Kill or Be Killed

I am a big fan of Lawrence Tierney and I look for all his films whenever I have a few hours to kill. In this film, Tierney is a protagonist rather than a cold-blooded killer, like he was in Born to Kill. The characters in this film are far less seedy and sleazy as well. The major weakness of the film is the music; it appears as if the film was hijacked by the people responsible for the music soundtrack. Instead of having foreboding music similar to that in Psycho, the composers for this sound track try to recreate The Sound of Music. "The River with Killer Fish is alive with the sound of music". would have been lyrics they might have created to further ruin what was a decent story line. The music is terribly overbearing and overwhelms the characters and the plot at times. Fortunately, Tierney saves us from this version of The Producers by sticking to his hard guy pesonna. Lesson: dont let music ruin your film.

Wrongly accused of murder, Robert Warren (Lawrence Tierney) must elude capture while trying to track down the real killer. Along the way, Warren is assisted by the beautiful Maria Marek (Marissa O'Brien), leading to even more trouble for Warren. Maria's jealous husband (Rudolph Anders) and his henchman (George Coulouris) cause big problems.

When the action switches to the jungle, things get even more interesting.

A very entertaining film, KILL OR BE KILLED is filled with drama, thrills, and romance. One memorable chase scene takes us through some spectacular Portuguese locations!

Tierney is fantastic in his hunted role!...

Laurence Tierney is an engineer and architect in Brazil. He wants to be paid for installing an air-conditioning unit in a dive, but he's put off. Before you know it, he's been accused of a murder, shot at by the police, swum underwater for a couple of hundred yards with a bleeding wound, and been rescued by concert pianist Marissa O'Brien who's about to go find some peace in the jungle. He invites himself along, lest the police's aim improves with practice, and finds himself designing a new house for George Coulouris, who's talking with a German accent.

Odd people you meet on the Universal Studios back lot! Some of the street scenes were shot in Lisbon, but they don't add anything I noticed to this indie B movie, directed by Max Nosseck. It's a bog-standard B movie, barely indistinguishable from dozens of others of the period. Everyone seems to be competent, except possibly for the costume designer, whose name is understandably omitted from the credits.

This film lost me when all the guys appeared for dinner in this mansion stuck in the middle of the jungle wearing white dinner jackets and ties while the woman of the house tinkered away on the grand piano. A bit out of place you might say. Also out of place was Lawrence Tierney in a role more suited to Cary Grant than the king of the tough guys. Lawrence excels as a gangster , why they tried to sell him off as a good guy defies logic!

Only Lawrence Tierney completists should subject themselves to this dull, inert and unengaging flick about an engineer wrongly accused of murder. A lot of the story takes place in ships or a jungle as he goes on the run, and falls for a dippy dame who protects him. The sappy dialogue hopes to make us believe there is a romantic spark between these two despite there being little chemistry between them and they both act stiff as ironing boards throughout. Then the coincidences pile up to make matters worse. However, I'll give it three points: (1) for some OK action (2) the exotic locations and (3) there is some curious plotting involving a mute youth. But that's about it. Although it has a very short run-time I found myself checking my watch several times before I gave up on it 45 mins through (and watched the rest a few days later). You've been warned!