The Black Arrow

Lois Hayward is capable of much better than this. It was slow and awkward...some of the cast was good but over all I did not feel the casting was a great asset...certainly the script and direction were not...the cast deserved better to work with. Still if you are an afficianado of sword and swash be prepared to sit around for awhile and wonder why you bothered to wade thru this...definitely "not" a keeper...but watch it only if you love Louis Hayward movies.

Starkly made in classic black and white, this medieval adventure is set and in England at the end of the War of the Roses. The main character must cope with the death of his father, apparently at the hand of a once trusted neighbor. Naturally, a love interest is provided for him in the person of the daughter of his father's killer. The `Black Arrow' is the mysterious missive that keeps flying in, to suggest that things are not what they seem, and to motivate young Shelton to search for truth. Some good sword play, chase sequences, and a classic joust scene for the grand finale. A good film for a late afternoon unwind.

The Black Arrow is directed by Gordon Douglas and adapted to screenplay by Richard Schayer, David P. Sheppard and Thomas Sellar from the novel written by Robert Louis Stevenson. It stars Louis Hayward, George Macready and Janet Blair. Music is by Paul Sawtell and cinematography by Charles Lawton Jr.

A little known swashbuckler, the Black Arrow has all the requisite touches for fans of such dashing fare. Story is set just after The War of the Roses has ended and pitches the returning Sir Richard Shelton (Hayward) into a hunt for the truth behind his father's murder. Political intrigue, fights, brutal jousting and romance does follow. It doesn't give the Flynn or Power swashbucklers a run for their money, but it's good honest family entertainment with medieval literacy at the core and red-blooded machismo bulging at the seams. 6/10

The Black Arrow casts Louis Hayward as the son of a noble family returned from the War Of The Roses where he's fought for the Yorkist side which has just gained the crown again at Tewksbury. But there's trouble at home where his greedy uncle George MacReady has obtained the estate of Lancastrian Paul Cavanaugh by most foul means including the stabbing death of Hayward's father Russell Hicks which we see in flashback.

Hayward has to take to the forest where legends of Robin Hood abound and he gathers his own group of merry men. In Cavanaugh's daughter Janet Blair, Hayward has his own Maid Marian whom MacReady wants to marry and solidify his hold on now both Hayward's and Cavanaugh's holdings. That would make him a most powerful baron indeed.

Of some interest here is MacReady's patron the Duke of Glouscester who as we know later became Richard III. He's played here by Lowell Gilmore, most ambiguously.

As for how this works out the ending was used again in MGM's far bigger budgeted production of Ivanhoe a few years later.

Hayward who played a variety of roles and well is most identified with the costume swashbuckler. Although he could be a charming heel in many films, he's a straight Black Arrow hero in this one. Those fond of the genre will have little reason for complaint.

THE BLACK ARROW, based on a historical novel by Robert Louis Stevenson, is an American-made swashbuckler that's set in England and tells a tale that's very reminiscent of the Robin Hood story. Set in the aftermath of the Wars of the Roses, it sees a soldier return home to find his father murdered, apparently by a rival, although he soon discovers that the murderers lay close at hand and that foul play was involved.

This is a light and breezy affair, with a fast pacing and plenty of action to recommend it. The swordfights are conducted in the classic manner with the opponents adopting fencing stances and a general old-fashioned feel to them. Louis Hayward, the erstwhile hero, is a guy I didn't find particularly charismatic, but the supporting cast of dastardlies and outlaw heroes is a well-chosen one.

Of course, never for a second does this film convince you that it's set in England, and the American accents of some of the cast members don't help much. Nonetheless it's an entertaining piece, with all of the jailbreaks, skullduggery, rescues and escapes you could hope for in an adventure movie. The ferocious jousting climax is a real highlight and surprisingly barbaric for its time.