Gift Horse

"Glory at Sea" (aka "Gift Horse") is a rather unusual naval film. This is because of the movie centering on a glamorous ship, such as a battleship or aircraft carrier, the setting is an old destroyer which was used by the British through the Lend-Lease program. In other words, older and more obsolete American ships were leased to the Brits during the darkest days of WWII (before the US officially joined). However, this is NOT to say that the ship's record was undistinguished...in fact, what they ultimately did was incredibly brave and daring.

Overall, this is a very good and inspiring war film. It is odd that Sunny Tufts is in the picture...but despite his presence, the movie is well made and worth seeing.

In the beginning of the war when Britain was fighting for her life with France lost and German U-boats sinking all her convoys, Churchill desperately pleaded to Roosevelt for any kind of assistance. Roosevelt was rather reluctant to help a sinking ship, as he (like the ambassador Joseph Kennedy in London) thought it probable that Britain would have to submit to Germany, but he condescendingly let off some battle ships that were taken out of circulation and would be scrapped anyway. This is the story of such a ship, called "Gift Horse" all through the film, and Captain Trevor Howard very wisely considers it best not to look into the mouth of a gift horse. Of course, there is trouble with the ship all the way, as there is always something crucial that doesn't work when the situation becomes critical. So there are many incidents, but the most interesting thing about the film is how it almost documentarily goes into the private lives of the sailors. There are many extremely interesting insights into different fates of the war, including many heart-breaking trials, of course. Richard Attenborough is one of the crew, and there are some wonderful pub scenes with fighting parties, of which the second earns a place in lasting memorability. It's a great film on a minor scale but the more interesting for its absolute realism.

I've just watched The Gift Horse, a world war two film in black and white from 1952. I remember many titles of films from childhood which I never had the chance to see and so catch up with them now, and this is one of them. Based on a true incident where we made a swap with the Americans to obtain 50 old warships, this follows the exploits of one of these, commanded by the dependable Trevor Howard, who really carries the film, with a determined, but vulnerable performance, marvelous to watch. James Donald another actor known for these roles at the time, also has a major part, but is saddled with a side story which involves him romantically with Joan Rice, and consequently leaves him miscast. Robin Bailey is prominent and well cast I thought, as is the great Sid James, who runs a pub and there's a lovely scene where a fight breaks out in the pub and the camera ignores the guys fighting and goes to photographs on the wall of Sid in his boxing days, very novel. Lovely to see the wonderful Dora Bryan, and sadly I watched this only two days after she died at the age of 91. She would have been about 28 at the time. The film looks very dated and some of the scenes on the ship look like they were filmed in an old TV studio, but it's the acting that excels here, particularly Trevor Howard.

This film was shown last week on Channel 4.The critic in the Radio Times rather annoyed me as he was rather disparaging about it,saying that it took a long time to get going.He seems to forget that this film is of its era and likes to take its time to tell its story.I have to say that in fact i think that many of the action sequences look rather cheaply staged and some of the special effects work is very amateurish by current standards.However this film does stand up very well mainly because of the marvelous performance from Trevor Howard.In particular the scene when he receives news that his son has been killed in action.I would say that this is only slightly inferior to the marvelous "The Cruel Sea" which sets the standard by which all such films of the period must be set.The only jarring note was the obligatory fading American star to boost the chances of a sale to the USA.Sonny Tufts had to be one of the worst actors of that or any other period.

He's quite interesting to watch is old Trevor Howard. His quintessential upper class English manner is endearing and engaging. He does have the grit between his teeth, and a depth of range in his voice. He won me over in this film.