Bwana Devil

Saw this for the first time as an 11 yr old at a matinee. Great movie but it scared me to death. I'm now 71 and it still remains the movie that I most remember as a child

The story is not unlike the story of Jaws. A tiny group of people is isolated and threatened by this horrible creature, cut off from the world. Experts are brought in to eliminate the menace and restore order.

The only reason I mention this is to show the difference between talent (Spielberg/Benchley) and zero talent (Obler/Clampett) for story telling and film making. This 79 minutes (plus the mandatory intermission early 3-D requires) seemed to stretch way beyond its length. Horrible film.

Quick notes: What year is this story set in? It sure seems like 1952 until Barbara Britton, in high-button shoes, steps off the train.

The highlight was when star Robert Stack took his shirt off. Maybe if he had done the entire thing shirtless I would raise the score a half a point.

This was seen at the Film Forum in Manhattan, struck from the camera negative. It made zero difference as it was still completely awful.

Viewers: Hello. This movie does not show up on Cable very often. It reminds me of a much more recent movie, The Ghost and the Darkness. Similar plot...but has historical truth, of the two lions of "Ranchipour". The British colonel was building a bridge over the river, and some 150 workers were eaten by the two lions. He killed the lions. Those two lions , "taxidermied", are on display at the Chicago Field House,Chicago, IL.

I saw it the first day of its first run release at the Chicago Theater in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director, Arch Oboler. - best known for the radio (and early live TV series) 'Lights Out'. Oboler's brother-in-law was Milton Gunzburg. Gunzburg was, I believe, the optician who connected the use of Polaroid lenses to the making of stereoscopic films.

In 1952, television was stomping out movies and movie theaters the way rogue elephants could destroy villages. Hollywood was searching for any gimmick it could use to bring people back to the theaters. Cinerama, a cumbersome early widescreen process had come on the scene. It produced an 3-D like effect. That opened the door for Gunzberg and his brother-in-law. They called their process Naturalvision, raised some money to demonstrate the process, and produced 'Bwana Devil'.

While the story and production values took a back seat to the illusion of depth, the picture was a hit. It was quickly followed by 'House of Wax' and others. Most producers opted to exploit the stereoscopic effects rather than make good movies. 'House of Wax' was one of the rare exceptions. After about a year, audiences tired of the shoddy productions, and Naturalvision eventually disappeared. Into the void Fox introduced CinemaScope, a flat wide-screen process, and helped stem the sinking theater system.

I imagine seeing 'Bwana Devil' in flat projection would be painful. But for those of us who saw it with pristine prints, and quality projection, it was something to behold. Lions leaping off the screen into our laps was something few of us would forget.

It has taken another fifty years for 3-D to return. Today's producers seem not to be making the same mistake as those in the early fifties. I hope so. After all, 3-D is so much more fun than flat.

An interesting premise, based on a true life story of two man eating lions but unfortunately, poorly executed. Leading man Robert Stack lacks charisma and the film at only 1 hour and 20 minutes, still drags and, at times, is ludicrous. Nigel Bruce is billed third in this as Dr Angus McLean and it is his penultimate film appearance. Though he has an amusing story about a fish, he is, in the main, a straight character here, though has a twinkle in his eye. He features throughout until the last 20 minutes but unhappily, his Scots accent (Stirling) doesn't really convince and undermines him more than somewhat.