King of the Zombies

This movie is a gem. Even though some politically correct idiots criticize some of the 'stereotypical' black behavior, ignore them. This movie is funny and anything funny is good.

Mantan Moreland is the main reason to see this movie. He steals every scene and turns a slow, and ultra low budget horror movie into a laugh riot.

This movies has everything; laughs, zombies, hypnotism, a voodoo priestess and a German Spy. Plus, Mantan Moreland's one liners are hysterical.

"Being a zombie sure has its disadvantages".

Looking at voodoo priestess: Mantan : Who's Methusalah? I know a museum that would give a fortune just to get her under glass. What's cooking? Samantha : That's brew. Mantan : Brew? Home Brew in this day and age? Why, don't you people know Prohibition has been repealed? Samantha:How's it taste? Mantan : I don't know but it ain't Kosher.

Dr. Sangre : The living dead? Mantan : That's it. That's what they is, dead folks that's too lazy to lie down!

Whether this 1941 movie is politically correct in the 21st century is irrelevant. Plus, it is indicative of it's time. It's stupid for critics to try to censor or dismiss this movie merely because of political correctness. The movie is funny and funny is timeless and divine.

Horror comedy from Monogram starring Mantan Moreland and a couple of forgettable bores. I'm not a big fan of Moreland but I'll admit he outshines these two guys by a country mile. It's basically an old dark house film with the three men stranded in said house on an island with a mad scientist (Henry Victor in a role originally meant for Bela Lugosi).

There's a lot of stuff about voodoo and zombies, which is just an excuse to let Moreland do his bug-eyed double-takes and "afraid of spooks" routine. This is the part of Moreland's comedy shtick that I have never enjoyed. And it's not because of the offensive racial element of it, but rather because I'm not enamored with comedians who rely heavily on goofy facial expressions for laughs. I've voiced the same complaints about the likes of Red Skelton and Huntz Hall. But there is a part of Moreland's act I do like and that's when he falls back into his vaudeville routine of having a snappy back and forth with another actor. We see a bit of that here when he shares scenes with the maid (played by Marguerite Whitten). Those scenes were my favorite parts of the movie.

Anyway, the horror isn't all it's teased to be as there's an espionage plot that's a lot less interesting. It was 1941, after all. It's not a great movie but it's not terrible by Poverty Row standards. It moves along quickly enough, which helps. But the entire film rests on Moreland's shoulders. If you love him, you'll probably laugh your tail off watching this. If you don't, this will go over like a lead balloon.

When a plane crashes on a remote South American island during a bad storm, the planes three occupants find themselves in a doctor's mansion where strange things appear to be going on. The pilot, a government guy and his manservant must get to the bottom of the zombies appearance on the island and the doctors' sinister plan involving them.

Jean (The Devil Bat) Yarbrough's direction is quick and sure in the funny, underappreciated gem from the early 1940's. The film moves along after a very snappy pace and never drags. Not high on production value, loved the cheesy model of the plane crash in the beginning, King has a very high energy level thanks to the hilarious antics of the always entertaining Mantan (Spider Baby) Moreland. Easily the highlight of the film Moreland's bug-eyed often off-color schtick made this rather routine film is loads of fun. Good fun for anyone who likes a classic voodoo zombie kind of film with an outstanding comedy performance.

This little gem of a movie is actually better than it should be considering it is a Monogram picture with a low budget and unfortunate racial stereotypes which were typical for the early 1940's.

Mantan Moreland is the star of this picture. He was a great comedic actor who was stereotyped into playing the dimwitted servant in most of his movies, but he really shines in this picture. I laughed out loud when he tells his boss that he had been "zombiefied". Every scene he is in he steals. This picture was billed as a horror movie, but it is actually a comedy. There is nothing remotely scary about the plot, which involves a German doctor who has taken over an island and is turning the natives into zombies while trying to get classified secrets from a captured American admiral through the use of hypnosis. I really enjoyed this movie despite the cheap sets, silly plot and racial stereotypes. If you want a good laugh on a Saturday afternoon, then pop some popcorn and sit back and enjoy Mantan Moreland. He more than makes up for this movie's deficiencies.

This movie was as much Whitten's as it was Morelands. She was beautiful. Had she been active during the 90s, with her talent and beauty, she could have ruled Hollywood. Moreland, given his delivery and timing, would give Murphy a run for his money. This movie is a comedy classic. Being dated as it is, and altogether politically incorrect by todays standards, it actually gave Whitten and Moreland a lot of space to show off their talents. It may seem backwards NOW but for that day and time it was really very progressive. The other actors, well ... The Doctor was cool, and I think was trying to play off Lugousi. The rest? Hey, some one has to play "third through the door".And they did OK. If nothing else they made Whitten and Moreland look even better. But they didn't really need that kinda help. ;-)