अपनी भाषा में प्लॉट जोड़ेंThe telegram that Jim Conwoy receives states that the woman he was to marry, Laura, could not move to a country she didn't know, and marry a man she felt she no longer knew.The telegram that Jim Conwoy receives states that the woman he was to marry, Laura, could not move to a country she didn't know, and marry a man she felt she no longer knew.The telegram that Jim Conwoy receives states that the woman he was to marry, Laura, could not move to a country she didn't know, and marry a man she felt she no longer knew.
Thomas E. Jackson
- Maguire
- (as Thomas Jackson)
Rolfe Sedan
- Tailor
- (as Rolf Sedan)
Anna Demetrio
- Maria - Vendor
- (बिना क्रेडिट के)
Juan Duval
- Native
- (बिना क्रेडिट के)
John Eberts
- Native
- (बिना क्रेडिट के)
Demetris Emanuel
- Luis - Waiter
- (बिना क्रेडिट के)
Martin Garralaga
- Pedro - Bookkeeper
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Constance Bennett in the 1940s. Her role is an Ann Sheridan-type role. And she looks like part-Benett, part-Jane Wyman, and a good part Lucille Ball. (The penciled-in brows, the full red lips ...) This could not be called a good movie. It holds its own, though. Jeffrey Lynn is good, as he always was. The other female lead, Mona Maris, is very alluring and a good actress.
The plot is silly as can be.
In "What Price Hollywood?" Bennett sang in French. She wove in and out of seats at a cabaret much in the style of Marlene Deitrich in "morocco." In "City Across The Bay," her sister Joan sings a racy song that puts one in mind of Carmen Miranda. Here Bennett sings a song that is partly in Spanish. (The story takes place in South or Central America.) Everyone gives it his or her best. Often that isn't much but it's a hard movie to dislike.
The plot is silly as can be.
In "What Price Hollywood?" Bennett sang in French. She wove in and out of seats at a cabaret much in the style of Marlene Deitrich in "morocco." In "City Across The Bay," her sister Joan sings a racy song that puts one in mind of Carmen Miranda. Here Bennett sings a song that is partly in Spanish. (The story takes place in South or Central America.) Everyone gives it his or her best. Often that isn't much but it's a hard movie to dislike.
Deep, deep, miserably deep "B". However, Bennett is delightful, as always, and makes the picture worth watching. Also, if you've ever had the urge to beat the crap out of Peter Gunn, there's an OK fight scene that Craig Stevens gets the worst of, and the chick who plays Regis Toomey's wife is a 40's hottie.
Jim Conway (Jeffrey Lynn) works on a rubber plantation in the Amazon. He has come up with a new way to process rubber. He's eager to marry his girl Laura and bring her back to the jungle. Instead, he receives a Dear John telegram. He meets singer Joan Madison (Constance Bennett), and tells her his sad story. She is being chased by an unsavory character and she jumps on board his boat. To avoid embarrassment, she pretends to be Laura after marrying him. Secretly, she needs to hide under the assumed name. They get married by the captain and agree to a divorce in three months. Jim is a loyal company man but the company isn't loyal to its men.
This is loosely based on the 1935 movie, Oil for the Lamps of China. This is a B-movie. It's a bit of a jumbo. The acting is fine for a lesser movie. The movie needs something but I'm not sure what. The fist fight is fun but the movie doesn't really elevates.
This is loosely based on the 1935 movie, Oil for the Lamps of China. This is a B-movie. It's a bit of a jumbo. The acting is fine for a lesser movie. The movie needs something but I'm not sure what. The fist fight is fun but the movie doesn't really elevates.
Only a few years earlier, Warner Brothers made "Oil for the Lamps in China"...and remade it as "Law of the Tropics". Such things were very common for the studio...and they even sometimes made remakes only a couple years later! I loved the first film...what about this remake?
The plots are very, very similar. The only main difference I saw is that the remake was set in South America, not China as well as the film being a little less of an indictment about corporate greed and indifference.
Instead of top actors, however, in the remake they used second-tier ones. Constance Bennett, once a bit star, had a career tailspin...probably, sadly, due to her age. Jeffery Lynn was never a top star but a competent B-movie actor. Despite this, they both did a very nice job and the film is STILL good....just not quite as good as the first one.
The plots are very, very similar. The only main difference I saw is that the remake was set in South America, not China as well as the film being a little less of an indictment about corporate greed and indifference.
Instead of top actors, however, in the remake they used second-tier ones. Constance Bennett, once a bit star, had a career tailspin...probably, sadly, due to her age. Jeffery Lynn was never a top star but a competent B-movie actor. Despite this, they both did a very nice job and the film is STILL good....just not quite as good as the first one.
Warner Bros. seemed to be doing a retread of TORRID ZONE, the film that starred James Cagney and Ann Sheridan. And CONSTANCE BENNETT is no substitute here for Sheridan, for whom the role of a nightclub singer running from the law would have been perfect...except that by this time, Sheridan was doing Grade A films.
JEFFREY LYNN, with a mustache, has the kind of role you might expect James Cagney to be in. He's the inventor of a process that produces rubber faster than the usual time it takes. He's assigned to a rubber plantation where he can carry out a way to increase production of rubber. When he's jilted by his would be bride, he makes a deal with a nightclub singer (CONSTANCE BENNETT) who agrees to play the role for a fee and as a means (unknown to him) to escape the law because of an incident in her past. Naturally, they fall in love before the last reel after the usual plot contrivances.
It's formula stuff and gets the Warner Bros. B-film treatment with clumsy attempts at humor along the way, but at least there are two nice supporting performances from MONA MARIS (looking beautiful) and the reliable REGIS TOOMEY, both sympathetic to Bennett's cause.
Summing up: Passes the time quickly, but is one you'll soon forget. Bennett's penciled in eyebrows are a distraction and she looks ill suited for a role that would have fit Sheridan like a glove.
JEFFREY LYNN, with a mustache, has the kind of role you might expect James Cagney to be in. He's the inventor of a process that produces rubber faster than the usual time it takes. He's assigned to a rubber plantation where he can carry out a way to increase production of rubber. When he's jilted by his would be bride, he makes a deal with a nightclub singer (CONSTANCE BENNETT) who agrees to play the role for a fee and as a means (unknown to him) to escape the law because of an incident in her past. Naturally, they fall in love before the last reel after the usual plot contrivances.
It's formula stuff and gets the Warner Bros. B-film treatment with clumsy attempts at humor along the way, but at least there are two nice supporting performances from MONA MARIS (looking beautiful) and the reliable REGIS TOOMEY, both sympathetic to Bennett's cause.
Summing up: Passes the time quickly, but is one you'll soon forget. Bennett's penciled in eyebrows are a distraction and she looks ill suited for a role that would have fit Sheridan like a glove.
क्या आपको पता है
- ट्रिवियाIn the review of the film in the 3 September 1941 edition of Variety Miriam Hopkins turned down the role of Joan Madison reportedly because she thought she was too old to play opposite Jeffrey Lynn. Hopkins was 38 and Bennett was 36.
- भाव
Jim Conwoy: What's the idea of taking me to a tailor like that?
Tito: I knew him long time ago when he was a butcher.
Jim Conwoy: He still *is!*
- कनेक्शनVersion of Oil for the Lamps of China (1935)
- साउंडट्रैकTropical Dreams
(uncredited)
Composer unknown
Sung by Constance Bennett in English and Spanish in a nightclub
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