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The Wrong Way Out

  • 1938
  • Approved
  • 17 मि
IMDb रेटिंग
6.0/10
191
आपकी रेटिंग
The Wrong Way Out (1938)
अपराधड्रामालघु

अपनी भाषा में प्लॉट जोड़ेंIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." ... सभी पढ़ेंIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." It isn't long before they find that they can't make it on their own, and one grab of easy ... सभी पढ़ेंIn this entry in the "Crime Does Not Pay" series, young Ann Stevens and "Windy" Brown, against the advice of both sets of parents, run away and get married as they yearn for "independence." It isn't long before they find that they can't make it on their own, and one grab of easy money soon leads them down the path of crime.

  • निर्देशक
    • Gustav Machatý
  • लेखक
    • Karl Kamb
  • स्टार
    • Kenneth Howell
    • Linda Perry
    • William Bailey
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    191
    आपकी रेटिंग
    • निर्देशक
      • Gustav Machatý
    • लेखक
      • Karl Kamb
    • स्टार
      • Kenneth Howell
      • Linda Perry
      • William Bailey
    • 10यूज़र समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
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  • फ़ोटो19

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 13
    पोस्टर देखें

    टॉप कलाकार15

    बदलाव करें
    Kenneth Howell
    Kenneth Howell
    • Windy Brown
    Linda Perry
    Linda Perry
    • Ann Stevens Brown
    • (as Linda Terry)
    William Bailey
    William Bailey
    • Detective
    • (बिना क्रेडिट के)
    Robert Elliott
    Robert Elliott
    • Mr. Stevens - Ann's Father
    • (बिना क्रेडिट के)
    James Flavin
    James Flavin
    • Detective
    • (बिना क्रेडिट के)
    Chuck Hamilton
    Chuck Hamilton
    • Police Squad Car Driver
    • (आर्काइव फ़ूटेज)
    • (बिना क्रेडिट के)
    Harry Hayden
    • Mr. Brown - Windy's Father
    • (बिना क्रेडिट के)
    Ray Mayer
    • Car Rental Clerk
    • (बिना क्रेडिट के)
    George Meeker
    George Meeker
    • Drunk
    • (बिना क्रेडिट के)
    Esther Muir
    Esther Muir
    • Lola
    • (बिना क्रेडिट के)
    Lionel Royce
    Lionel Royce
    • Continental Club Owner
    • (बिना क्रेडिट के)
    Walter Soderling
    Walter Soderling
    • Employment Agency Clerk
    • (बिना क्रेडिट के)
    Frank M. Thomas
    Frank M. Thomas
    • Police Captain Frank Hobson
    • (बिना क्रेडिट के)
    Phillip Trent
    • MGM Crime Reporter
    • (बिना क्रेडिट के)
    Monte Vandergrift
    Monte Vandergrift
    • Used Car Salesman
    • (बिना क्रेडिट के)
    • निर्देशक
      • Gustav Machatý
    • लेखक
      • Karl Kamb
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं10

    6.0191
    1
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    10

    फ़ीचर्ड समीक्षाएं

    6AlsExGal

    Stop in the name of Murphy's Law!...

    ... although Murphy has some help here as the two lead characters are far from wise.

    Two youngsters - their exact age is never stated, but from what's said they are not out of high school yet - want to get married right now. Both sets of parents object and refuse to sign consent forms to let them get married. The parents note their lack of any money or skills and say they want them to wait until they are out of (high) school. The two youngsters show their maturity by throwing a tantrum like they are three.

    So they decide to elope because, unfortunately, unlike three year olds, they have drivers licenses, a car, and just enough money to get married but not enough to support themselves. Things go from bad to worse with them moving to crime when a drunk lawyer passes out in the restaurant where they work after everybody else has gone home. And the lawyer's pockets are flush with cash.

    It's interesting that the two kids, when they are looking for jobs, meet a hiring manager that could have given them good jobs if the girl had known shorthand and the boy had been a draftsman. Both of those skills are obsolete today, although shorthand is still used in a few professions. Today you have to be out of college or be in one of the trades to have a chance of finding a good job.
    6redryan64

    Love And The Naive, Young, Broke And Impatient.

    WE MAY HAVE seen some other entries into this CRIME DOES NOT PAY series of shorts from Metro Goldwyn Mayer, but damn if the memory has been able to access any such "file" deep in the recesses of our gray matter filing system. If this is episode of the series, they certainly made a fan in our house.

    HAVING BEEN EMPLOYED as a Chicago Cop for 34+ years, it stands to reason that expectation of some degree of realism would be among the list of priorities in viewing any Police Procedural, Detective Story or Crime Drama. That would definitely be the case here. Our very skeptical nature is quick to analyze and put under a microscope just how much the story on the screen compares to the real world.

    THAT IS NOT to say that all that we see has to be an extension of and an actual mirroring of that which we deal with daily in our lives. There is another side to this "Cops & Robbers" coin of ours.

    THAT WOULD BE the escapist fantasy that is exemplified by such well known films such as RADIO PATROL (Universal,1937) a serial in 12 chapters; which was adapted from the King Features Syndicate comic strip. Any of the screen adaptations of Chester Gould's DICK TRACY would certainly fit into this category.

