Fifth Avenue Girl

Ginger Rogers was good at doing this kind of roles and this is one of her best performances. The plot,an attack on the social strata of society; both the rich and the poor and the consequences that bereave who they are. Without a doubt, the star of the movie is the script. It's so good, it's basically impossible to muck up. Gregory La Cava, that serious and more respected directors of his time who is much forgotten today shoots and directs so wonderfully emphasizing every nuance of the script with style and wit improves on his NY critics winning direction in Stage door. Just a wondeful movie.

For some reason, this doesn't really work. It has a sensational cast. It's part fairy tale, part socio-political commentary, and mostly a romantic comedy.

The romance comes late, though, and seems slightly tacked on/.

Out-of-work Ginger Rogers meets mogul Walter Connolly In Central Park. He's gone there to look at the seals with his butler Franklin Pangborn; and right here something seems a little forced and improbable.

Rogers is a sort of tabula rasa who helps Connolly get back together with his wife -- amusingly played by Veree Teasdale. She also heaps his uninterestingly played daughter break down social barriers to get together with family chauffeur and would-be Socialist, hunky James Ellison. And she helps his son Tim Holt settle down and, as we of course knew she would, gets together with him at the end.

She is like the Terence Stamp character in Pasolini's fascinating "Teorema" almost 30 years later and like Michael York in the thoroughly disagreeable, arch "Something For Everyone" of approximately that same time. Both those characters are overtly sexual, though Rogers is decently not so here, beginning and ending the movie eating an apple. (Eve she is not. More like her Sue-Sue character from "The Major and The Minor.") It's kind of funny and kind of not very funny.

When she and Holt revisit the park bench where she met his father, Jack Carson, playing a Navy man on leave, sits beside them with his lady friend and sings a delightful chanty about temptresses. It's the best I've ever seen him and it's a breath of fresh air and believability for this movie.

Ginger Rogers seemed to mumble listlessly through a part she didn't like. Tim Holt seemed too immature for the romantic lead and has no chemistry with Ginger. These items detracted from the good screenplay, which has Ginger hired by millionaire Walter Connolly to stay at his house and sort of straighten out his family. It was almost like "My Man Godfrey" (also directed by Gregory La Cava) with the sex roles interchanged, but it was not nearly as good, and certainly did not come close to the pairing of William Powell and Carole Lombard.

Preview comments played a big part in studio decisions in those days. The ending in the film was changed to the one you see after preview audiences panned the original, less happy ending.

but still a nifty comedy, boasting solid performances by Ginger Rogers (as always), Walter Connolly, Verree Teasdale, Tim Holt, Jack Carson, Franklin Pangborn, and Louis Calhern. James Ellison as the chauffeur and Kathryn Adams as the spoiled daughter are annoying. But Rogers and Connolly (in a rare starring role) take top honors as the working girl and the baffled millionaire who meet on a bench at the zoo. Lots of social commentary by director/producer Gregory La Cava, one of Hollywood's forgotten directors who was, nevertheless, a big name in the 1930s. What's missing from this film, compared to La Cava's My Man Godfrey, is a sense of zaniness among the rich. Here they are petty, nagging people while in the other, they are unrelentingly silly. Plus no one could play a fluttery matron like Alice Brady (well, maybe Billie Burke). Teasdale is OK, but this kind of part was not her forte; she seems too smart to be playing this kind of brainless twit. This is one of Connolly's best roles and he is wonderful. He died the following year. Rogers seems almost to be in an audition for 1940's Kitty Foyle. The acting style she uses in both films is similar. But Rogers was always worth watching. She has a style that allows her to get very quiet and contained, and it's very effective. While the political issues are very much the same today, it's laid on a bit thick here with the spoutings of Ellison's chauffeur and the mooning daughter. Adams strikes me as being an especially bad actress. Anyway it's worth a look. The house is incredibly cavernous and ugly. Charles Lane, Harlan Briggs, Florence Lake, Ferike Boros, Bess Flowers (as the Civil War debutante), and Alex D'Arcy co-star.

The ridiculously rich (look at that mansion) and the perfectly groomed poor. Ginger Rogers proves that she was one of the best comedic, deadpan actresses of her time, even without dancing. The bratty kids, the wise ass chauffeur, the horse faced butler. The clothes, love that 1930-40's look. it must have been a real ego trip to be stinking rich during a time of world wide depression, which made the rich even richer. Great writing, acting and directing. As good as "It happened One Night". There were many movies made in 1939, a couple of them like GWTW and TW of Oz, get all the press but this movie is a gem. Walter Connolly and Verre Teasdale as high society husband and wife are great.