As the World Turns

The number of nominations this soap opera received at the 2001 Daytime Emmy Awards is just one indicator of how excellent this show has been lately. The writing has been especially good, and the acting seems much better than most daytime fare. Of particular interest is the dual roles of long-estranged twin sisters Lily/Rose played to perfection by the talented Martha Byrne. Her scenes opposite herself are brilliant.

This soap opera's best feature, though, is the pace at which story lines move along. There is no spoon-feeding the audience. You have to watch consistently to get involved in the plots: there are no recaps of the past month's twists. Conversely, there have been incredible flashbacks and memories using real original footage from as far back as the series first season (1956). This really adds a warm sense of continuity for characters like Nancy Hughes, played since the beginning by Helen Wagner.

As the World Turns is a piece of Americana culture. Cast members like Helen Wagner, Bob Hastings, Eileen Fulton, Kathryn Hays, Colleen Zenk Pinter, Marie Masters, Elizabeth Hubbard, Larry Bryggman etc. have really helped make my days sometimes. The show was created Irna Phillips, the creator of daytime television. From her ideas, she created the world of Oakdale, Illinois. Helen Wagner should be given many honors besides a Lifetime Emmy Award. Next year, she will be celebrating 50 years of playing the same character on daytime television. Where are the accolades that go with such an achievement? She deserves a Star on the Hollywood Walk of Fame and even to be an honoree at the John Fitzgerald Kennedy Center Honors. Don't stop there! She should be inducted into the television hall of fame for her contributions to television. I think CBS is the best, most supportive network of the three. While Guiding Light needs ever viewer, this year will determine both Guiding Light and As The World Turns future. If you want to know where Desperate Housewives' ideas came from, this is the place and it has been there for most of our lives. I just wish more people would appreciate the fine quality of work that these cast of brilliant actors do for daytime. I would like to see prime time players do the hectic schedules of any daytime player. It goes unappreciated. The story lines have not been the same since Douglas Marland's death but his legacy is his creative contributions to the show like the Snyder family. I will never forget the Angel incest storyline as the most shocking entertaining informing and brilliant portrayal ever anywhere else. Marland weaved stories like his predecessors Irna Phillips, Agnes Nixon, Bill Bell, etc. He is sorely missed even now. I hope As the World Turns and Guiding Light live on television forever so please give daytime a try. You might like it better than prime time, I usually do and I have watched it for 20 years.

We all know how soaps are. Over dramatic, cheesy and completely unrealistic. But this is one soap, I find, that does it in a more clever way. It's actually enjoyable to watch, and sometimes even funny. I never liked day time drama. Sure, I'd watch for the sake of laughing at the awful writing and acting. But then I watched an episode of As The World Turns. And then the next day. Soon, I was addicted to it. The characters intrigued me and there story lines often made sense and were logical. The Luke and Noah story line made the show for me. Not many times do you find a day time drama with a gay couple on it, and the fact that ATWT took the risk, really impressed me and I enjoyed the show ever more. If anything, watch this show for them. I am a new viewer of this show, as new as they come. 1 months to be exact, but I've heard many people say that it's not as good as it was back then, when it first began. Well, I wouldn't know. As I see the show right now, I would say it is the best day time drama on television today.

If you have never watched ATWT, do yourself a favor and check out this wonderful program. I have been a faithful viewer of this show since 1986 when the legendary Douglas Marland penned those well-crafted stories that incorporated the show's history and kept the viewer glued to the television set. Actually, if you count the time that my mother watched when I was a little kid, then I have been watching a lot longer than that! Incredibly, there are still many talented actors (and their characters) whom I remember from that time who are still on the show today: Helen Wagner (Nancy), Don Hastings (Bob), Eileen Fulton (Lisa), Kathryn Hays (Kim), Larry Bryggman (John) and Marie Masters (Susan). There have also been many great actors who have appeared later who are equally as brilliant and have been on the show for more that 10 years: Elizabeth Hubbard (Lucinda), Colleen Zenk Pinter (Barbara), Benjamin Hendrickson (Hal), Tamara Tunie (Jessica), Scott Holmes (Tom), Ellen Dolan (Margo), Kelley Menighan Hensley (Emily), Jon Hensley (Holden), and Martha Byrne (Lily/Rose). Other notable actors who just grab your attention in the current storylines include: Maura West (Carly), Lesli Kay (Molly), Michael Park (Jack), Mark Collier (Mike), Lamman Rucker (Marshall), Scott Holroyd (Paul) and Hunt Block (Craig).

The entire cast is great and the stories are more rooted in reality than most other shows (no aliens, demonic possessions or stereotypical mobster types here!) and this is exactly why I watch this show! Yes, there have been people coming back from the dead (remember James Stenbeck?), the premature aging syndrome of children (Bonnie is supposed to be 11 years old in "real time"!) and some things that seem odd to the very astute viewer (I must have missed the episode where Ellen Stewart left town and entrusted her home to Susan Stewart, her ex-daughter-in-law with whom she never really got along!), but, for the most part, things make sense and characters behave in ways that are logical and therefore help to maintain their integrity. Hogan Sheffer is doing a fine job of writing and developing stories. Actors Marie Masters and Courtney Sherman (Dr. Susan Stewart and Dr. Lynn Michaels, respectively) are also on the writing team.

