IMDb रेटिंग
6.2/10
5.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.After a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.After a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.
Stanley Kubrick
- Self - Man at Ringside with Camera
- (बिना क्रेडिट के)
Alexander Singer
- Self - Man at Ringside with Camera
- (बिना क्रेडिट के)
Judy Singer
- Self - Female Fan in Crowd
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Very interesting documentary short by Kubrick, "The Day of the Fight" (1951) showcases Kubrick's unmatched (apart only from Tarkovsky's) eye for film making and photography.
To think that a 23 year-old Stanley Kubrick laid that groundwork inspiring Martin Scorsese's masterpiece, "Raging Bull" (1980) in terms of both theme and most certainly cinematography, is truly astounding. Stanley Kubrick truly was unmatched amongst his previous and future peers of American cinema.
To think that a 23 year-old Stanley Kubrick laid that groundwork inspiring Martin Scorsese's masterpiece, "Raging Bull" (1980) in terms of both theme and most certainly cinematography, is truly astounding. Stanley Kubrick truly was unmatched amongst his previous and future peers of American cinema.
Day of the Fight (1951)
*** (out of 4)
Kubrick's second short shows us a day in the life of a middle-weight boxer as he prepares for a fight. Even with the boring narration, this film here moves a lot better and the fight scene is rather interesting because it's shown complete as it happened. You can spot Kubrick in a few scenes with his camera.
Flying Padre (1951)
** (out of 4)
Stanley Kubrick's first film is a documentary about a priest in New Mexico who needs a plane to keep up with all his people. This is a really boring and flat film even with its 9 minute running time. The priest really isn't that interesting and the narration is flat and stiff. God knows better things were to follow from Kubrick.
Seafarers, The (1953)
** (out of 4)
Overly long and dreadfully boring promotional film for the Seafarers Union, which basically tries to teach people why they should join. This is historically interesting only because it's Stanely Kubrick's first film in color. The rest is pure boredom and it's no wonder Kubrick doesn't want this film seeing the light of day.
*** (out of 4)
Kubrick's second short shows us a day in the life of a middle-weight boxer as he prepares for a fight. Even with the boring narration, this film here moves a lot better and the fight scene is rather interesting because it's shown complete as it happened. You can spot Kubrick in a few scenes with his camera.
Flying Padre (1951)
** (out of 4)
Stanley Kubrick's first film is a documentary about a priest in New Mexico who needs a plane to keep up with all his people. This is a really boring and flat film even with its 9 minute running time. The priest really isn't that interesting and the narration is flat and stiff. God knows better things were to follow from Kubrick.
Seafarers, The (1953)
** (out of 4)
Overly long and dreadfully boring promotional film for the Seafarers Union, which basically tries to teach people why they should join. This is historically interesting only because it's Stanely Kubrick's first film in color. The rest is pure boredom and it's no wonder Kubrick doesn't want this film seeing the light of day.
Had Stanley Kubrick never gone on to become a famous director, three of his early films would never have been packaged together for sale on a DVD. That's because these films are cheap shorts made by an eager and unknown director--hardly works of art. They show none of the director's expert touches--they are just standard short films you might have seen in the early 1950s.
Of the three films in this package, the only one really worth seeing for most people is DAY OF THE FIGHT. While it's not a great film (made with a cheap hand-held camera) and seems rather "square", it does remind you of his first feature, KILLER'S KISS and it surely provided an excellent training ground for his craft. In other words, if Kubrick hadn't done a "throwaway" film like DAY OF THE FIGHT, he wouldn't have been able to make such a great low-budget film like KILLER'S KISS.
Overall, a film most could skip but perhaps worth seeing for fans of this director or students who are in film school.
Of the three films in this package, the only one really worth seeing for most people is DAY OF THE FIGHT. While it's not a great film (made with a cheap hand-held camera) and seems rather "square", it does remind you of his first feature, KILLER'S KISS and it surely provided an excellent training ground for his craft. In other words, if Kubrick hadn't done a "throwaway" film like DAY OF THE FIGHT, he wouldn't have been able to make such a great low-budget film like KILLER'S KISS.
Overall, a film most could skip but perhaps worth seeing for fans of this director or students who are in film school.
It's always interesting to go back to the beginning of a director's career, in this case Stanley Kubrick's, and take a look at his earlier work. Day of the Fight just happens to be the first film by now legendary director Kubrick who is widely regarded as one of the best contemporary directors ever. This film is around about 15-20 minutes long and revolves around the build up to a boxing match the study of the build up will revolve around.
Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.
But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.
Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.
But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.
Interesting presentation (very 'The Killing'), great photography, compelling dialogue.
क्या आपको पता है
- ट्रिवियाIt cost Stanley Kubrick $3,900 to make and he sold it (to RKO) for $4,000.
- इसके अलावा अन्य वर्जनWhen RKO obtained the film for their "This Is America" series, they added about four minutes of new material to the beginning of the film, making the short 16 minutes long instead of the original 12 minutes. The opening four minutes with boxing historian Nat Fleischer is markedly different from the rest of the film as if features footage from different boxing matches. The opening was also modified with the credits appearing in different order and the music for the opening was also changed. The majority of the picture is the same until the end. In the last sequence when the knock out happens, the narration is once again changes. Kubrick's original cut features Douglas Edwards talking about personal sacrifice and success. The extended RKO cut removes this portion of the narration and adds new one with Nat Fleischer to better match the opening segment - this narration is about how this fight will go down into the record books. The music at the end was also changed - Gerald Fried's finale cue was moved earlier to match the beginning of the new narration, but because it starts sooner, it doesn't line up with the ending. Thus the new end title card (which adds This is America to the bottom of the card) plays in silence.
- कनेक्शनFeatured in The Art of Stanley Kubrick: From Short Films to Strangelove (2000)
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Day of the fight (Día de combate)
- फ़िल्माने की जगहें
- Church of St. Francis Xavier, 46 W. 16th St., न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(Church where Walter Cartier and his brother, Vincent, attend morning mass)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,900(अनुमानित)
- चलने की अवधि16 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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