Riding High

I had long wanted to see this picture, manly because it's the last one of a certain rotund comedian who's usually known as part of a famous team and who I found as hilarious as usual. The picture itself, with Bing Crosby putting his usual charms to good use, is a lark especially with the rest of the supporting cast in tow. Leading lady Coleen Gray is fine as Crosby's main muse, Clarence Muse is divine as the trainer, William Demarest is his usual lovably grouchy self, among others in the fine cast which includes director Frank Capra's veterans from my favorite movie of his, It's a Wonderful Life: Charles Lane and Ward Bond. The songs are entertaining especially when Bing, Clarence, and Coleen sing that classic "Camptown Races". Nothing more to say except, Riding High gets a high recommendation from me.

Pretty much a shot for shot remake of Broadway Bill, Riding High is one of those curious oddities where a filmmaker remade their own film. This isn't quite like Howard Hawks simply repeating himself (like Ceiling Zero becoming Only Angels Have Wings) or Hitchcock just seeing if he can make a better version (with the two The Man Who Knew Too Much films). Instead, this is Frank Capra, chastised by his sale of Liberty Films and becoming a contract director for Paramount, making something cheap and fast, heavily utilizing footage from Broadway Bill (anything written on it says it's the racing footage, but it's much more than the racing footage), and having no real creative reason for doing it. The only thing that seemed to ignite Capra was that his new leading man, Bing Crosby, loved horses unlike his old leading man, Warner Baxter.

Really, it's the exact same story with some very minor tweaks. In this one, instead of the main character, Dan (Crosby) being married to Margaret (Frances Gifford), eldest daughter of magnate J. L. Higgins (Charles Bickford), they're merely engaged, Margaret already having gone through a divorce. This would, in theory, make the machinations to get Dan and the youngest Higgins daughter, Alice (Coleen Gray), less complicated, but it surprisingly alleviates none of that. It still feels like this laborious process to get the two obviously in love people together.

The other major change is the introduction of a handful of songs, and they're fine. Gamely sung by Crosby and Gray, mostly, they're very simply staged on small sets with little to no dancing, and they're light diversions from the complete repeat of plot and character we had from the first film. Now, I'm very much in the camp that remakes are not inherently inferior to the originals (the aforementioned Only Angels Have Wings is very much superior to the original Ceiling Zero), but usually a remake should bring something new to the table. The only thing new here is Bing Crosby who easily sings a handful of songs and has a better rapport with the horses.

And somehow, I think Broadway Bill works a bit better. It's not like Broadway Bill is some Capra classic, but it functions well enough. I think that difference is because of the casting of the main character. The central role of Dan is really that of a conman who tried to go straight but can't step away from the tracks before he needs to con people out of the money repeatedly while trying to get Bill, his horse, into a race, ultimately any race, as his situation becomes increasingly desperate. Crosby is just to nice for the role in a way that Baxter wasn't. He feels more out of place, especially when he sings those little ditties like "Sunshine Cake", a song that simply stops because the three singing it devolve into chaos and it just needs to end (which feels more like a jam session gone wrong than a planned event), break through what little drama there is to distract. They're nice as they play, but they feel so out of place.

I'm not sure if this is an element of the retelling or simply the fact that this is now the second time I've seen this exact same story play out in almost exactly the same way, but the really episodic nature of the events are kind of jarring this time. There's precious little connective tissue as Dan, Professor Pettigrew (Raymond Walburn), and Whitey (Clarence Muse) fumble their way through efforts to raise money and the storm that gives Bill a cold just feel so much more disjointed this time.

It's well-documented that almost everything involving a racetrack field is from Broadway Bill, but I was surprised to see that most of Ward Bond's and Douglas Dumbrille's roles are from the earlier film as well, especially the late scenes when they manage a room full of telephones to take advantage of the rising odds on Bill's chances that make their own stakes on another horse more valuable. I don't count it against the film, but it is odd to see, especially since they're in the film earlier in shots filmed with Crosby where they're sixteen years older. I wouldn't go so far as to call it a problem with the film, but it's both weird to see and calls into question why the film was made at all if they're just going to recycle so much footage from the previous iteration.

I mean, there's racing footage or using footage from The Wooden Crosses in The Road to Glory, and then there's pulling what essentially amounts to an entire subplot from the previous film through the footage.

So, it's Broadway Bill with some songs and a central lead who doesn't seem to fit the film as well. I was surprised it kept the shockingly dour ending, but I guess they only had so much in the way of choice when it came to not being able to film much at all at the race track. I'd call it a step down, but a minor one.

I have fond memories of seeing Frank Capra's "Riding High" on the late show and when it came available on DVD I wanted to share it with my fourteen year old daughter. A girl of great taste, my daughter is already a Bing Crosby fan and "Riding High" is a marvelous way to introduce youngsters to great character actors. Frank Capra always used the best actors to tell his stories and this time out he reached back to his original filming of the story ("Broadway Bill") for a fabulous cast. Raymond Walburn, Margaret Hamilton, Clarence Muse are pros who always delight. What great fun to see Oliver Hardy. William Demarest cracked us up as "Happy". Irving Bacon as the lunch counter man, Percy Kilbride, Ward Bond, Dub Taylor, Gene Lockhart. A who's who of the people who made the golden age of movies truly golden. "Riding High" has heart, songs and laughs. Gather the kids and have a great time.

A lovely remake of the director's own Broadway Bill, Riding High is full to the brim with comedy, action and romance. We don't get Myrna Loy this time (shame!), but Capra's handling is as adept as ever and he even allows Bing to sing a handful of trackside standards! Whilst the film cannot match the very best Capra/Riskin collaborations, it is nevertheless great fun, with Bing perfectly cast in the lead. My only complaint is in the over-abundance of stock footage from Broadway Bill (presumably due to financial constraints).

Sheer escapism, with a decent moral and lovely performances all round. Leave your cynicism at the door and you should have a ball!

i had heard of Riding High but never saw it until TCM presented the film a few weeks ago. thoroughly entertaining. thoroughly capra, with a few songs thrown in. thoroughly bing. what a combo. some stock capra personnel such as clarence muse, bill demarest (his usual grouchy self),charles lane (when i last heard, he passed his 100th b'day a few years ago). douglas dumbrille, jimmy gleason and etc. etc. "sunshine cake", camptown races", "the horse told me" round out the story musically. colleen gray was nice as the younger sis who won bing in the end. the big race was exciting; had me rooting as if it were for real. you can tell the scenes borrowed from "broadway bill", the grandstand showed the gals in early 30's garb in a 1950 movie. no wonder capra made another pic with bing, "here comes the groom".