Sorrowful Jones

This is a remake of 1934's Little Miss Marker, a Shirley Temple movie. Sorrowful Jones, the cheap bookie, is played to a tee by Bob Hope, who suddenly has a little girl to look after when her father leaves her in his care as a bet marker, and doesn't come back. But the little girl doesn't mix well with his lifestyle, and provides him with some close shaves involving some errant gangsters, and a bout of horse napping. A predictable and sappy ending, but still a sweet little movie, with some hilarious one liners by Bob Hope and Lucille Ball. (Make sure you're not eating when you watch this, because they shoot them out so suddenly that you're likely to end up wearing your lunch.) Overall? 8 out of 10.

Humphrey 'Sorrowful' Jones (Bob Hope) is working the angles in New York City. He is a bookie operating behind a barbershop. Gangster Big Steve wants $1k from every bookie to fix a race. His ex Gladys (Lucille Ball) is dating Big Steve. A gambler leaves his daughter with Jones as a marker for a bet.

The girl is a cutie, but she's no Shirley Temple. This is very much Bob Hope's movie and he's good at doing this character. Lucille Ball is sassy, but she is not doing much more than hitting the ball back to Bob Hope. She is certainly capable. Their back and forth is pretty good. Mostly, this is pretty good.

Bob Hope stars as Sorrowful Jones in the second screen version of Damon Runyon's "Little Miss Marker". It's a bit of a move in terms of screen characterization for Hope, but not enough of one to upset his fans. There are still the sarcastic asides, self-deprecating and delusional, but the character has a sense of depression implicit in the name that Hope had not brought to other roles. He would expand on this for the next half dozen years, reaching the point where he could play carefully tailored real-life characters like Jimmy Walker and Eddie Foy, that showed his actual abilities as an actor, before he would become a bit stale in the late 1950s.

Although Hope would not adopt the. Fractured English that was a trademark of Runyon's Broadway characters -- only Tom Pedi does -- a competent cast, including Lucille Ball as her most sarcastic, William Demarest, and Thomas Gomez run ably with their parts. Only Mary Jane Saunders as the little girl suffers in comparison, but Shirley Temple had played the role in the first version, cute and bubbly and headstrong. Miss Saunders is simply sweet.

Damon Runyon's Little Miss Marker had already been filmed in 1934 as a Shirley Temple starrer, this remake changes the title and brings in the star power of Bob Hope and Lucille Ball, with great results.

Story has Hope as sly bookie Sorrowful Jones, who after accepting a five year old girl as a betting marker, gets lumbered with the child when her father is wasted by gangster Big Steve Holloway (Bruce Cabot). Initially a fish out of water with the kid, Sorrowful strikes up a loving relationship with her and aided by his ex-girlfriend, Gladys O'Neill (Ball), fights to keep the child out of an orphanage.

It's not - as some of the posters proclaim - funnier than Paleface (either of them since the sequel is better), in fact it's not close to the funny heights achieved by Hope's next Runyon adapted picture, The Lemon Drop Kid. However, Sorrowful Jones is funny, Hope gets to deliver some absolute corking lines that are guaranteed to at the least put a big grin on your face, but there's a semi-seriousness to it all which thankfully works a treat alongside the quips and wonderfully strange situations that Jones finds himself in. With a weighty support cast that also features William Demarest and Thomas Gomez helping things along, and young Mary Jane Saunders adorable beyond compare, this is a little cracker of a picture to brighten your day. 7/10

Sorrowful Jones is both the first time Bob Hope teamed up with Lucille Ball as a leading lady and it's his first try at a Damon Runyon character. It succeeded, but it's not as good as some of the other of Bob Hope's Forties comedies.

This is a remake of Little Miss Marker where Adolphe Menjou played the role of Sorrowful Jones. The problem with this version is that in the first one the main character is the little girl left as a human marker for bookie Sorrowful Jones. The little girl back then was Shirley Temple and it was a Shirley Temple picture.

No child was going to steal the spotlight from Bob Hope and this one has the emphasis on Hope's character which is all wrong. Little Mary Jane Saunders is not Shirley Temple, but who is. Anyway she does not steal the film from Hope and that's wrong.

On the plus side Hope and Lucille Ball show some really good chemistry and they did far better in their next film together Fancy Pants. Also look for good performances from Bruce Cabot as the gambling kingpin and from William Demarest as Hope's sidekick.

But if you want to see Hope and Ball at their best I recommend Fancy Pants.