The Big Wheel

Mickey Rooney gets a character well-suited to his abilities, and the good atmosphere at garages and auto racing tracks also helps make this a solid B-melodrama. The story follows a familiar pattern, but the setting is different enough to make it interesting.

Rooney plays the son of a race driver who wants to establish a racing career of his own. The character goes through a number of changes as his fortunes ebb and flow, and Rooney makes him believable at each stage. He had the ability to be sympathetic when necessary, and he also had the knack of making a character turn abrasive in a believable fashion. Here, it helps to flesh out a familiar plot.

Most of the other characters are one-dimensional, and are only there to give Rooney something to play off of. An exception is Thomas Mitchell, whose skill at playing seemingly simple roles makes the garage owner into a believable character in his own right.

The auto racing settings are interesting, and although the racing sequences rely on stock footage, they are still enjoyable. The story takes Rooney's character from hot rods to midget racers to the Indianapolis-style cars. It was set in what was then the present, and race fans in its audiences probably could have spotted some familiar cars. Now, it is also of interest as a decent recreation of the Indy racers of its day.

In this one, Mickey Rooney reunites with two of his "Andy Hardy" series castmates: Spring Byington who played his mother there as Mrs. Emily Hardy in the first entry-A Family Affair-and plays his mother here as well. And Lina Romay who was in Love Laughs at Andy Hardy singing a couple of songs there and sings one here as well as also dance with Mickey here as she did in that Hardy movie a few years before. It also has a couple of stars from Gone with the Wind: Hattie McDaniel whose last feature film appearance this was for her and Thomas Mitchell who, as I always like to cite in these reviews, was also in my favorite movie-It's a Wonderful Life. I'll just now say this was quite an entertaining racing picture. Oh, and the leading lady is a Mary Hatcher whose mostly dressed as a mechanic with a cap covering her head but in one scene, she's dressed glamorously thinking she's on a real date with Rooney but the latter was thinking of something work-related during that time!

Perhaps the fondest memories of my father's life were those involving his one and only entry in the Indy 500 from 1949, the event chronicled in this movie.

My dad, George Lynch, crashed after the first lap, hitting the wall in the first turn near the camera bay. The event is captured in the film, with the racetrack announcer calling his name. Figures that my dad's one and only Indy mishap is captured forever on film.

A strong second-half made this Mickey Rooney film a decent one and definitely one of his historical value if you follow the Indianapolis 500 Race. It was fascinating to go back see footage of racing and the famous oval from 1949. Man, compared to what you see today, both around the outside and inside of the track, it's a shock to look back to see how much has changed. Even though cars average almost a hundred miles per hour faster today than when this movie took place, it is so much safer. Check out what the drivers were wearing.....almost no protection.

Even though the subject is race-car driving, this is not an untypical movie of Rooney's. You'll know what I mean if you watch the film. Rooney plays the cocky little guy (a la James Cagney) whose self-assuredness gets him far but not without periodic bouts with humility. By the way, Rooney, the following year, was convincing in a film noir called "Quicksand." Rooney could (can) act in about any genre. He is amazing when you consider his career, which is still going at the age of 90!!! I mean, the man's been in more than 300 movies and he's almost always very entertaining.

The actress who played a woman who had a crush on "Billy Coy" (Rooney), Mary Hatcher ("Louise Riley"), was a pretty and wholesome-looking actress, the kind you don't see too much today on screen. She had a short movie career but was a success on Broadway and had a fine singing voice. She doesn't sing in this film, just play the faithful grease-monkey, a girl who pines for him but he's too stupid - most of the time - to see what he has in her.

Meanwhile, the only actual romance where something happens, is between two "old" folks, played by veteran screen stars Thomas Mitchell and Spring Byington.

For a film made 50 years ago, the driving scenes in here were very good, not just a stock footage filmed background. It actually looks like, in some scenes at least, there is a car just ahead of these driving filming the action, like you'd see in modern movies. Then they'd cut to a fake closeup of Rooney but, overall, it was done well for the time period. At the end, with the big race at Indy, they even had real aerial shots from some recent (late '40s) actual Indy race.

In all, not a bad little flick. If you can stay with it through the first half, you'll be rewarded with a strong finish and interesting race finale that is not clichéd.

A look at the world of Grand Prix auto racing concerning about Billy (Mickey Rooney) , a young man bursting with raw energy and talent , he is hired by a garage owner named Carrell (Thomas Mitchell) as a mechanic . But Billy gets employment as a speedcar driver and quickly slipping in the rankings . He must learn to deal with his partners and he gets Indianapolis car race where his dad died long time ago . Meanwhile , he is emotionally involvement with attractive girls (Mary Hatcher, Alicia Romay) .

This is a tale of speed and love where Rooney battles competitions , he has his own demons including a horrific , nearly deadly crashing where dies a pilot , being he blamed , besides the mummy fears his death . Car crashes abound and Rooney tempers flaring . There appears uncredited Denver Pyle , Monte Blue and Hattie McDaniel's last movie . The film is developed in top competitors circle , the world's most famous racing circuits as Daiton , Culver city and of course the home of ¨500 miles Indianapolis¨ . It's almost all over the road . The movie belongs to car racing sub-genre with numerous known titles as ¨Grand Prix¨ (by John Frankheimer) ; ¨Le Mans¨ (Lee H Kazkin) in which Steve McQueen does his own driving ; ¨Winning¨ (James Goldstone) where Paul Newman does equally his own driving ; ¨Days of Thunder¨ with Tom Cruise and ¨Driven¨ (Renny Harlin) . Here Mickey Rooney doesn't drive but there are documentary style race footage . The motion picture was well directed by Edward Ludwing . The flick is strictly for those who like cars racing round and round although nowadays dated ; including a brief drama and a good acting by Mickey Rooney .