IMDb रेटिंग
7.7/10
2.1 हज़ार
आपकी रेटिंग
एक धनी जमींदार परिवार का वंशज शराब और आत्म-दया की ओर मुड़ जाता है और धीरे-धीरे खुद को खत्म कर देता है, जब वर्ग मतभेदों के बाद उसे अपनी बचपन की प्रेमिका से संबंध तोड़ने के लिए मजबूर होना पड़त... सभी पढ़ेंएक धनी जमींदार परिवार का वंशज शराब और आत्म-दया की ओर मुड़ जाता है और धीरे-धीरे खुद को खत्म कर देता है, जब वर्ग मतभेदों के बाद उसे अपनी बचपन की प्रेमिका से संबंध तोड़ने के लिए मजबूर होना पड़ता है.एक धनी जमींदार परिवार का वंशज शराब और आत्म-दया की ओर मुड़ जाता है और धीरे-धीरे खुद को खत्म कर देता है, जब वर्ग मतभेदों के बाद उसे अपनी बचपन की प्रेमिका से संबंध तोड़ने के लिए मजबूर होना पड़ता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 4 जीत
Vyjayanthimala
- Chandramukhi
- (as Vyjayanti Mala)
Kanhaiyalal Chaturvedi
- Teacher
- (as Kanhaiyalal)
Kumari Naaz
- Young Parvati
- (as Baby Naaz)
फ़ीचर्ड समीक्षाएं
10burman
This film was just excellent on all counts, be it direction, cinematography, acting or music. A classic produced and directed by Bimal Roy. And what performances ! Motilal, Dilip Kumar, Vyjayanthimala and Suchitra Sen, all excelled. And what a musical score ! Talat Mahmood's "Mitwa, lagi re yeh kaisi" and "Kisko khabar thi, kisko yakeen tha, aise bhi din aayenge" are among his best numbers. So are Lata Mangeshkar's "Jise tu qabool karle", "O' jaane wale, ruk ja koi dam" and "Ab aage teri marzi" are excellent numbers. Two other songs, "Woh na aayenge palat kar, chahe lakh ham bulaayen", sung by Mubarak Begum and "Manzil ki chaah mein" are haunting songs.
I watched this movie a couple of days ago. No doubt the movie is considered a masterpiece of Indian Cinema. Even though the movie is nearly half a century old, it has the power to captivate the audience. The superb acting by nearly all the actors further enhances its value. Though today's generation may find it's pace somewhat slow.
It has more than mere entertainment value. Like "Gone With The Wind", it deals with an era that has gone forever. Pre-independence Bengal and Calcutta come alive in this movie. Its portrayal of life of landed gentry pre-independence Bengal is quite authenticate.
In short, A must see for all those who have always wondered why every broken heart self-destructive lover is called a Devdas.
It has more than mere entertainment value. Like "Gone With The Wind", it deals with an era that has gone forever. Pre-independence Bengal and Calcutta come alive in this movie. Its portrayal of life of landed gentry pre-independence Bengal is quite authenticate.
In short, A must see for all those who have always wondered why every broken heart self-destructive lover is called a Devdas.
10sriksp
Saratchandra Chatterji's novel under the brilliant direction of Bimal Roy becomes india's finest cinema of all times.Equally brilliant is Hrishikesh Mukherji's editing. Dilip Kumar and Suchitra Sen take film acting to new heights in their portrayal of Devdas and Paro.
I have seen this movie and no doubt it is a master piece of Dilip Kumar's acting. The respect for him in both co-stars really impressed me.I think no one can act like as he has done in that film in this kind of script.I have heard that Shahrukh Khan is also playing a role of Devdas in Sanjay Leela's new movie but I do not think he can act so well. Dilip Kumar got the Film Fare Award of Best Actor for year 1955. The script of this movie was very sad and I have never seen this type of script in any other movie. The script was actually taken from a novel. I have given 10 marks to this movie. The acting of other cast was also very impressive. The music was also excellent.
One of my favourite films from the Indian cinema, the story beautifully adapted and assembled by Bimal Roy and his expert studio. It hasn't got the colour, scope and audio/visual technical panache of the 2002 version, but more importantly to me has better framing, acting, music and above all else, atmosphere.
Today's highly paid film critics in all media would probably ignore Devdas and other similar musical films as being populist and therefore unworthy of their high-brow attention. Well, it's their loss! What we have is an extremely well crafted film, complemented with S.D. Burman's scintillating music woven perfectly into the plot. Not that it matters, the first time I watched Devdas in the mid '90's I thought that Vyjayanthimala as the prostitute Chandramukhi bore an uncanny resemblance to Kate Winslet! Dilip Kumar's finest screen moments bar Mughal-E-Azam are here too, and although he didn't have a whole range of emotions to portray his performance was intense and utterly believable. Don't let supposedly erudite Western sneering put you off all Indian or Bollywood films and rub your nose in the baking mud with Pather Panchali - this one is also a world classic.
To watch this epic of thwarted and then forbidden love and one man's inner turmoil brought on first by social custom and then the bottle is always ultimately rewarding to me, but be warned - the long journey is poetically, relentlessly and devastatingly depressing.
Today's highly paid film critics in all media would probably ignore Devdas and other similar musical films as being populist and therefore unworthy of their high-brow attention. Well, it's their loss! What we have is an extremely well crafted film, complemented with S.D. Burman's scintillating music woven perfectly into the plot. Not that it matters, the first time I watched Devdas in the mid '90's I thought that Vyjayanthimala as the prostitute Chandramukhi bore an uncanny resemblance to Kate Winslet! Dilip Kumar's finest screen moments bar Mughal-E-Azam are here too, and although he didn't have a whole range of emotions to portray his performance was intense and utterly believable. Don't let supposedly erudite Western sneering put you off all Indian or Bollywood films and rub your nose in the baking mud with Pather Panchali - this one is also a world classic.
To watch this epic of thwarted and then forbidden love and one man's inner turmoil brought on first by social custom and then the bottle is always ultimately rewarding to me, but be warned - the long journey is poetically, relentlessly and devastatingly depressing.
क्या आपको पता है
- ट्रिवियाRanks on Number 2 on University of Iowa's List of Top 10 Bollywood Films by Corey K. Creekmur.
- कनेक्शनFeatured in Celluloid Man (2012)
- साउंडट्रैकJise tu kabool kar le woh
Sung by Lata Mangeshkar
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Devdas?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 2 घं 39 मि(159 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
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