Another thing I appreciate as a longtime viewer is characters who come back for brief visits and are played by the original actors. Caleb Snyder and his wife Julie recently came to town to visit their son Aaron and the rest of the Snyder clan. And Iva Snyder returned when the Lily/Rose story was initially unraveling. It would be great to see other old favorites come back to visit or permanently move back to town. It was a real disservice when Patricia Bruder, who played Ellen Stewart, was let go in 1995. She joined the show in 1960 and was the last remnant of the Lowell/Stewart family. She should move back (and reclaim her house!) and then get involved in the life of her granddaughter, Emily. She might even help Alison (she needs it!) who would be both her step-granddaughter and great-granddaughter. (Too long to explain here!) It would be great if the other Snyder family members would return. Or, perhaps, the other lost members of the Hughes family--they've been in fictional Montega long enough! Personally, I would like to see these actors and their characters again: Allyson Rice (Connor Walsh, Lucinda's despised relative & a great business foil for Lucinda); Greg Watkins (Evan Walsh, Connor's brother & Rosanna's old beau); Scott DeFrietas (Andy Dixon, son of Kim and John & Paul's cousin); Lindsay Frost (Betsy Stewart Andropoulos, Ellen's other granddaughter and Emily's half-sister); Anne Sward (Lyla Montgomery Peretti, mother of Margo, Craig, Cricket and Katie); and Robin Morse (Pamela Wagner, John's niece who was a no-nonsense, independent student nurse trainee). Allyson Rice (Connor) and Daniel Markel (David Allen/Stenbeck) should never have been let go! It would be great if Trent Dawson (Henry Coleman) and Anne Sayre (Mitzi Matters) were given contracts and more air time--their characters are really outrageously funny!

So, watch this soap opera that will soon be turning 47 years old this year. What other program--daytime or nighttime--can boast that it has a character (Nancy Hughes McClosky) that's been played by the same actress (Helen Wagner) since the premiere episode for the last 47 years??? Not one!

There's also a book called "As the World Turns: The Complete Family Scrapbook" by Julie Poll that was written to coincide with the show's 40th anniversary in 1996. This will help new viewers get the entire storyline (up to 1996) of the members of the Hughes, Lowell, Stewart, Montgomery, Walsh and Snyder families and all of their friends and enemies.

This show, the first half-hour soap opera, had the classic soap opera setting - a suburb with two families who were good friends. Three and later four or five generations of these families were featured. The two families were the Hughes (middle-class) and the wealthier Lowell family. Chris and Nancy Hughes had a more secure marriage than did Jim and Claire Lowell. In fact, Chris's sister had an affair with Jim, who later divorced and was killed. The show was the first to offer the teen romance of Penny and Jeff. Penny's friend Ellen, after being rejected by Don Hughes, had an affair with a married, older doctor and bore an illegitimate son The Hughes family's storylines were more conventional and less plot driven, but those of the Lowell family were daring for their time. Penny and Jeff eloped, but the marriage was annulled. Later, they had a grand wedding to which the viewers were actually invited to attend at the end of the program. The show moved very slowly in the early days. The ratings were not the greatest, but eventually this show became the number one rated soap opera. 1960 proved to be a good year for the show. Don Hastings, Henderson Forsythe, Patricia Bruder, and Eileen Fulton all joined the show that year. Ms. Fulton, as Lisa, was the first great bad lady who was hated by the public. The role was originally intended to be a minor, short role, but the performances of Ms. Fulton insured that the audience would immediately notice the character. In 1965, the production company and network spun-off Lisa to a twice-a-week primetime soap opera called Our Private World. Irna Phillips, the show's creator and headwriter, left the show in the late 1960s. The show struggled creatively. Eventually Ms. Phillips returned, but the ratings had suffered. Ms. Phillips killed off a lot of the Lowell relatives during a short period of time. She was eventually fired from the show herself. Two other headwriting teams (Robert Sonderberg and Edith Sommer, Ralph Ellis and Eugenie Hunt) were able to keep the show interesting. (Others had failed.) But, later, a former actor from the show, Douglas Marland, became the headwriter on two occasions. By the time of his second term, the show had lost so many of the previous characters and had failed to add any new, interesting ones that the show seemed lost. Mr. Marland allowed the unthinkable to happen when the sister-in-law of the show's leading physician (Kim) who had once had an affair with the doctor, was allowed to marry him after the death of her sister. The show continued its downward slide while Mr. Marland and his successors wrote the show. Helen Wagner (Nancy), Don Hastings (Bob), and Eileen Fulton (Lisa) continue on the program today. And the show lights up whenever these performers are given occasionally good storylines or even scenes. But the show has continued to stray away from the core families - always a bad sign for a soap opera.