Submarine Command

This movie has to be William Bendix's finest role. Noted for his portrayal of comic characters, such as Chester A. Riley in "The Life of Riley," in this movie Bendix is a moody, brooding sailor harboring a deep-seeded resentment toward the commander of a submarine, played by William Holden. The other characters in the movie are quite forgettable and the storyline itself, although interesting, is nothing particularly special and as a post-World War Two movie, it lacks the intensity of movies made during the war. But William Bendix's portrayal makes this movie worth watching and makes this movie, if not a classic, at least a work of art that merits consideration and an honorable mention.

I couldn't disagree more with the reviewer who credits this as Mr. Bendix's best roll. He was good in most of the rolls he took on with the possible exception of The Babe Ruth story. I have three best William Bendix films: Life Boat, Wake Island, and Kill the Umpire. In this film he's play the chief torpedo-man on the Tiger Shark a boat and crew haunted by the loss of their captain on the last day of the war. Bendix's character blames the man who took command during the emergency that resulted in the loss of the captain. After the war William Holden's character has to come to grips with the memory of that day and the loss of his friend. The piece time navy and his conscience put to much pressure on his marriage and he finds himself redeployed aboard the Tiger Shark with many of the old crew for a new war in Korea. The sub is used to assist in the rescue of some commando's stranded ashore in Korea. During this mission the captain finds he has to use tactics he wouldn't have used before.

William Holden is Cmdr. White a quite mature man who suffers through the boredom of the post WW II Navy. He is chained to a desk on a base near his old submarine, which has been decommissioned and mothballed. He visits it periodically to experience his wartime ghosts. He is so bored that he seriously considers chucking the Navy and taking a more lucrative civilian job. Nancy Olson plays his understanding Navy wife. William Bendex is also on hand with old time Chief Petty Officer wisdom and to remind Holden of his ghosts.

Don Taylor portrays the fun and games Navy pilot who is anything but mature. He is teaching ROTC at a nearby college. They met at the end of the war when White's submarine rescued him. They maintain a friendship even though White is at times disturbed by his happy-go-lucky well adjustment.

When The Korean War starts White is rescued from his desk and placed in command of ----- (You guessed it!) his old submarine. Taylor and Holden are united again off the Korean Coast where boat and men undertake a movie ending dangerous mission.

This was a feel good war movie that wasn't loaded with dated propaganda. Holden narrates as he did in Sunset Blvd. where he first played opposite Olson.

If you like military movies, this is a good one.

The nightclub pictured in Submarine Command was the Club Royal located at 3rd and C street in downtown San Diego. The wallpaper was black with chartreuse horses pictured, the booths were red. Walter Fuller was the band leader and played trumpet. This nightclub was owned at the time by Albert Bertolino who appears briefly in the bar scene. His wife,Una was the attractive blond seated at the bar. William Holden and Nancy Olsen were on the set at the time and were kind enough to visit with me and my family during the filming of this scene at a restaurant next door to the club. Third street at that time consisted of one bar after another. These clubs were razed in the latter part of the 20th century.

Submarine Command is an excellent example of the type of good entertainment that Hollywood used to grind out regularly back in the fifties. The story isn't deep, but the writing (Jonathan Latimer) and direction (John Farrow) are very fine, and the actors, especially William Holden, in the leading role, are all in good form. William Bendix provides a kind of stubborn, moral center in the movie, and one can only hope that Holden can get into his good graces. Most of the technical military-professional side of the film is realistically or at least convincingly (to me) handled. The movie's otherwise ho-hum submarine stuff, with all the usual cliches, but so much life is breathed into the old material that it feels fresh and original, no small accomplishment in this kind of film.