Nothing but the Truth

Me and my Brother laughed all the way through this movie! One of my favorite Bob Hope films!

Steve Bennett, a new recruit on a brokerage firm in Miami, gets an interesting proposal from Gwen Saunders. She has ten thousand dollars that belong to a charity organization and wants Steve to double the money because her uncle, who is the head of the firm will double the amount if it is done properly. At the same time, his new boss and his inner group make Steve a counter proposal if he will not lie once during the weekend.

This funny Paramount comedy of 1941 was a vehicle for Bob Hope, who at the time was at one of the best moments of his career. It helps that he was paired, once again with the gorgeous Paulette Goddard, who had been his screen partner before to excellent results. Both Mr. Hope and Ms. Goddard do fine work as they show a natural talent for this type of comedy. Others in the cast included Edward Arnold, Leif Ericson, Glenn Anders and Grant Mitchell.

"Nothing But the Truth" was directed by Elliott Nugent who paced the comedy at the right speed making one of Mr. Hope's best film appearances.

Bob Hope swears he will tell "Nothing but the Truth" in this 1941 comedy also starring Paulette Goddard, Edward Arnold, Helen Vinson, Leif Erickson, and Willie Best. This was Hope's and Goddard's third film together. They made a good team.

Hope plays a broker, Steve Bennett, who agrees to invest Goddard's money for a charity and double it. He's not sure how to do it until he gets into a discussion with his fellow brokers about lying versus telling the truth. Steve feels the same things can be accomplished by the truth rather than lying. He puts up his $10,000 to bet that he can tell the truth for 24 hours.

It's not going to be easy, and seeing Hope forced to tell the truth in social situations is pretty funny. When he is asked if a matronly woman looks 30, he answers in Spanish but eventually is forced to translate -- to paraphrase, no way can she look 30. When his fellow brokers find a sexy black nightgown in his apartment, Steve admits it's his from a college show.

Most of the film takes place on a yacht, where, thanks to truth-telling, there is a lot of misunderstanding, hiding, and sneaking around.

Hope is cute and funny, and Goddard is gorgeous and vivacious. Entertaining film, based on a play from the World War I era.

This is Hope's and Goddard's third and final comedy together. Similar to the musical NO, NO NANETTE it is the story of Hope who makes a bet he can say the truth for twenty-four hours. If he is successful, he wins a large sum of money that he has lost, given to him for safe keeping by Paulette.

In the attempt to get him to say the truth there are all sorts of situations and people who become involved with his escapades.

TRUTH is a wonderful screwball comedy, directed by Elliott Nugent, and the team of Hope and Goddard, fresh from CAT AND THE CANARY and THE GHOST BREAKERS, all big hits, once more brought the two stars together. They worked well together and were both by now reaching the top of their careers.

The story, however, didn't do much. Much too much the same thing about tricking Hope to say the truth. Some funny scenes where Hope, in drag, tries to sneak out of Goddard's state room on board the yacht they were guests. Some funny scenes between Hope and Willie Best, that wonderful black actor, fresh from their work together in GHOST BREAKERS, as Hope's sidekick.

Also in the cast are Edward Arnold and Leif Erickson.

This 1941 Paramount comedy is available on VHS.

Nothing But The Truth with Bob Hope became Liar Liar with Jim Carrey in the '90's, I know which I prefer. Carrey's take was a slicker more professional affair but too syrupy for my taste; this hasn't got the syrup but unfortunately it also hasn't got enough gags in it either.

The gang was all there: Hope, Goddard and Best, surrounded by Edward Arnold and some of the best supporting actors/actresses around in a film directed by Elliot Nugent with high Paramount production values in attendance. The story itself takes over, with some great possibilities in it (as Carrey exploited) but it's so wordy that ultimately the whole thing backfires. Too many plot or behavioural explanations stopped any flow and make the 90 odd minutes seem a mite too long a running time. Be warned if you're a sensitive soul - the racial stereotypes are out in force from the first to the last minute.

Having said all that, I've seen it a couple of times now and enjoyed it thoroughly. The only problem is I don't feel I'll be able to watch it again too soon, rule no. 1 being Absence Makes The Heart Grow Fonder!