Flight to Mars

An exploratory expedition to Mars crashlands on the planet and receive aid from an underground Martian civilization(which no the expedition are not at all surprised to discover living on the planet) but can these Martians be trusted?

Despite its flaws and low budget, I can't help loving the 1950s sci-fi style utilized in the film from the model rocketships to the leggy costumes worn by the Martian women to the predictable film climax. Any fan of films from the era should at least see this film. There are times this film tries to reach above its limitations and it succeeds in doing so just a little.

I agree with the all the POSITIVE comments on this unique little blast-from-the-past. "Flight to Mars" is a very enjoyable movie, despite it's limitations.

Beware, however, of the new DVD of "Flight to Mars". It is NOT derived from the same print as the prerecorded videotape that came out several years ago. The DVD print is riddled with scratches, and several scenes are ruined by numerous missing pieces of film!

We can only hope that a new DVD -- transferred from a BETTER print -- is released in the next few years. Meanwhile, please take my advice and watch the videotape. You'll thank me later.

Cheesy, shlocky and campy as it is, I suppose that 1951's "Flight to Mars" still has a claim to historical relevance. According to one of my film Bibles, "The Psychotronic Encyclopedia," it was "the first space-flight movie in color." But hey, wait a minute...what about "Destination Moon," made the year before? Better make that "one of the first..." Anyway, in this one, newsman Cameron Mitchell tags along with four scientists (one of them the obligatory hotty female scientist) on the first, uh, flight to Mars. The group's members wear bomber jackets and wide-brimmed hats, more suitable for a fishing expedition, and, during liftoff, strap themselves into blanketed cots. After toughing it out through a meteor storm (that looks like a bunch of orange dots), our Earth band finds the remnants of an underground Martian civilization, whose remaining members attempt to steal the Earth ship so as to evacuate their dying planet. Luckily, for the male Terran viewer, some of these Martians are leggy, miniskirted and babelicious; one of them is even named Aelita, in a not-so-subtle homage to the 1924 Russian sci-fi classic "Aelita, Queen of Mars." The sets and FX on display here, it must be said, range from imaginative and impressive to slapdash and laughable. (It's hard to believe that "Forbidden Planet," one of the real sci-fi champs, with its superb FX, was made a scant five years later!) The film's Cinecolor looks just fine on the DVD that I just watched, but the source print itself has been badly damaged, with many words missing. A somewhat tense finale, unfortunately, is also marred by a too abrupt ending. All in all, a mixed bag that should still be of interest to fans of '50s sci-fi. Oh, by the way: Cameron Mitchell reveals, in one of the DVD's extras, that this movie was filmed in just five days! Maybe they should have taken six.

Actually, the leader of so-called 'poverty studios' was given the highest accolade by French New Wave director Jean Luc-Godard who sited Monogram Pictures as a significant influence in his seminal 1959 film BREATHLESS.

FLIGHT TO MARS certainly has a Saturday afternoon matinée feel to it backed with a popcorn budget with butter. It is filmed in warmly lit Super Cinecolor. The movie was lensed in five days according to Cameron Mitchell who portrays the stalwart lead character. With his trusty Underwood typewriter he is chronicling an on board journal for his newspaper of this intrepid crew's voyage to the red planet.

The crew members on board, including flight commander Arthur Franz, are dressed for a camping trip. The exception is Virginia Huston, introduced as 'the lady scientist', wearing a skirt and heels.

When this movie was released in 1951, remember, there was no NASA, no satellites for that matter, and Flash Gordon was really the closest thing to reality regarding space travel.

Given these parameters, it's relatively simple to suspend belief and be caught up in the moment to which this film takes us.

After a white knuckle landing on Mars surface, one crew member suggests putting on oxygen masks before venturing outside. They have no pressurized space suits or helmets, you see. Oddly enough, the Martians do, hand me downs from the movie DESTINATION MOON.

The Earthlings are given the tour of the Martian's underground city which resembles a paper mache version of H.G. Wells' THINGS TO COME. Upon seeing their living quarters, lady scientist Virginia Huston's first question is "Where's the kitchen?" Terris, the comely Martian hostess,(Lucille Barkley) informs the crew that there are no kitchens, but laboratories and meals are delivered by request. Yes, the Martians speak perfect English. They listen to radio shows. Evidently, that green-eyed monster,television, which has already subjugated Earth has not invaded Martian soil....yet. She then presses a button and a cart of food with drinks emerges from the wall. Terris reminds me of Betty Furness who would always look so comfortable showing off the features of the latest Westinghouse refrigerator on TV. Makes me wonder how many more fridges Betty could have sold if she was wearing the ensemble that Terris is sporting.

Oh yes, the Earth crew's wardrobe have to comport with the typical Martian. That means the men appear in Prince Valiant garb with gray flannel underwear and boots. Virginia, the only female crew member is given what every Martian woman wears, a sleeveless mini-dress with go-go boots. Terris says, "they're very comfortable."

One of the more prominent citizens is leggy Alita,played by Marguerite Chapman. Alita was originally Aelita the Queen of Mars in the classic 1924 Soviet film bearing her name. For FLIGHT TO MARS she appears to have been dethroned to a more subordinate role of administrative assistant to the Council of which her father is a member. Yet, Alita is obviously high up in the Martian fem corporate ladder as she doesn't wear boots, but customized jet black pumps with her mini outfit.

One can imagine Dr. Werner Von Braun and his fellow scientists getting a kick out of this flick in their desert compound at Los Alamos, New Mexico, when they weren't developing their Redstone rocket.

FLIGHT TO MARS is short enough at 72 minutes that there's no chance of boredom to set in. So bring along a B-17 flight jacket and prepare to board ship.

I saw this film years ago, Before Starwars, and may I rise to defend it? This film is the American version of Aelita, from the novel by Count Alexei Tolstoy (the less famous of the writing counts Tolstoy) and the first version of the novel is worth reading (he later did many more versions to try to please Stalin, but that's another story.) A Russian Engineer and a Revolutionary fly to Mars, which was colonized by humans from Earth's Atlantis in the past (who inter-married with the natives -- they have blue skin)-- the planet is dying of lack of resources and a revolution is brewing. Aelita is the local princess. In the end, the Earthmen precipitate a doomed uprising and flee. The Russian movie tells much the same tale, but in the end it turns out to have been a dream. The American version is in many ways a faithful retelling of the novel done under a low budget. There is the engineer with the unhappy love-life, the revolutionary has been replaced by the reporter (who was in the book too), and Aelita becomes Alita, a Martian engineer with a slip stick as long as her arm. The movie came out from Monogram and was written and directed by people who specialized in westerns, produced by someone who specialzied in Westerns (of the B variety) and by Water Mirisch, who was the only one to break from the mold (with, oddly enough, a western, 'The Magnificient Seven,' which was also cannibalized from someone else's work. And it isn't that bad. For Monogram it was a high budget production; the special effects (the meteors hitting the rocket, the rocket crashing in snow covered mountains) were re-used again and again and have been seen in many other movies and TV shows. Of course they had to hide the origins. This was 1951 and Tail Gunner Joe was looking for commies under every bed, and while Tolstoy may have been a nobleman, he went out writing propaganda for Uncle Joe.