anymore.