Laughter in Paradise

This is a most excellent example of the comic talents of Alistair Sim. His bungling attempts to get himself arrested had me in stitches. Particularly trying to get the store detective, or indeed anyone, to notice he was trying his hand at shoplifting. And of course finding a crime that would only get him the 30 days in jail as stipulated in the will.

As someone else has mentioned he did have all the best lines, but the remainder of the cast did a great job, the mild mannered clerk who had to rob the bank where he worked, the overbearing snob who had to be a maid, the womaniser who had to marry the first woman he spoke to, all made for the usual mix of farce and comedy.

It was also notable for an early appearance of Audrey Hepburn as the cigarette girl.

This has got to be a classic of Ealing comedies.

Alistair Sim is at his best, the scene with the window (Fact-he ad-libbed most of the scene too)is proof that actors like him are few in between.

I saw this when I was a nipper as my father said that he enjoyed it when it first came out and even though I've seen it quiet a few times it's still fresh and amusing. Watch it and anything else with Mr Sims, this is British at it's best.

A nice sly comedy that has similarities to Brewsters Millions. When Henry Russell (Hugh Griffiths) dies, known during his lifetime as a practical joker, he sets his beneficiaries a task that they must achieve before they can gain a share of their inheritance of £50,000. The tasks are related to some character weakness.

Alastair Sim who writes thrashy crime stories, long term engaged to Joyce Grenfell has to get himself arrested and spend 28 days in jail. George Cole a hapless and bullied bank clerk as to stick up the bank that he works for.

Fay Compton has to work as a maid to the curmudgeonly John Laurie without getting fired. The caddish Guy Middleton has to marry the first single woman he meets.

Sim and Cole have the funniest escapades, Middleton passes over a young Audrey Hepburn to pursue the second eligible woman he encounters. The characters discover something about themselves while pursuing their tasks, it is a nice bit of light whimsy.

Alastair Sim would make a perfect undertaker. With those Bassett-hound eyes and that mournful hand-wringing manner, he's made to preside over the Slumber Room and ease you into the priciest model. So, it never fails to surprise me that he's also a first-rate comedic actor, maybe even the last word in droll comedy. And he pulls off the humor so slyly, with just a minor change of expression. What a wonderfully artistic contrast he is to today's rub- your-nose-in-it brand of comedy.

This is not his best vehicle, but the movie does have a clever premise and a couple of good set-ups—the shoplifting sequence, and any scene with Joyce Grenfell. The sketches, however, are more amusing than hilarious, and the humor never really peaks out in a climactic way. It's also perhaps one of the sweetest comedies on record, insisting that the key to happiness is pairing up with another, even in the case of those two cranky old people. That's the wisdom behind the will's requirement— old man Russell makes each beneficiary experience what is most missing from his or her life, and in the process, become a better and happier person.

Note the shot taken early on at America's brand of hard-boiled detective fiction, probably then making inroads into popular British fiction. So, by combining America's street- tough style with traditional British prose, writer Russell (Sim) produces something amusingly ridiculous, like "Petal arched her alabaster arm above her patrician brow in a moment of precise exasperation before he smacked her in the kisser." Anyway, I thought those passages were both funny and cleverly offbeat. All in all, this little comedy may be no knee-slapper, but it is rather sweetly memorable.

This is such a funny film! It's a clever plot which owes more than something to the old "warhorse" Brewster's Millions, and is filled with the eccentric lunacy which characterised so many British films made after WW2.

Alistair Sim is THE truly great British comic actor, even more so than Alec Guinness or Peter Sellers. To watch the scene when he tries to get arrested for shoplifting in the department store is to experience sheer comic inspiration.

I am no fan of remakes (have you seen the Thomas Crown remake!!), but funnily enough I am amazed that Hollywood hasn't had a go at this. In the right hands it could be made to work again.