She's Back on Broadway

Catherine Terris (Virginia Mayo) is an actress whose films have recently been bombs. So her agent convinces her to return to Broadway where she had her first successes and then, if this goes well, she can return to Hollywood. But she didn't count on having her old lover, Rick (Steve Cochran), directing the show....and they both have a lot of baggage from this old romance. Not surprisingly, Rick ends up resenting the heck out of her...and he treats her like dirt. Soon the two can't stand each other and the show might not be a go after all.

While Virginia Mayo is known most for playing molls and various light parts for Warner Brothers, here she gets to sing and dance...and while she's not the greatest actress in these roles, she's quite good. It's nice to see a different side of this actress...even if I don't adore song and dance numbers. Plus the film simply had too many of these numbers...as if we are getting to see almost the entire Broadway show. Had they cut a bit of this, it would have made the film a bit more interesting. Still, the film fits the bill if you're looking for a pleasant time-passer.

Once upon a time a young director played by Steve Cochran took a young lady from the chorus and made her a Broadway star. The two fell in love and it should have been a storybook ending. But the new star left the play after six months and Virginia Mayo found success in Hollywood.

Now with her career slipping Mayo is thinking maybe Broadway will give her another vehicle to revive a now sagging career. At least producer Frank Lovejoy thinks it will if he can only get Cochran back as the director. In any event, She's Back On Broadway.

I counted 25 different songs in the score, some original, some from the considerable library at Warner Brothers, in any event they were kind of lucky to get the plot in. Helping with the musical numbers because God knows Frank Lovejoy and Steve Cochran had little talent in that direction was Gene Nelson who's singing and dancing complemented Mayo.

The story gets the short shrift here as the numbers are just piled in. A pity because Cochran and Mayo should have gotten more non- musical time in She's Back On Broadway.

"She's Back on Broadway" stars Virginia Mayo, Steve Cochran, Frank Lovejoy, Gene Nelson, and Patrice Wymore.

Mayo is movie star Catherine Terris in a bad career slump, when her agent (Larry Keating) receives an offer for her to star in a Broadway show. Unfortunately, the director of the show is her ex-beau, Gordon Evans (Steve Cochran) - he's bitter and angry with her and makes her life a living hell in the show. She quits in anger, but agrees to go back.

Where to begin with this...well, there was some wonderful dancing by Gene Nelson and by Patrice Wymore. Mayo is lovely, with a beautiful figure, and as an actress, she was fine. Her singing is dubbed by Bonnie Williams. Cochran was so handsome, but as someone pointed out, he had the personality of a tough character actor and the looks of a lead, so he never received the recognition he deserved. Plus he died at 48 years old.

Whenever you know something about a profession and see it portrayed in a movie, there will always be complaints. For the dance auditions, people wore regular clothes and each person came forward and danced whatever routine they wanted to whatever music.

No one ever chose a dance chorus like that - first of all, there's a certain look they're going for; and secondly, everyone wears dance outfits; third, you divide the dancers into groups and give each group the same specific choreography, then weed people out.

Also, you don't hand an unknown a lead on the basis of eight bars and half a script page.

The show itself was awful.

So she's back on Broadway - for her own good, she should have stayed in Hollywood.

This is more than a review of the 1952 feel-good comedy loaded with as many hardships and frowns as smiles, taking place mostly indoors without much sunshine: Except for the opening scene as a poolside Virginia Mayo, playing a has-been actress, is taking business with her faithful but weary agent, trying to find her a leading role and suggesting she go back on... Refer to the title...

In the first two of three films, Virginia Mayo was snatched from Cult Film Freak's two all-time favorite actors by tall, dark and viciously handsome b-actor Steve Cochran: First in THE BEST YEARS OF OUR LIVES, finishing Dana Andrews (not so happy) marriage so the perky dame can enjoy the nightlife...

And her most famous role as a reluctant gun-moll for ultra-violent James Cagney... He can only trust his tough old mom since his temperamental, discontented moll-wife is, once again, cheating with handsomely swarthy Cochran - and now it's his turn to sweat and stress over the pretty gal as bitter stage director Rick Sommers.,,

While looking more like a famous director's chain-smoking, cool and smooth, womanizing, multi-faceted and downright lethal bodyguard, it's the heated chemistry... or perhaps, in this case, the bitter and hardened anti-chemistry... between Cochran and Mayo that makes SHE'S BACK ON BROADWAY a better picture than an idyllic and breezy title begging for second placement on a marquee...

Despite the boatload of music, it's not a musical since most of the film is the actual musical's cast and crew getting prepared for a show called 'Breakfast In Bed' that Mayo is nervous about initially but then Cochran... in scenes where she's a natural with one of the greatest all-time dancers, Gene Nelson... he's the only person with second thoughts, basically playing a coldhearted jerk, seeming like an inspiration for Michael Douglas in A CHORUS LINE and best yet, Alan Rachins in SHOWGIRLS...

Some of the most humorous scenes take place during a prolonged audition showing the rejected bad and chosen great dancers, leaving little time for a few more rehearsals as a somewhat uninspired melodrama's unveiled as Cochran and Mayo bicker in front of everyone...

And then, alone, the pair becomes more interesting since they'd shared a past together, and only she benefited from it... He was her first stage director before she shot to stardom, and she took Hollywood's big picture bait, leaving the show that went bust because of it, and so he remained grounded because...

Well that's part of the dialogue as involving as the songs are semi-catchy, and it's fun to watch the musical being ignited by the talents of Mayo and Nelson, followed by Frank Lovejoy as the stressful producer...Which makes Cochran fourth in the credits, rather misleading since the movie's really about his refusal to let our pretty star shine bright...

Big Steve with his wild dame from the greatest post-war and gangster-prison flick make an edgy couple, yet there's little urgency from Mayo, and for a little while it's tough to buy that Cochran is anything but a tough, swarthy actor meant to cut in on other guy's women. But it's a nice, smooth nightcap, and Virginia looks better than ever wearing less than usual. Many bravos.

Warners, I guess, wanted this backstage musical to have a little more heft and gravitas than their Doris Day standard at the time. So along with the usual production numbers and leggy chorus girls and backstage wisecracks, they grafted a rather serious story of a chorus-cutie-turned-movie-star and her Pygmalion director and their rather somber and complicated history together. Virginia Mayo and Steve Cochran play it competently, but it's just not very interesting, and the outcome is never in doubt. He's billed below both Gene Nelson and Frank Lovejoy, but neither of them has much to do, and there's a great deal of footage of Cochran sulking, drinking, and vacillating between Mayo and Patrice Wymore, who actually seems a better fit. That's a problem: You don't really want to see Mayo and Cochran end up together, especially as it leaves Wymore and Larry Keating, as Mayo's lovestruck agent, with nobody. One appreciates the effort at wringing real emotion out of a backstager, but there's no denying, it doesn't really work. Insipid songs--did Bob Hilliard ever write a good lyric in his life?--and perfunctory direction by Gordon Douglas don't help.