    BUT IN GETTING back to our subject in the spotlight, we find that this little film was rendered in the most sincere way. It transcends the cops n' robbers sub-genre and reveals a powerful, truthful bit of morality play. Without being heavy handed, preachy or sanctimonious, a screening of this short may well impart the beginnings of a better and more moral life style on many of its viewers, be they young or old.

    INASMUCH AS THIS is just one of many 20 minute mini-features, it struck us of how much it bears a resemblance to series television. The series that we see as its having a strong relation to is RACKET SQUAD (1951-53). It was an anthology series featuring Reed Hadley as Captain John Braddock, commanding officer of the bunco squad of a large, unnamed and fictional city's police department. Mr. Hadley's role was host, narrator and the detective who would show up at stories end to tie it all up.

    AS WE'VE PREVIOUSLY said, this episode piqued our interest and we'll certainly be watching the listings for TURNER CLASSIC MOVIES to see more episodes, all of them we hope.
    6SnoopyStyle

    criminal at heart

    It's another episode of A Crime Does Not Pay Subject series. A young couple is struggling. With their $18, they run away to the big city to get married. With no training, they can't get a good job. The young couple is alone cleaning up when a drunken rich patron stumbles in. He passes out and the couple robs him of $200.

    This would work better if the young couple is more desperate. This is more crimes of opportunity. Quite frankly, Windy would probably steal whether they run away or not. He's a criminal at heart. It has little to do with their lack of money.
    Michael_Elliott

    Crime Does Not Pay

    Wrong Way Out, The (1938)

    *** (out of 4)

    The twentieth episode in MGM's Crime Does Not Pay series is one of the weakest I've seen but there's still enough that works here for fans. In the film, young adults Wendy (Kenneth Howell) and Ann (Linda Perry) want to get married but their parents refuse so they decide to elope. Once out on their own they realize it's not easy to make a living and soon they are forced into a life of crime. A lot of reviewers call this series over dramatic but I've never agreed with that except for right here. The entire "warning" this film offers is against eloping and having too much of an ego to return home to your parents. The film takes that and turns out two teens into a Bonnie and Clyde type, which is a tad bit over the top as the film never gives them any real motivation in doing what eventually happens here. I also find it rather funny that both sets of parents are shown as good people yet they too are actually rather mean spirited when the kids first come to them for advice. The parents turn their backs and then they wonder why, later in the film, the kids don't come back to them for help. The over the top antics of the film would make me recommend newcomers to the series to start somewhere else but I think fans will still want to check it out. The performances are all rather mixed with Howell coming off rather lame as the good turned bad guy. The scene with the drunk singing "Happy Days Are Here Again" gets a mild laugh as does the ending that goes way too far.
    5boblipton

    I Ran Away From Home When I Was Four

    Having grown older -- if perhaps, no wiser -- I know that running away from home can be a darned stupid thing to do when you have halfway decent parents. As we learn in this episode of MGM's short subject series, it can lead to crime, and -- repeat after me -- Crime Does Not Pay!

    Unhappily, not all parents are at least halfway decent, and certainly when you're all grown up at 15 and they won't let you get married, and there's no money, running away becomes attractive. What Kenneth Howell and Linda Perry don't realize in this short is that their parents do care, and stand ready to help. They just can't find them!

    Gustav Machatý, the director of this short, was a big director in Hungary. When he came to the United States with his star discovery, Hedy Lamar, he found out that they wanted Hedy, but his talents were more technical as far as the producers were concerned. He spent about ten years in Hollywood before returning to Europe.

    इस तरह के और

    Deadline at Dawn
    6.8
    Deadline at Dawn
    Senza pietà
    6.6
    Senza pietà
    Riffraff
    6.8
    Riffraff
    Respect the Law
    6.2
    Respect the Law
    Woman on the Run
    7.2
    Woman on the Run
    Easy Life
    6.0
    Easy Life
    You, the People
    6.5
    You, the People
    Naked Alibi
    6.5
    Naked Alibi
    Merrily We Go to Hell
    6.9
    Merrily We Go to Hell
    Alibi Racket
    6.0
    Alibi Racket
    Don't Talk
    6.2
    Don't Talk
    Night After Night
    6.7
    Night After Night

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The $200 the drunk said he was rolled for equates to about $4,465 in 2024.
    • भाव

      Police Captain Frank Hobson: Very few of the increasing number of crimes committed by persons under 21 are premeditated. In almost every case, we find the same moving force: Impatience. Impatience with problems that, in a year or two, might solve themselves. We therefore present this case history of two young people, in the frank hope that it may bring others like them to stop and think.

    • कनेक्शन
      Followed by Money to Loan (1939)
    • साउंडट्रैक
      Happy Days Are Here Again
      (uncredited)

      Music by Milton Ager

      Lyrics by Jack Yellen

      Sung a cappella by George Meeker

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 दिसंबर 1938 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Crime Does Not Pay No. 20: The Wrong Way Out
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Loew's
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      17 मिनट
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    • पक्ष अनुपात
      • 1.37 : 1

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