The Angel Who Pawned Her Harp

This is is a very derivative film.Diane Cilento is sent to earth with a harp and has to beneficial affect the lives of the people she comes in contact with.The main recipient of her largess is Felix Aylmer,a Pembroke to whom she pawns her harp.I could think of about a dozen films made prior to this which have a similar basic premise.To be honest I found the most interesting part to be the introduction where the camera moves around The Angel Islington and we can see London as it was in 1953.The streets full of trolleybuses on their wires,being the successors to the trams.

This is a delightful film, gentle and engaging. BUT I simply cannot recognise the lovely actress Diane Cilento in the Angel. Everything about her facially is changed from the Diane Cilento we came to know thriugh her later marriage to Sean Connery.

I have been a fan of 'The Angel Who Pawned Her Harp' ever since I watched it on television as a child, and I consider myself fortunate to have the film on video. Based on a novel by Charles Terrot, it was shot partly on location at the Angel, Islington, and at Harringay Stadium, London. The plot concerns a beautiful blonde angel who arrives in Islington on a mission of goodwill. To raise some money, she pawns her harp at a second-hand store owned by Joshua Webman. Bringing out the best in the people she meets, she shows them the road down which their happiness lies. Combining ingenuity and sentiment, fantasy and realism, it is a consistently entertaining and often moving story. The acting of all involved is outstanding, especially Diane Cilento, Felix Aylmer, Jerry Desmonde, Joe Linnane, Philip Guard, Sheila Sweet, Edward Evans and Alfie Bass.

The young Diane Cilento gives off a lovely glow in the title role of this good-natured Group 3 whimsy which became the first of a trio of 'kitchen sink' fantasies (the later pair comprising 'The Bespoke Overcoat' and 'A Kid for Two Farthings').

All three feature David Kossoff and Alfie Bass, but this is the least overtly Jewish; although Felix Aylmer's kindly old pawnbroker recalls his 'Mr Emmanuel' of ten years earlier. It's also interesting to see Jerry Desmonde playing the sort of bow-tied, fast-talking spiv usually associated with Ronald Shiner.

One of films reminding me why I prefer old fashion ( to classic ) movies. A film about an angel fixing few lives in gentle, fair, precise manner. With lovely result.

Well acted, nice story, seductive details ( the musical boxes demonstration as a pure good point, like the Paradis lost by John Milton) , it is just a lovely film, sweet for suggestions, humor and...miracles. And for a pretty innocence, reflecting the univers of lost time and a special way to discover and assume the life.

Diane Cilento is just inspired option for the main role like the young Philip Guard. But the great contribution is proposed by Felix Aylmer as lonely Mr. Webman.

So, sweet sounds just fair to define it.